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El Borracho (the Drunk)

El Borracho (the Drunk)
Author:
Publisher:
Total Pages:
Release: 199?
Genre: Artists' books
ISBN:

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Lotería Jarocha

Lotería Jarocha
Author: Alec Dempster
Publisher: The Porcupine's Quill
Total Pages: 140
Release: 2013-04-15
Genre: Art
ISBN: 0889843627

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In the mid-1990s, artist and musician Alec Dempster returned to Mexico, the place of his birth, and discovered son jarocho. A genre of folk music from the Veracruz region of Mexico, son jarocho originated in the 17th century with the confluence of Indigenous, African and European peoples. In Veracruz today, musicians can still be heard singing these traditional sones, passed down orally through the generations as themes or tropes, rather than songs with set lyrics. As Dempster immersed himself in the tradition, speaking and playing with rural musicians, his exploration of the culture resulted in a series of linoleum prints, each depicting a traditional son. Dempster's imagery, playful and enigmatic, provides a window into a culture virtually unknown outside Mexico. In this stunning collection, Dempster lends his own voice to the prints for the first time, illustrating their genesis and origin in clear, unassuming prose. With Dempster as guide, Lotería Jarocha draws its reader into an infectious culture of music, laughter and dance.


Author:
Publisher: Hay House, Inc
Total Pages: 200
Release:
Genre:
ISBN: 1401974724

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Teetering on the Rim

Teetering on the Rim
Author: Lesley Gill
Publisher: Columbia University Press
Total Pages: 236
Release: 2000-06-01
Genre: Social Science
ISBN: 0231505000

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In this age when many trumpet the shrill fanfares of market triumphalism, few stop to ask how global political and economic restructuring is affecting impoverished states and transforming the daily lives of ordinary people. Teetering on the Rim asks just that question as it offers a critique "from below" of what has been called neoliberalism—the latest set of capitalist-inspired policies that posit "the market" as the remedy for all social and economic problems. Focusing on an impoverished city on the periphery of La Paz, the Bolivian capital, Lesley Gill examines the ways in which neoliberal policies reorder social relations among poor men and women—and between them and the state. These vulnerable low-income people teetering on the edge of survival are forced to contend not only with the state but with each other as well as an array of international organizations to get what they need to continue to live. In an effort to understand ordinary people's changing sense of what is, and is not, possible, collectively and individually, after more than a decade of economic restructuring, Teetering on the Rim reveals the vast and relentless changes wrought in the fabric of social life and offers an instructive example of just what is wrong with the global economic order.


Rain of Gold

Rain of Gold
Author: Victor Villaseñor
Publisher: Arte Publico Press
Total Pages: 939
Release: 2015-03-31
Genre: Biography & Autobiography
ISBN: 1611922577

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The non-fiction saga of Victor Villasenor's own family. It is the Hispanic Roots, an all-American story of poverty, immigration, struggle and success. Focuses on three generations of the Villasenor family, their spiritual and cultural roots back in Mexico, their immigration to California and their overcoming poverty, prejudice and economic exploitation.


A Bigger Boat

A Bigger Boat
Author: Susan McAllister
Publisher: UNM Press
Total Pages: 356
Release: 2008
Genre: Language Arts & Disciplines
ISBN: 9780826344830

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Exciting words by talented poets who have made Albuquerque's poetry slams so successful.


From Quebradita to Duranguense

From Quebradita to Duranguense
Author: Sydney Hutchinson
Publisher:
Total Pages: 260
Release: 2007
Genre: Music
ISBN: 9780816525362

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Salsa and merengue are now so popular that they are household words for Americans of all ethnic backgrounds. Recent media attention is helping other Caribbean music styles like bachata to attain a similar status. Yet popular Mexican American dances remain unknown and invisible to most non-Latinos. Quebradita, meaning “little break,” is a modern Mexican American dance style that became hugely popular in Los Angeles and across the southwestern United States during the early to mid 1990s. Over the decade of its popularity, this dance craze offered insights into the social and cultural experience of Mexican American youth. Accompanied by banda, an energetic brass band music style, quebradita is recognizable by its western clothing, hat tricks, and daring flips. The dance’s combination of Mexican, Anglo, and African American influences represented a new sensibility that appealed to thousands of young people. Hutchinson argues that, though short-lived, the dance filled political and sociocultural functions, emerging as it did in response to the anti-immigrant and English-only legislation that was then being enacted in California. Her fieldwork and interviews yield rich personal testimony as to the inner workings of the quebradita’s aesthetic development and social significance. The emergence of pasito duranguense, a related yet distinct style originating in Chicago, marks the evolution of the Mexican American youth dance scene. Like the quebradita before it, pasito duranguense has picked up the task of demonstrating the relevance of regional Mexican music and dance within the U.S. context.