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Encyclopedia of Indian Cinema

Encyclopedia of Indian Cinema
Author: Ashish Rajadhyaksha
Publisher: Routledge
Total Pages: 3189
Release: 2014-07-10
Genre: Social Science
ISBN: 1135943257

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The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.


Encyclopaedia of Hindi Cinema

Encyclopaedia of Hindi Cinema
Author: Gulazāra
Publisher: Popular Prakashan
Total Pages: 692
Release: 2003
Genre: Biography & Autobiography
ISBN: 9788179910665

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The Encyclopaedia Which Brings Together An Array Of Experts, Gives A Perspective On The Fascinating Journey Of Hindi Cinema From The Turn Of The Last Century To Becoming A Leader In The World Of Celluloid.


Encyclopaedia of Indian Cinema

Encyclopaedia of Indian Cinema
Author: Ashish Rajadhyaksha
Publisher: Oxford University Press, USA
Total Pages: 592
Release: 1994
Genre: Juvenile Nonfiction
ISBN:

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Drawing on the work of a large team of specialists, this book contains 500 entries on all the leading directors, stars, studios and genres in Indian cinema. In addition to comprehensive filmographies, it also features 1450 entries on key films from all periods and regions, with cast and credits as well as concise critical evaluations. A chronicle of film history, together with basic production statistics and an index, complete the volume.


Indian Cinema: A Very Short Introduction

Indian Cinema: A Very Short Introduction
Author: Ashish Rajadhyaksha
Publisher: Oxford University Press
Total Pages: 144
Release: 2016-07-20
Genre: Art
ISBN: 0191034770

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One film out of every five made anywhere on earth comes from India. From its beginnings under colonial rule through to the heights of Bollywood , Indian Cinema has challenged social injustices such as caste, the oppression of Indian women, religious intolerance, rural poverty, and the pressures of life in the burgeoning cities. And yet, the Indian movie industry makes only about five percent of Hollywood's annual revenue. In this Very Short Introduction Ashish Rajadhyaksha delves into the political, social, and economic factors which, over time, have shaped Indian Cinema into a fascinating counterculture. Covering everything from silent cinema through to the digital era, Rajadhyaksha examines how the industry reflects the complexity and variety of Indian society through the dramatic changes of the 20th century, and into the beginnings of the 21st. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable


Encyclopaedia of Indian Cinema

Encyclopaedia of Indian Cinema
Author: Ashish Rajadhyaksha
Publisher:
Total Pages: 0
Release: 1995
Genre: Motion pictures
ISBN:

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Encyclopedia of Indian Cinema

Encyclopedia of Indian Cinema
Author: Ashish Rajadhyaksha
Publisher:
Total Pages: 658
Release: 1999
Genre: Motion pictures
ISBN:

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Cinema India

Cinema India
Author: Rachel Dwyer
Publisher: Rutgers University Press
Total Pages: 244
Release: 2002
Genre: Performing Arts
ISBN: 9780813531755

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"The unique style of this cinema is explored through an analysis of the mise-en-scene of the film itself - the locations, sets and costumes - and shows how they, along with the song and dance sequences, construct the 'look' and meaning of a film. Equally important to India's visual culture is publicity. Cinema India explores the development of film advertising and its range of aesthetic influences, from indigenous sources, for example, the Ajanta cave paintings, to foreign styles, such as Art Deco, and examines how publicity material is able to convey social, political and economic information about the society in which it is produced."--BOOK JACKET.


Kumar Shahani

Kumar Shahani
Author: Kumar Shahani
Publisher:
Total Pages: 0
Release: 2015
Genre: Culture in motion pictures
ISBN: 9789382381617

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The fifty-one essays compiled in this book were written over a forty-year period by India's leading independent filmmaker. They provide new insights into a turbulent era in modern India's cultural history. Although known primarily as a filmmaker, Kumar Shahani has taught, spoken and written on a variety of subjects over this period, that include the cinema, but also politics, aesthetics, history and psychoanalysis. In these essays Shahani addresses diverse political issues, aesthetic practice, questions of artistic freedom and censorship. There are also personal essays on filmmakers and artists including his teachers and colleagues. Shahani's often polemical positions, as they occur in several previously unpublished essays and presentations, are essential contributions to film and cultural histories of the Indian cinema as well as of the New Cinema worldwide. The book includes a comprehensive introductory essay, "Kumar Shahani Now," by Ashish Rajadhyaksha.


The Eye of the Serpent

The Eye of the Serpent
Author: S. Theodore Baskaran
Publisher: Tranquebar
Total Pages: 292
Release: 2014-10-20
Genre: Performing Arts
ISBN: 9789383260744

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This is a quintessential book for Cinema buffs and particularly those who are passionate about Tamil cinema, which has the distinction of having played a significant role in history of films in India. Tracing the evolution of Tamil films from the time of pre-independence, when it was anathema for local Congress leaders to be associated with the celluloid, to the arrival of an American, Ellis Dungan, who made masterpieces like Meera, the book showcases vignettes about every important milestone in the vast canvas of Tamil films. In the almost ten decades of its evolution, Tamil cinema has grown to exert a dominant influence on the social and political life of Tamil Nadu in a manner that is unparalleled elsewhere in the world. This seminal volume is an analytical study of Tamil cinema both as an art form and as a socio-political force. Theodore Baskaran traces its history, and presents the achievements of many filmmakers with colourful insights. For the film buff as well as the serious student of film studies, The Eye of the Serpent is a handy reference book on several aspects of Tamil cinema - its character and evolution, the songs and songwriters, filmmakers and script writers, the beginnings of the unique nexus between cinema and politics in Tamil Nadu and much more.


Uttam Kumar

Uttam Kumar
Author: Sayandeb Chowdhury
Publisher: Bloomsbury Publishing
Total Pages: 320
Release: 2021-12-30
Genre: Performing Arts
ISBN: 9354352715

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'There is none like Uttam and there will be no one to ever replace him. He was and he is unparalleled in Bengali, even Indian cinema.'-Satyajit Ray, Oscar-winning Indian film-maker Actor and screen icon Uttam Kumar (1926–1980) is a talismanic figure in Bengali public life. Breaking away from established codes of onscreen performance, he came to anchor an entire industry and led the efforts to reimagine popular cinema in mid-20th-century Bengal. But there is pitifully less knowledge about Uttam Kumar in the learned circles-be it about his range of style and performance; the attractions and problems of his cinema; his roles as a producer and patriarch of the industry; or his persona, stardom and legacy. The first definitive cultural and critical biography of this larger-than-life figure engages meaningfully with his life and cinema, revealing the man, hero and actor from various, often competing, vantages. The conceptual aim is to locate a star figure within a larger historical and cultural context, and to enquire into how a towering image was mobilised for an ever-greater, wholesome, popular and even, at times, radical and progressive entertainment. A complimentary métier of this work is to explore why and how this star persona would go on to reconstitute the bhadrolok Bengali visual and cultural world in the post-Partition period. But above all, this is the story of a clerk who became an actor, an actor who became a star, a star who became an icon and an icon who became a legend.