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Encounters with Verdi

Encounters with Verdi
Author: Marcello Conati
Publisher: Cornell University Press
Total Pages: 476
Release: 1986
Genre: Composers
ISBN: 9780801494307

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An anthology of reminiscences, interviews, memoirs, and essays by a wide-ranging group of people--journalists, musicians, impresarios, or chance acquaintances--who met the reclusive and secretive composer at various moments during his long life. Each entry has a relevant place within the chronology of Verdi's life, and every reference to an unfamiliar event or name in the text is explained in the copious footnotes.


Encounters with Verdi

Encounters with Verdi
Author: Marcello Conati
Publisher:
Total Pages: 417
Release: 1984
Genre: Composers
ISBN:

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Interviews and Encounters with Verdi

Interviews and Encounters with Verdi
Author: Marcello Conati
Publisher: Orion
Total Pages: 417
Release: 1984-01-01
Genre: Composers
ISBN: 9780575033498

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Verzameling documenten van en over de Italiaanse componist (1813-1901), voorafgegaan door uitgebreide commentaren.


Giuseppe Verdi

Giuseppe Verdi
Author: Gregory W. Harwood
Publisher: Routledge
Total Pages: 466
Release: 2012
Genre: Art
ISBN: 0415881897

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This comprehensive research guide surveys the most significant published materials relating to Giuseppe Verdi. This new edition includes research since the publication of the first edition in 1998.


Verdi in America

Verdi in America
Author: George Whitney Martin
Publisher: University Rochester Press
Total Pages: 498
Release: 2011
Genre: Art
ISBN: 1580463886

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A renowned Verdi authority offers here the often-astounding first history of how Verdi's early operas -- including one of his great masterpieces, Rigoletto -- made their way into America's musical life.


Giuseppe Verdi: pocket GIANTS

Giuseppe Verdi: pocket GIANTS
Author: Daniel Snowman
Publisher: The History Press
Total Pages: 99
Release: 2014-02-03
Genre: Biography & Autobiography
ISBN: 0750955236

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Giuseppe Verdi (1813–1901) was the Shakespeare of opera, the composer of Rigoletto, Il Trovatore, La Traviata, Aida and Otello. The chorus of Hebrew slaves from Nabucco (1842) is regarded in Italy as virtually an alternative national anthem – and the great tragedian rounded off his career fifty years later with a rousing comedy, Falstaff. When Verdi was born, much of northern Italy was under Napoleonic rule, and Verdi grew up dreaming of a time when the peninsula might be governed by Italians. When this was achieved, in 1861, he became a deputy in the first all-Italian parliament. While in his 20s, Verdi lost his two children and then his wife (many Verdi operas feature poignant parent-child relationships). Later, he retired, with his second wife, to his beloved farmlands, refusing for long stretches to return to composition. Verdi died in January 1901, universally mourned as the supreme embodiment of the nation he had helped create. Daniel Snowman was born in London, educated at Cambridge and Cornell and at 24 became a Lecturer at the University of Sussex, going on to become BBC Radio's Chief Producer, Features. Since 2004 has held a Senior Research Fellowship at the Institute of Historical Research (University of London). Recent books include a study of the cultural impact of the 'Hitler Emigrés', a collection of critical essays on the work of today's leading historians and The Gilded Stage: A Social History of Opera, reviewed by Tim Blanning as 'A mighty achievement, by far and away the best history of opera available'.


Verdi's Theater

Verdi's Theater
Author: Gilles de Van
Publisher: University of Chicago Press
Total Pages: 450
Release: 1998-09-15
Genre: Biography & Autobiography
ISBN: 9780226143699

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But in the musical drama reality begins to blur, the musical forms lose their excessively neat patterns, and doubt and ambiguity undermine characters and situations, reflecting the crisis of character typical of modernity. Indeed, much of the interest and originality of Verdi's operas lie in his adherence to both these contradictory systems, allowing the composer/dramatist to be simultaneously classical and modern, traditionalist and innovator.


Experiencing Verdi

Experiencing Verdi
Author: Donald Sanders
Publisher: Scarecrow Press
Total Pages: 277
Release: 2013-12-01
Genre: Music
ISBN: 0810884682

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Titles in The Listener’s Companion: A Scarecrow Press Music Series provide readers with a deeper understanding of key musical genres and the work of major artists and composers. Aimed at nonspecialists, each volume explains in clear and accessible language how to listen to works from particular artists, composers, and genres. Looking at the context in which the music appeared as well as its form, authors explore with readers the environments in which key musical works were written and performed—from a 1950s bebop concert at the Village Vanguard to a performance of Handel’s Messiah in eighteenth-century Germany. Along with his contemporaries Chopin and Wagner, Verdi is among the few composers whose place in the musical pantheon is based almost entirely upon the mastery of a single genre. This is largely owing to his staggering output in a career that lasted over fifty years. Several of his operas occupy the nucleus of the modern repertoire, and Verdi almost single-handedly maintained the Italian lyric tradition against the tide of Wagnerian music drama. In his final years, he virtually reinvented Italian opera. Indeed, Verdi’s life and music came to be so intimately associated with the Italian unification movement known as the Risorgimento that he is still revered as a great national figure in his homeland. In Experiencing Verdi: A Listener’s Companion, Donald Sanders combines biography with simple, concise musical analysis. Summarizing the evolution of Italian opera and the bel canto tradition that prevailed at the beginning of Verdi’s career, Sanders takes readers on a leisurely tour of eleven of Verdi’s most important operas and of the Manzoni Requiem and concludes with a look at Verdi’s influence on later composers like Giacomo Puccini, his place in the modern repertoire, and his role as an Italian patriot. With a timeline, glossary of basic musical terms, and selected reading and listening recommendations, Experiencing Verdi will engage opera lovers at all levels, from those just starting to listen, learn, and enjoy to musical devotees.


The Cambridge Companion to Verdi

The Cambridge Companion to Verdi
Author: Scott L. Balthazar
Publisher: Cambridge University Press
Total Pages: 368
Release: 2004-11-18
Genre: Music
ISBN: 1139825836

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This 2004 Companion provides a biographical, theatrical and social-cultural background for Verdi's music, examines in detail important general aspects of its style and method of composing, and synthesizes stylistic themes in discussions of representative works. Aspects of Verdi's milieu, style, creative process and critical reception are explored in essays by highly reputed specialists. Individual chapters address themes in Verdi's life, his role in transforming the theater business, and his relationship to Italian Romanticism and the Risorgimento. Chapters on four operas representative of the different stages of Verdi's career, Ernani, Rigoletto, Don Carlos and Otello synthesize analytical themes introduced in the more general chapters and illustrate the richness of Verdi's creativity. The Companion also includes chapters on Verdi's non-operatic songs and other music, his creative process, and scholarly writing about Verdi from the nineteenth-century to the present day.


Aspects of Verdi

Aspects of Verdi
Author: George Whitney Martin
Publisher: Hal Leonard Corporation
Total Pages: 324
Release: 1993
Genre: Biography & Autobiography
ISBN: 9780879101725

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This collection of original essays ranges widely among the composer's interests and achievements: from his religious views to his skill as a cook, from the politics that galvanized him to the poetry that inspired him, from his earliest compositions to his final masterwork, Falstaff, completed at the age of 80. Drawing on original research and scholarship, this book also contains two of Verdi's early works, never before published in this form; a translated collection of his letters, also heretofore unpublished; the text of the Requiem with indications of Verdi's emphases; and a directory of his operas with sources, casts, theatres, and premiere dates.