El tiburón de 12 millones de dólares
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Total Pages | : 0 |
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Genre | : Juvenile Nonfiction |
ISBN | : 9788434435360 |
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Total Pages | : 0 |
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Genre | : Juvenile Nonfiction |
ISBN | : 9788434435360 |
Author | : Miguel Espel Aldámiz-Echevarría |
Publisher | : Lulu.com |
Total Pages | : 170 |
Release | : 2012-05-04 |
Genre | : Art |
ISBN | : 1471690237 |
Bilbaíno, nació en 1944 en Mundaca (Vizcaya) y reside, desde hace años, en Madrid. Abogado, I. C .A. Madrid. Licenciado en Derecho por la Universidad de Deusto (Bilbao) y Licenciado en Ciencias Económicas por la Universidad Comercial de Deusto (Bilbao). Profesor Mercado del Arte y Economía del Arte, en Universidad A. Nebrija / Fundación Claves del Arte, Madrid, y en Fundación María Forcada, Tudela-Navarra. Desarrolló una actividad en el ámbito de la gestión y dirección empresarial, mientras residía en Bilbao. A partir de 1977, inicia una actividad profesional y empresarial en el mercado del arte. Su actividad, como galerista y marchante (Galería Mun - Galería Miguel Espel) le permitió estar presente durante años, en el mercado nacional e internacional del Arte. Tuvo una intervención activa en destacadas asociaciones españoles de Arte: asociaciones de galerías y mixtas, de anticuarios y galerías. En la actualidad, desarrolla una actividad de Consultor de Arte, en colaboración con Mun Consultores de Arte.
Author | : Western Central Atlantic Fishery Commission. Working Party on Fishery Statistics. Session |
Publisher | : Food & Agriculture Org. |
Total Pages | : 70 |
Release | : 1987 |
Genre | : Technology & Engineering |
ISBN | : 9789250025650 |
Author | : Benjamin Bryce |
Publisher | : University of Pittsburgh Press |
Total Pages | : 279 |
Release | : 2021-05-04 |
Genre | : History |
ISBN | : 082298816X |
National borders and transnational forces have been central in defining the meaning of race in the Americas. Race and Transnationalism in the Americas examines the ways that race and its categorization have functioned as organizing frameworks for cultural, political, and social inclusion—and exclusion—in the Americas. Because racial categories are invariably generated through reference to the “other,” the national community has been a point of departure for understanding race as a concept. Yet this book argues that transnational forces have fundamentally shaped visions of racial difference and ideas of race and national belonging throughout the Americas, from the late nineteenth century to the present. Examining immigration exclusion, indigenous efforts toward decolonization, government efforts to colonize, sport, drugs, music, populism, and film, the authors examine the power and limits of the transnational flow of ideas, people, and capital. Spanning North America, Central America, South America, and the Caribbean, the volume seeks to engage in broad debates about race, citizenship, and national belonging in the Americas.
Author | : |
Publisher | : |
Total Pages | : 624 |
Release | : 1987 |
Genre | : Fisheries |
ISBN | : |
Author | : Richard Roberts |
Publisher | : Edward Elgar Publishing |
Total Pages | : 562 |
Release | : 1994 |
Genre | : Central places |
ISBN | : 9781858981529 |
A collection in four volumes of writings on international financial centres, suitable for financial practitioners and students. It encompasses the moves to European financial integration, the dynamic rise of new centres, particularly in Asia and the Pacific, and challenges to existing centres.
Author | : Simon Singh |
Publisher | : Anchor |
Total Pages | : 434 |
Release | : 2000-08-29 |
Genre | : History |
ISBN | : 0385495323 |
In his first book since the bestselling Fermat's Enigma, Simon Singh offers the first sweeping history of encryption, tracing its evolution and revealing the dramatic effects codes have had on wars, nations, and individual lives. From Mary, Queen of Scots, trapped by her own code, to the Navajo Code Talkers who helped the Allies win World War II, to the incredible (and incredibly simple) logisitical breakthrough that made Internet commerce secure, The Code Book tells the story of the most powerful intellectual weapon ever known: secrecy. Throughout the text are clear technical and mathematical explanations, and portraits of the remarkable personalities who wrote and broke the world's most difficult codes. Accessible, compelling, and remarkably far-reaching, this book will forever alter your view of history and what drives it. It will also make you wonder how private that e-mail you just sent really is.
Author | : |
Publisher | : |
Total Pages | : 610 |
Release | : 1986 |
Genre | : Argentina |
ISBN | : |
A journal dealing with financial, economic and shipping affairs.
Author | : A. Brad Schwartz |
Publisher | : Hill and Wang |
Total Pages | : 351 |
Release | : 2015-05-05 |
Genre | : History |
ISBN | : 0809031639 |
On the evening of October 30, 1938, radio listeners across the United States heard a startling report of a meteor strike in the New Jersey countryside. With sirens blaring in the background, announcers in the field described mysterious creatures, terrifying war machines, and thick clouds of poison gas moving toward New York City. As the invading force approached Manhattan, some listeners sat transfixed, while others ran to alert neighbors or to call the police. Some even fled their homes. But the hair-raising broadcast was not a real news bulletin-it was Orson Welles's adaptation of the H. G. Wells classic The War of the Worlds. In Broadcast Hysteria, A. Brad Schwartz boldly retells the story of Welles's famed radio play and its impact. Did it really spawn a "wave of mass hysteria," as The New York Times reported? Schwartz is the first to examine the hundreds of letters sent to Orson Welles himself in the days after the broadcast, and his findings challenge the conventional wisdom. Few listeners believed an actual attack was under way. But even so, Schwartz shows that Welles's broadcast became a major scandal, prompting a different kind of mass panic as Americans debated the bewitching power of the radio and the country's vulnerability in a time of crisis. When the debate was over, American broadcasting had changed for good, but not for the better. As Schwartz tells this story, we observe how an atmosphere of natural disaster and impending war permitted broadcasters to create shared live national experiences for the first time. We follow Orson Welles's rise to fame and watch his manic energy and artistic genius at work in the play's hurried yet innovative production. And we trace the present-day popularity of "fake news" back to its source in Welles's show and its many imitators. Schwartz's original research, gifted storytelling, and thoughtful analysis make Broadcast Hysteria a groundbreaking new look at a crucial but little-understood episode in American history.
Author | : Sarah L. Fowler |
Publisher | : IUCN |
Total Pages | : 198 |
Release | : 2005 |
Genre | : Nature |
ISBN | : 9782831707006 |