El jardín del profeta [grabación]
Author | : Khalil Gibrán |
Publisher | : |
Total Pages | : 88 |
Release | : 2004 |
Genre | : Mysticism |
ISBN | : |
Download El jardín del profeta [grabación] Book in PDF, ePub and Kindle
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download El Jardin Del Profeta Grabacion PDF full book. Access full book title El Jardin Del Profeta Grabacion.
Author | : Khalil Gibrán |
Publisher | : |
Total Pages | : 88 |
Release | : 2004 |
Genre | : Mysticism |
ISBN | : |
Author | : Khalil Gibran |
Publisher | : |
Total Pages | : 171 |
Release | : 2002 |
Genre | : |
ISBN | : 9789875500686 |
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 1982 |
Genre | : |
ISBN | : 9788474940640 |
Author | : Khalil Gibran |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 54 |
Release | : 2015-02-10 |
Genre | : Philosophy |
ISBN | : 9781508426721 |
El Jardín Del Profeta
Author | : Jubrān Khalīl Jubrān |
Publisher | : |
Total Pages | : 174 |
Release | : 1976 |
Genre | : |
ISBN | : |
Author | : Kahlil Gibrán |
Publisher | : |
Total Pages | : 126 |
Release | : 2017 |
Genre | : |
ISBN | : 9789563163797 |
Author | : Laura Delbrugge |
Publisher | : BRILL |
Total Pages | : 247 |
Release | : 2020-01-29 |
Genre | : History |
ISBN | : 9004419365 |
A Scholarly Edition of the Gamaliel (Valencia: Juan Jofre, 1525) is a modernized edition of a popular Spanish devotional that appeared in multiple editions until it was banned by the Spanish Inquisition due to its anonymous authorship and apocryphal content.
Author | : Christopher Washburne |
Publisher | : Oxford University Press |
Total Pages | : |
Release | : 2020-04-28 |
Genre | : Music |
ISBN | : 0199707588 |
Jazz has always been a genre built on the blending of disparate musical cultures. Latin jazz illustrates this perhaps better than any other style in this rich tradition, yet its cultural heritage has been all but erased from narratives of jazz history. Told from the perspective of a long-time jazz insider, Latin Jazz: The Other Jazz corrects the record, providing a historical account that embraces the genre's international nature and explores the dynamic interplay of economics, race, ethnicity, and nationalism that shaped it.
Author | : Robert Téllez |
Publisher | : |
Total Pages | : 0 |
Release | : 2021-03-12 |
Genre | : Drummers (Musicians) |
ISBN | : 9781716239687 |
Written by a Colombian journalist, this book details the life and work of notable Nuyorican percussionist Ray Barretto, known internationally as Manos Duras. Robert Téllez recreates Barretto's musical trajectory, from his beginnings in jazz to his career in salsa, which earned him more than ten Grammy Award nominations. Excerpts from interviews with Barretto's widow and with musicians and singers who worked with him demonstrate the "force of a giant" who overcame adversity at various points in his career.
Author | : Benjamin Lapidus |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 420 |
Release | : 2020-12-28 |
Genre | : Music |
ISBN | : 1496831306 |
New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990. Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally.