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| Author | : Frank Brandsma |
| Publisher | : Boydell & Brewer |
| Total Pages | : 223 |
| Release | : 2015 |
| Genre | : Literary Criticism |
| ISBN | : 1843844214 |
Analysis of how emotion is pictured in Arthurian legend.
| Author | : Venetia Bridges |
| Publisher | : Boydell & Brewer |
| Total Pages | : 259 |
| Release | : 2021 |
| Genre | : Literary Criticism |
| ISBN | : 1843846160 |
Essays; medieval romance; Arthurian Iiterature; Elizabeth Archibald.
| Author | : Sif Ríkharðsdóttir |
| Publisher | : Boydell & Brewer |
| Total Pages | : 224 |
| Release | : 2017 |
| Genre | : Literary Criticism |
| ISBN | : 1843844702 |
Draws on Old Norse literary heritage to explore questions of emotion as both a literary motif and as a social phenomenon.
| Author | : Stephen Knight |
| Publisher | : Routledge |
| Total Pages | : 307 |
| Release | : 2021-03-01 |
| Genre | : History |
| ISBN | : 100034018X |
Medieval Literature and Social Politics brings together seventeen articles by literary historian Stephen Knight. The book primarily focuses on the social and political meaning of medieval literature, in the past and the present. It provides an account of how early heroic texts relate to the issues surrounding leadership and conflict in Wales, France and England, and how the myth of the Grail and the French reworking of Celtic stories relate to contemporary society and its concerns. Further chapters examine Chaucer’s readings of his social world, the medieval reworkings of the Arthur and Merlin myths, and the popular social statements in ballads and other literary forms. The concluding chapters examine the Anglo-nationalist `Arctic Arthur’, and the ways in which Arthur, Merlin and Robin Hood can be treated in terms of modern studies of the history of emotions and the environment. This book will be of interest to scholars and students of medieval Europe, as well as those interested in social and political history, medieval literature and modern medievalism (CS 1099).
| Author | : Megan G. Leitch |
| Publisher | : Manchester University Press |
| Total Pages | : 343 |
| Release | : 2021-07-06 |
| Genre | : Literary Criticism |
| ISBN | : 152615109X |
Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.
| Author | : Stephanie Downes |
| Publisher | : Springer Nature |
| Total Pages | : 139 |
| Release | : 2023-12-26 |
| Genre | : History |
| ISBN | : 3031464133 |
This book brings together several strands of medieval and medievalist work in the history of emotions, with a focus on literary, historical and cinema studies. It asks how we may best ‘face up’ to work that has been done already in these fields, and speculates about work that might yet be done, especially by medievalists working across medieval and postmedieval sources. In the idiom ‘facing up,’ its editors evoke the impulse to assess and realize the place of medieval studies in the burgeoning field of emotions research. Conceptually, psychologically, and artistically, the face is perceived as being at the forefront of many human interactions and emotional practices – as such, the face is not only a powerful conceptual site for theorizing human relationships, past and present, or a site for the representation of emotion: it is itself a catalyst for feeling. As such, the contributions gathered here provide a cutting-edge reflection on the history of medieval emotions.
| Author | : Kathy Cawsey |
| Publisher | : Broadview Press |
| Total Pages | : 522 |
| Release | : 2023-10-11 |
| Genre | : Literary Collections |
| ISBN | : 1770489010 |
This teaching anthology collects texts from the vast archive of medieval Arthurian literature. It includes selections from mainstream canonical authors, such as Geoffrey of Monmouth and Malory, and more peripheral works, such as the Melech Artus (a 12th-century Hebrew text) and the Dutch Morien (featuring a black knight). Characters and authors showcase the diversity of race, religion, gender, and gender orientation of the Arthurian tradition. The anthology and its accompanying website offer a variety of genres, ranging from visual art to historical chronicles and from romance to drama. Arthurian works, while concentrated in England, France, and Wales, are found across medieval Europe, and thus this anthology includes texts from Iceland to Greece. The Broadview Anthology of Medieval Arthurian Literature is ideally suited to teaching: it includes full texts, such as Chrétien de Troyes’ Knight of the Cart, Chaucer’s Wife of Bath’s Tale, and the anonymous Sir Gawain and the Green Knight, for classes that wish to study a whole work in depth; it also includes shorter excerpts of parallel incidents, such as the Uther and Igraine story, so that students can compare a story’s treatment by different authors. Marginal glosses assist students with the Middle English texts, while introductory notes and explanatory footnotes give students necessary background information.
| Author | : Leah Tether |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 563 |
| Release | : 2017-06-26 |
| Genre | : Literary Criticism |
| ISBN | : 3110432463 |
The renowned and illustrious tales of King Arthur, his knights and the Round Table pervade all European vernaculars, as well as the Latin tradition. Arthurian narrative material, which had originally been transmitted in oral culture, began to be inscribed regularly in the twelfth century, developing from (pseudo-)historical beginnings in the Latin chronicles of "historians" such as Geoffrey of Monmouth into masterful literary works like the romances of Chrétien de Troyes. Evidently a big hit, Arthur found himself being swiftly translated, adapted and integrated into the literary traditions of almost every European vernacular during the thirteenth and fourteenth centuries. This Handbook seeks to showcase the European character of Arthurian romance both past and present. By working across national philological boundaries, which in the past have tended to segregate the study of Arthurian romance according to language, as well as by exploring primary texts from different vernaculars and the Latin tradition in conjunction with recent theoretical concepts and approaches, this Handbook brings together a pioneering and more complete view of the specifically European context of Arthurian romance, and promotes the more connected study of Arthurian literature across the entirety of its European context.
| Author | : Carolyne Larrington |
| Publisher | : Manchester University Press |
| Total Pages | : 242 |
| Release | : 2024-04-16 |
| Genre | : Literary Criticism |
| ISBN | : 1526176122 |
Over the last twenty-five years, the ‘history of emotion’ field has become one of the most dynamic and productive areas for humanities research. This designation, and the marked leadership of historians in the field, has had the unlooked-for consequence of sidelining literature — in particular secular literature — as evidence-source and object of emotion study. Secular literature, whether fable, novel, fantasy or romance, has been understood as prone to exaggeration, hyperbole, and thus as an unreliable indicator of the emotions of the past. The aim of this book is to decentre history of emotion research and asks new questions, ones that can be answered by literary scholars, using literary texts as sources: how do literary texts understand and depict emotion and, crucially, how do they generate emotion in their audiences — those who read them or hear them read or performed?
| Author | : Erin Sebo |
| Publisher | : Springer Nature |
| Total Pages | : 291 |
| Release | : 2023-09-25 |
| Genre | : History |
| ISBN | : 3031339657 |
This book addresses a little-considered aspect of the study of the history of emotions in medieval literature: the depiction of perplexing emotional reactions. Medieval literature often confronts audiences with displays of emotion that are improbable, physiologically impossible, or simply unfathomable in modern social contexts. The intent of such episodes is not always clear; medieval texts rarely explain emotional responses or their motivations. The implication is that the meanings communicated by such emotional display were so obvious to their intended audience that no explanation was required. This raises the question of whether such meanings can be recovered. This is the task to which the contributors to this book have put themselves. In approaching this question, this book does not set out to be a collection of literary studies that treat portrayals of emotion as simple tropes or motifs, isolated within their corpora. Rather, it seeks to uncover how such manifestations of feeling may reflect cultural and social dynamics underlying vernacular literatures from across the medieval North Sea world.
