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English Criticism in Japan

English Criticism in Japan
Author: Earl Miner
Publisher: Princeton University Press
Total Pages: 347
Release: 2015-03-08
Genre: Literary Criticism
ISBN: 1400870356

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This collection of essays has been compiled in the hope of making scholars in the rest of the world more familiar with Japanese studies in English literature. By revealing to Western scholars the insights and criticisms of their Japanese colleagues they should help to expand the arena of intellectual discussion and improve its quality. The essays are the work of younger scholars from several leading Japanese universities. They range widely over English and American literature, stretching in time from Chaucer to T. S. Eliot, and in subject from the concept of "the royal" in Shakespeare to the involuntary memory as discovered by Coleridge. The writers have some uniquely Japanese perspectives, not of the hackneyed "East meets West" type, but insights stemming, the editor suggests, from these writers' experience of their own very rich literary tradition. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


English Criticism in Japan

English Criticism in Japan
Author: Earl Roy Miner
Publisher:
Total Pages:
Release: 1972
Genre:
ISBN:

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Literature of the Lost Home

Literature of the Lost Home
Author: Hideo Kobayashi
Publisher: Stanford University Press
Total Pages: 194
Release: 1995
Genre: Literary Criticism
ISBN: 9780804741156

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A collection of the most significant and enduring works of the most important Japanese literary critic of the 20th century. The selections reflect the wide range of Kobayashi’s early work, from meditations on the nature of literature and of criticism to studies of individual Japanese and Western writers.


The Politics and Literature Debate in Postwar Japanese Criticism, 1945–52

The Politics and Literature Debate in Postwar Japanese Criticism, 1945–52
Author: Atsuko Ueda
Publisher: Lexington Books
Total Pages: 360
Release: 2017-05-09
Genre: Literary Criticism
ISBN: 0739180770

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In the wake of its defeat in World War II, as Japan was forced to remake itself from “empire” to “nation” in the face of an uncertain global situation, literature and literary criticism emerged as highly contested sites. Today, this remarkable period holds rich potential for opening new dialogue between scholars in Japan and North America as we rethink the historical and contemporary significance of a number of important issues, including the meaning of the American occupation both inside and outside of Japan, the shifting semiotics of “literature” and “politics,” and the origins of crucial ideological weapons of the cultural Cold War. This collection features works by Japanese intellectuals written in the immediate postwar period. These writings—many appearing in English for the first time—offer explorations into the social, political, and philosophical debates among Japanese literary elites that shaped the country’s literary culture in the aftermath of defeat.


Literature among the Ruins, 1945–1955

Literature among the Ruins, 1945–1955
Author: Atsuko Ueda
Publisher: Lexington Books
Total Pages: 203
Release: 2018-05-07
Genre: Literary Criticism
ISBN: 0739180746

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In the wake of the disaster of 1945—as Japan was forced to remake itself from “empire” to “nation” in the face of an uncertain global situation—literature and literary criticism emerged as highly contested sites. Today, this remarkable period holds rich potential for opening new dialogue between scholars in Japan and North America as we rethink the historical and contemporary significance of such ongoing questions as the meaning of the American occupation both inside and outside of Japan, the shifting semiotics of “literature” and “politics,” and the origins of what would become crucial ideological weapons of the cultural Cold War. The volume consists of three interrelated sections: “Foregrounding the Cold War,” “Structures of Concealment: ‘Cultural Anxieties,’” and “Continuity and Discontinuity: Subjective Rupture and Dislocation.” One way or another, the essays address the process through which new “Japan” was created in the postwar present, which signified an attempt to criticize and reevaluate the past. Examining postwar discourse from various angles, the essays highlight the manner in which anxieties of the future were projected onto the construction of the past, which manifest in varying disavowals and structures of concealment.


The Politics and Literature Debate in Postwar Japanese Criticism 1945-52

The Politics and Literature Debate in Postwar Japanese Criticism 1945-52
Author: Professor Atsuko Ueda
Publisher:
Total Pages:
Release: 2017-05-26
Genre:
ISBN: 9780739180754

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In the wake of its defeat in World War II, as Japan was forced to remake itself from "empire" to "nation" in the face of an uncertain global situation, literature and literary criticism emerged as highly contested sites. Today, this remarkable period holds rich potential for opening new dialogue between scholars in Japan and North America as we rethink the historical and contemporary significance of a number of important issues, including the meaning of the American occupation both inside and outside of Japan, the shifting semiotics of "literature" and "politics," and the origins of crucial ideological weapons of the cultural Cold War. This collection features works by Japanese intellectuals written in the immediate postwar period. These writings--many appearing in English for the first time--offer explorations into the social, political, and philosophical debates among Japanese literary elites that shaped the country's literary culture in the aftermath of defeat.


The Pleasures of Japanese Literature

The Pleasures of Japanese Literature
Author: Donald Keene
Publisher: Companions to Asian Studies Series
Total Pages: 133
Release: 1988
Genre: Literary Criticism
ISBN: 9780231067379

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Introduces Japanese culture, and discusses the aesthetics, poetry, fiction, and theater of Japan


Origins of Modern Japanese Literature

Origins of Modern Japanese Literature
Author: Kōjin Karatani
Publisher: Duke University Press
Total Pages: 244
Release: 1993
Genre: Literary Criticism
ISBN: 9780822313236

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Karatani Kojin is one of Japan's leading critics. In his work as a theoretician, he has described Modernity as have few others; he has re-evaluated the literature of the entire Meiji period and beyond. As one critic has said, Karatani's thought "has had a profound effect on the way we formulate the questions we ask about modern literature and culture ... [his] argument is compelling, moving even, and in the end the reader comes away with a different understanding not only of modern Japanese literature but of modern Japan itself." Among the many authors discussed are Soseki Natsume, Doppo Kunikida, Katai Tayama, and Shoyo Tsubouchi.


Reading Food in Modern Japanese Literature

Reading Food in Modern Japanese Literature
Author: Tomoko Aoyama
Publisher: University of Hawaii Press
Total Pages: 290
Release: 2008-09-30
Genre: Literary Criticism
ISBN: 082483285X

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Literature, like food, is, in Terry Eagleton’s words, "endlessly interpretable," and food, like literature, "looks like an object but is actually a relationship." So how much do we, and should we, read into the way food is represented in literature? Reading Food explores this and other questions in an unusual and fascinating tour of twentieth-century Japanese literature. Tomoko Aoyama analyzes a wide range of diverse writings that focus on food, eating, and cooking and considers how factors such as industrialization, urbanization, nationalism, and gender construction have affected people’s relationships to food, nature, and culture, and to each other. The examples she offers are taken from novels (shosetsu) and other literary texts and include well known writers (such as Tanizaki Jun’ichiro, Hayashi Fumiko, Okamoto Kanoko, Kaiko Takeshi, and Yoshimoto Banana) as well as those who are less widely known (Murai Gensai, Nagatsuka Takashi, Sumii Sue, and Numa Shozo). Food is everywhere in Japanese literature, and early chapters illustrate historical changes and variations in the treatment of food and eating. Examples are drawn from Meiji literary diaries, children’s stories, peasant and proletarian literature, and women’s writing before and after World War II. The author then turns to the theme of cannibalism in serious and popular novels. Key issues include ethical questions about survival, colonization, and cultural identity. The quest for gastronomic gratification is a dominant theme in "gourmet novels." Like cannibalism, the gastronomic journey as a literary theme is deeply implicated with cultural identity. The final chapter deals specifically with contemporary novels by women, some of which celebrate the inclusiveness of eating (and writing), while others grapple with the fear of eating. Such dread or disgust can be seen as a warning against what the complacent "gourmet boom" of the 1980s and 1990s concealed: the dangers of a market economy, environmental destruction, and continuing gender biases. Reading Food in Modern Japanese Literature will tempt any reader with an interest in food, literature, and culture. Moreover, it provides appetizing hints for further savoring, digesting, and incorporating textual food.