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| Author | : Marguerite Boland |
| Publisher | : Cambridge University Press |
| Total Pages | : 365 |
| Release | : 2012-07-26 |
| Genre | : Biography & Autobiography |
| ISBN | : 0521113628 |
An international team of scholars presents historic, philosophic, philological and theoretical perspectives on Carter's extensive musical repertoire.
| Author | : Marguerite Boland |
| Publisher | : Cambridge University Press |
| Total Pages | : 365 |
| Release | : 2012-07-26 |
| Genre | : Music |
| ISBN | : 1139535951 |
Over the course of an astonishingly long career, Elliott Carter has engaged with many musical developments of the twentieth and now twenty-first centuries - from his early neo-classic music of the interwar period, to his modernist works of conflict and opposition in the 1960s and 1970s, to the reshaping of a modernist aesthetic in his latest compositions. Elliott Carter Studies throws new light on these many facets of Carter's extensive musical oeuvre. This collection of essays presents historic, philosophic, philological and theoretical points of departure for in-depth investigations of individual compositions, stylistic periods in Carter's output and his contributions to a variety of genres, including vocal music, the string quartet and the concerto. The first multi-authored book to appear on Carter's music, it brings together research from a distinguished team of leading international Carter scholars, providing the reader with a wide range of perspectives on an extraordinary musical life.
| Author | : John Link |
| Publisher | : Cambridge University Press |
| Total Pages | : 509 |
| Release | : 2022-01-27 |
| Genre | : Music |
| ISBN | : 1009234404 |
The first comprehensive study of the late music of one of the most influential composers of the last half century, this book places Elliott Carter's music from 1995 to 2012 in the broader context of post-war contemporary concert music, including his own earlier work. It addresses Carter's reception history, his aesthetics, and his harmonic and rhythmic practice, and includes detailed essays on all of Carter's major works after 1995. Special emphasis is placed on Carter's settings of contemporary modernist poetry from John Ashbery to Louis Zukofsky. In readable and engaging prose, Elliott Carter's Late Music illuminates a body of late work that stands at the forefront of the composer's achievements.
| Author | : John F. Link |
| Publisher | : Routledge |
| Total Pages | : 388 |
| Release | : 2003-09-02 |
| Genre | : Music |
| ISBN | : 1135581088 |
This is a comprehensive guide to research on the American composer Elliott Carter (b. 1908), widely acknowledged as one of the greatest composers of the twentieth century. It contains a chronology, complete list of works, detailed discography, and fully annotated bibliography of over 1,000 books, articles, interviews, video recordings, and Carter's own writings. This essential reference book covers the most significant works in English, French, German, and Italian, from the 1940s-when Carter's music first began to attract attention-to the 1990s.
| Author | : Laura Emmery |
| Publisher | : Routledge |
| Total Pages | : 261 |
| Release | : 2019-12-20 |
| Genre | : Music |
| ISBN | : 0429619510 |
Compositional Process in Elliott Carter’s String Quartets is an interdisciplinary study examining the evolution and compositional process in Elliott Carter’s five string quartets. Offering a systematic and logical way of unpacking concepts and processes in these quartets that would otherwise remain opaque, the book’s narrative reveals new aspects of understanding these works and draws novel conclusions on their collective meaning and Carter’s place as the leading American modernist. Each of Carter’s five string quartets is driven by a new idea that Carter was exploring during a particular period, which allows for each quartet to be examined under a unique lens and a deeper understanding of his oeuvre at large. Drawing on key ideas from a variety of subjects including performance studies, philosophy, music cognition, musical meaning and semantics, literary criticism, and critical theory, this is an informative volume for scholars and researchers in the areas of music theory and musicology. Analyses are supplemented with sketch study, correspondence, text manuscripts, and other archival sources from the Paul Sacher Stiftung, the Library of Congress, and the New York Public Library.
| Author | : Guy Capuzzo |
| Publisher | : University Rochester Press |
| Total Pages | : 206 |
| Release | : 2012 |
| Genre | : Biography & Autobiography |
| ISBN | : 158046419X |
The first book about Elliott Carter's only opera--or indeed about any single work by this still-productive modern master. In 1997, the eminent American composer Elliott Carter teamed with British music critic/librettist Paul Griffiths to create the one-act opera What Next? Hailed by the New York Times as "theatrically dynamic" and "poignant," the opera explores how six people work together to emerge from the wreckage of an accident. Today, What Next? enjoys a prominent position in Carter's celebrated "late late" compositional period. In the firstbook to focus exclusively on one Carter composition, Guy Capuzzo uses the metaphors of communication, cooperation, and separation to trace the dramatic arc of What Next? Through an approach that places stage action, words, and music on equal footing, Capuzzo's readings of four excerpts from the opera reveal the inner workings of Carter and Griffiths's tragicomedy. Elliott Carter's "What Next?" Communication, Cooperation, and Separation sheds light on a significant work by a major figure in twentieth-century concert music and will be of interest to all who study American music, vocal music, and musical criticism. Guy Capuzzo is associate professor of music theory at the University of North Carolina - Greensboro.
| Author | : David Schiff |
| Publisher | : Da Capo Press, Incorporated |
| Total Pages | : 396 |
| Release | : 1983 |
| Genre | : Fiction |
| ISBN | : |
Arguably the most important American composer of the century, Elliott Carter often has been more highly regarded in Europe than in his native land. Interest in his work has grown rapidly in recent years, however, and the celebration of his ninetieth birthday in December, 1998, accompanied by numerous performances and new recordings, undoubtedly will increase the attention of his fellow citizens to this remarkable figure.
| Author | : Elliott Carter |
| Publisher | : Carl Fischer, L.L.C. |
| Total Pages | : 390 |
| Release | : 2002 |
| Genre | : Music |
| ISBN | : 9780825845949 |
This comprehensive resource features more than 400 projections and colour illustrations augmented by MRI images for added detail to enhance the anatomy and positioning presentations.
| Author | : Elliott Carter |
| Publisher | : Bloomington : Indiana University Press |
| Total Pages | : 416 |
| Release | : 1977 |
| Genre | : Music |
| ISBN | : |
| Author | : Laura Emmery |
| Publisher | : Routledge |
| Total Pages | : 269 |
| Release | : 2019-11-21 |
| Genre | : Music |
| ISBN | : 0429621663 |
Compositional Process in Elliott Carter’s String Quartets is an interdisciplinary study examining the evolution and compositional process in Elliott Carter’s five string quartets. Offering a systematic and logical way of unpacking concepts and processes in these quartets that would otherwise remain opaque, the book’s narrative reveals new aspects of understanding these works and draws novel conclusions on their collective meaning and Carter’s place as the leading American modernist. Each of Carter’s five string quartets is driven by a new idea that Carter was exploring during a particular period, which allows for each quartet to be examined under a unique lens and a deeper understanding of his oeuvre at large. Drawing on key ideas from a variety of subjects including performance studies, philosophy, music cognition, musical meaning and semantics, literary criticism, and critical theory, this is an informative volume for scholars and researchers in the areas of music theory and musicology. Analyses are supplemented with sketch study, correspondence, text manuscripts, and other archival sources from the Paul Sacher Stiftung, the Library of Congress, and the New York Public Library.
