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Elizabethan Stage Conventions and Modern Interpreters

Elizabethan Stage Conventions and Modern Interpreters
Author: Alan C. Dessen
Publisher: Cambridge University Press
Total Pages: 212
Release: 1984
Genre: Drama
ISBN: 9780521311618

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Alan Dessen reconstructs the stage in the Elizabethan era from scrutinising four hundred manuscripts.


Elizabethan Stage Conditions

Elizabethan Stage Conditions
Author: Muriel Clara Bradbrook
Publisher: CUP Archive
Total Pages: 168
Release: 1932
Genre:
ISBN:

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Themes and Conventions of Elizabethan Tragedy

Themes and Conventions of Elizabethan Tragedy
Author: Bradbrook
Publisher: Foundation Books
Total Pages: 284
Release: 2016-08
Genre:
ISBN: 9788175963276

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The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintsev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are realted to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middleton. For this second edition, Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performance and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters.


Stages of Play

Stages of Play
Author: Michael W. Shurgot
Publisher: University of Delaware Press
Total Pages: 284
Release: 1998
Genre: Drama
ISBN: 9780874136142

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Rather than arguing for a "unified response" among spectators, as many scholars do, the book argues that when the plays are performed on thrust stages, the audience's reactions are actually seminal to the plays' intended dramatic effects.


Tudor England

Tudor England
Author: Arthur F. Kinney
Publisher: Routledge
Total Pages: 1747
Release: 2000-11-17
Genre: History
ISBN: 1136745297

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This is the first encyclopedia to be devoted entirely to Tudor England. 700 entries by top scholars in every major field combine new modes of archival research with a detailed Tudor chronology and appendix of biographical essays.Entries include: * Edward Alleyn [actor/theatre manager] * Roger Ascham * Bible translation * cloth trade * Devereux fami


Shakespeare and the Materiality of Performance

Shakespeare and the Materiality of Performance
Author: E. Lin
Publisher: Springer
Total Pages: 462
Release: 2012-09-14
Genre: Literary Criticism
ISBN: 1137006501

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Winner of the MRDS 2013 David Bevington Award for Best New Book in Early Drama Studies! Drawing on a wide variety of primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped dramatic narratives and the presentational dynamics of onstage action.


Twelfth Night

Twelfth Night
Author: William Shakespeare
Publisher: Hackett Publishing
Total Pages: 146
Release: 2012-12-04
Genre: Drama
ISBN: 1585106356

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George Lyman Kittredge’s insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume. These new editions have specific emphasis on the performance histories of the plays (on stage and screen). Features of each edition include: The original introduction to the Kittredge Edition Editor’s Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play’s performance history on stage and screen. Explanatory Notes. The explanatory notes either expand on Kittredge’s superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare’s sometimes demanding language. Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare’s words allow the reader to envision the work "off the page." Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare’s life. Some of the Chronologies include time chronologies within the plays. Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions’ Introduction. Select Bibliography & Filmography Film stills from major productions, for comparison and scene study.


Shakespeare Studies, volume 45

Shakespeare Studies, volume 45
Author: James R. Siemon
Publisher: Associated University Presse
Total Pages: 325
Release: 2017-12-31
Genre: Literary Criticism
ISBN: 0838644864

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Shakespeare Studies is an annual volume featuring the work of scholars, critics, and cultural historians from across the globe. This issue includes a Forum on the drama of the 1580s, from eleven contributors; a Next Gen Plenary, from four contributors, three articles, and reviews of sixteen books.


Jacobean Drama

Jacobean Drama
Author: Pascale Aebischer
Publisher: Bloomsbury Publishing
Total Pages: 216
Release: 2010-07-30
Genre: Performing Arts
ISBN: 1137066695

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The plays of Shakespeare's contemporaries are increasingly popular thanks to a spate of recent stage and screen productions and to courses that set Shakespeare's plays in context. This Reader's Guide introduces students to the criticism and debates that are specific to the drama of playwrights such as Jonson, Middleton, Dekker and Webster. Pascale Aebischer explores recent critical developments in key areas including: - How the plays were staged and printed - Innovative editions of plays - How the plays represent and contest the dominant ideologies of the Jacobean period - Dramatic genres - The representation of the human body and of social, gender and race relations - Modern productions on stage and screen Featuring suggestions for further research and reading, and a filmography of commercially available film versions of non-Shakespearean drama, this is an invaluable resource for anyone with an interest in the diverse plays of the Jacobean age.