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Edward Ruscha

Edward Ruscha
Author: Yve Alain Bois
Publisher:
Total Pages: 110
Release: 1993
Genre: Painters
ISBN: 9781880154045

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Edward Ruscha, Romance with Liquids

Edward Ruscha, Romance with Liquids
Author: Yve-Alain Bois
Publisher: Rizzoli International Publications
Total Pages: 116
Release: 1993
Genre: Architecture
ISBN:

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Discusses Ruscha's paintings of single words written in various liquids, and reproduces a selection.


Edward Ruscha

Edward Ruscha
Author: Lisa Turvey
Publisher: Yale University Press
Total Pages: 453
Release: 2014-01-01
Genre: Art
ISBN: 0300209495

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An immense contribution to scholarship on Ed Ruscha and his pioneering artistic practice, offering thorough documentation of his works on paper This highly anticipated book—the first in a series of three—comprehensively chronicles the first two decades of Ed Ruscha’s (b. 1937) work on paper, which comprises the largest component of his production of original works. Over 1,000 works on paper are documented, all created between 1956 and 1976, and they encompass a wide range of formats, materials, themes, and styles. Included are collages, ephemeral sketches, preparatory studies for paintings, oil on paper works, and drawings executed in a variety of inventive materials, including gunpowder and organic substances. Ruscha came to prominence in the early 1960s as part of the Pop art movement, although his work equally engages the legacies of Dada, Surrealism, and Abstract Expressionism as well as the Conceptual art that emerged later in the decade. He has long enjoyed international standing and admiration, and his work is widely known. Despite this recognition, this volume contains hundreds of works that have infrequently, or never, been exhibited or published. Each work is catalogued with a color reproduction, collection details, full chronological provenance, exhibition history, and bibliographic references. Essays by Lisa Turvey and Harry Cooper complete this extraordinary survey, which expands and enriches our understanding of Ruscha’s pioneering exploration of the written word as a subject for visual art and his witty assessment of the iconography of Los Angeles, both real and imagined.


Edward Ruscha

Edward Ruscha
Author: Edward Ruscha
Publisher:
Total Pages: 446
Release: 2003
Genre:
ISBN:

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Ed Ruscha and the Great American West

Ed Ruscha and the Great American West
Author: Karin Breuer
Publisher: Univ of California Press
Total Pages: 246
Release: 2016-07-12
Genre: Art
ISBN: 0520290690

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The renowned artist Ed Ruscha was born in Nebraska, grew up in Oklahoma, and has lived and worked in Southern California since the late 1950s. Beginning in 1956, road trips across the American Southwest furnished a conceptual trove of themes and motifs that he mined throughout his career. The everyday landscapes of the West, especially as experienced from the automobileÑgas stations, billboards, building facades, parking lots, and long stretches of roadwayÑare the primary motifs of his often deadpan and instantly recognizable paintings and works on paper, as well as his influential artist books such as Twentysix Gasoline Stations and All the Buildings on the Sunset Strip. His iconic word imagesÑdeclaring Adios, Rodeo, Wheels over Indian Trails, and Honey . . . I Twisted through More Damn Traffic to Get HereÑfurther underscore a contemporary Western sensibility. RuschaÕs interest in what the real West has becomeÑand HollywoodÕs version of itÑplays out across his oeuvre. The cinematic sources of his subject matter can be seen in his silhouette pictures, which often appear to be grainy stills from old Hollywood movies. They feature images of the contemporary West, such as parking lots and swimming pools, but also of its historical past: covered wagons, buffalo, teepees, and howling coyotes. Featuring essays by Karin Breuer and D.J. Waldie, plus a fascinating interview with the artist conducted by Kerry Brougher, this stunning catalogue, produced in close collaboration with the Ruscha studio, offers the first full exploration of the painterÕs lifelong fascination with the romantic concept and modern reality of the evolving American West. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: de Young, San Francisco: July 16ÐOctober 9, 2016


Los Angeles

Los Angeles
Author: Alexandra Schwartz
Publisher: MIT Press
Total Pages: 352
Release: 2010
Genre: Art
ISBN:

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Schwartz examines Ruscha's diverse body of work, including paintings, drawings, prints, photographs, books, and films, and discusses his relationship with other artists with whom he sparked the movement known as West Coast pop.


The Hammer

The Hammer
Author: R.J. Mitchell
Publisher: Andrews UK Limited
Total Pages: 293
Release: 2023-10-12
Genre: Fiction
ISBN: 1837914362

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After escaping the clutches of a Glasgow drug lord nicknamed 'The Widowmaker', the newly promoted Detective Constable Thoroughgood heads for Manchester. The northern powerhouse is home to two rival gangs: 'The Maine Men' and 'The Devils'. When a drug deal goes wrong and Thoroughgood fails to stop it, a full-scale turf war is ready to take over Manchester - a city split into red and blue halves. Seconded into an undercover Greater Manchester Police unit led by the legendary DCI Marty Ferguson, an exiled Glasgow cop with a messianic presence, Thoroughgood soon finds that the drugs war is not the only battle being fought in the city. 'The Hammer' takes Thoroughgood out of the character's typical Scottish stomping grounds, with 1990s Manchester and a nightmare at the Theatre of Dreams forming the perfect backdrop for Mitchell's brand of gritty, high-octane crime writing.


Bachelors

Bachelors
Author: Rosalind E. Krauss
Publisher: MIT Press
Total Pages: 250
Release: 2000-08-25
Genre: Art
ISBN: 9780262611657

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These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstraction, and the viability of individual media. These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement's misogyny. Krauss resists that claim, for these "bachelors" are artists whose expressive strategies challenge the very ideals of unity and mastery identified with masculinist aesthetics. Some of this work, such as the "part object" (Louise Bourgeois) or the "formless" (Cindy Sherman) could be said to find its power in strategies associated with such concepts as écriture feminine. In the work of Agnes Martin, Eva Hesse, or Sherrie Levine, one can make the case that the power of the work can be revealed only by recourse to another type of logic altogether. Bachelors attempts to do justice to these and other artists (Claude Cahun, Dora Maar, Louise Lawler, Francesca Woodman) in the terms their works demand.


Edward Ruscha: 1983-1987

Edward Ruscha: 1983-1987
Author: Edward Ruscha
Publisher:
Total Pages: 572
Release: 2003
Genre: Art, American
ISBN:

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Ed Ruscha

Ed Ruscha
Author: Edward Ruscha
Publisher: Distributed Art Pub Incorporated
Total Pages: 191
Release: 2009
Genre: Art
ISBN: 9781935202066

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Featuring lavish reproductions of paintings representing his entire body of work, a celebration of the late-20th-century artist's achievements offers insight into his cross-genre style and atypical artistic focus, in a volume that features an interview by Kristine McKenna, an illustrated chronology and an exhibition history.