Newsletter
Author | : English Association |
Publisher | : |
Total Pages | : 12 |
Release | : 1998 |
Genre | : English philology |
ISBN | : |
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Author | : English Association |
Publisher | : |
Total Pages | : 12 |
Release | : 1998 |
Genre | : English philology |
ISBN | : |
Author | : English Association |
Publisher | : |
Total Pages | : 12 |
Release | : 2003 |
Genre | : English philology |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 152 |
Release | : 2004 |
Genre | : English language |
ISBN | : |
Author | : English Association |
Publisher | : |
Total Pages | : 436 |
Release | : 1926 |
Genre | : English literature |
ISBN | : |
Bibliographies of English language and literature, lists of new members of the association, and lists of publications of the association are included.
Author | : Roger Lancelyn Green |
Publisher | : |
Total Pages | : 5 |
Release | : 1946 |
Genre | : |
ISBN | : |
Author | : National Library of Medicine (U.S.) |
Publisher | : |
Total Pages | : 824 |
Release | : 1993 |
Genre | : Medicine |
ISBN | : |
First multi-year cumulation covers six years: 1965-70.
Author | : Laura Ashe |
Publisher | : Boydell & Brewer Ltd |
Total Pages | : 268 |
Release | : 2014 |
Genre | : Literary Criticism |
ISBN | : 1843843811 |
Reflections on the uneasy yet symbiotic relations of war and writing, from medieval to modern literature.
Author | : Emma Parker |
Publisher | : DS Brewer |
Total Pages | : 206 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : 9781843840114 |
Essays illustrating the range and diversity of post-1970 British women writers. Despite the enduring popularity of contemporary women's writing, British women writers have received scant critical attention. They tend to be overshadowed by their American counterparts in the media and have come to be represented within the academy almost exclusively by Angela Carter and Jeanette Winterson. This collection celebrates the range and diversity of contemporary (post-1970) British women writers. It challenges misconceptions about the natureand scope of fiction by women writers working in Britain - commonly dismissed as parochial, insular, dreary and domestic - and seeks to expand conventional definitions of "British" by exploring how issues of nationality intersectwith gender, class, race and sexuality. Writers covered include Pat Barker, A.L. Kennedy, Maggie Gee, Rukhsana Ahmad, Joan Riley, Jennifer Johnston, Ellen Galford, Susan Hill, Fay Weldon, Emma Tennant, and Helen Fielding. Contributors: DAVID ELLIS, CLARE HANSON, MAROULA JOANNOU, PAULINA PALMER, EMMA PARKER, FELICITY ROSSLYN, CHRISTIANE SCHLOTE, JOHN SEARS, ELUNED SUMMERS-BREMNER, IMELDA WHELEHAN, GINA WISKER.
Author | : Stan Smith |
Publisher | : DS Brewer |
Total Pages | : 236 |
Release | : 2006 |
Genre | : Literary Criticism |
ISBN | : 9781843840756 |
"Unlike most readings of globalisation, these essays depict not an irresistible juggernaut but a process that, in generating its own resistances, opens up the possibility of an alternative world order founded not on the inequalities of power and capital, but on shared commitment to a fragile planet and a common and universal culture."--BOOK JACKET.
Author | : Juliet John |
Publisher | : DS Brewer |
Total Pages | : 246 |
Release | : 2012 |
Genre | : Literary Collections |
ISBN | : 1843843269 |
Essays exploring the ways in which Dickens' vision is both so much of its time, and yet has so much resonance for today. The scale of the 2012 bicentenary celebrations of Dickens's birth is testimony to his status as one of the most globally popular literary authors the world has ever seen. Yet Dickens has also become associated in the public imagination with a particular version of the Victorian past and with respectability. His continued cultural prominence and the "brand recognition" achieved by his image and images suggest that his vision reaches out beyond the Victorianperiod. Yet what is the relationship between Dickens and the modern world? Do his works offer a consoling version of the past or are they attuned to that state of uncertainty and instability we associate with the nebulous but resonant concept of modernity? This volume positions Dickens as both a literary and a cultural icon with a complex relationship to the cultural landscape in his own period and since. It seeks to demonstrate that oppositions which have pervaded approaches to Dickens - Victorian vs modern, artist vs entertainer, culture vs commerce - are false, by exploring the diversity and multiplicity of Dickens's textual and extra-textual lives. A specially commissioned Afterword by Florian Schweizer, Director of the Dickens 2012 celebrations, offers a fascinating insight into the shaping of this year-long public programme of commemoration of Dickens. Like the volume as a whole, it asks us toconsider the nature of our connection with "this quintessentially Victorian writer" and what it is about Dickens that still appeals to people around the world. Professor Juliet John holds the Hildred Carlile Chair of English Literature, Royal Holloway, University of London. Contributors: Jay Clayton, Holly Furneaux, John Drew, Michaela Mahlberg, Juliet John, Michael Hollington, Joss Marsh, Carrie Sickmann, Kim Edwardes Keates, DominicRainsford, Florian Schweizer