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Edward Moxon

Edward Moxon
Author: H G (Harold Guy) 1883- Merriam
Publisher: Hassell Street Press
Total Pages: 248
Release: 2021-09-09
Genre:
ISBN: 9781014004239

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Edward Moxon

Edward Moxon
Author: Harold G. Merriam
Publisher:
Total Pages: 223
Release: 1939
Genre:
ISBN:

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Tennyson and Mid-Victorian Publishing

Tennyson and Mid-Victorian Publishing
Author: Jim Cheshire
Publisher: Springer
Total Pages: 260
Release: 2017-02-17
Genre: Literary Criticism
ISBN: 1137338156

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This book examines how Tennyson’s career was mediated, organised and directed by the publishing industry. Founded on neglected archival material, it examines the scale and distribution of Tennyson’s book sales in Britain and America, the commercial logic of publishing poetry, and how illustrated gift books and visual culture both promoted and interrogated the Poet Laureate and his life. Major publishers had become disillusioned with poetry by the time that Edward Moxon founded his business in 1830 but by the mid-1860s, his firm presided over a resurgence in poetry based on Tennyson’s work. Moxon not only orchestrated Tennyson’s rise to fame but was a major influence on how the Victorian public experienced the poetry of the Romantic period. This study reevaluates his crucial role, and examines how he repackaged poetry for the Victorian public.


Tennyson and His Publishers

Tennyson and His Publishers
Author: June S. Hagen
Publisher: Springer
Total Pages: 255
Release: 1979-06-17
Genre: Literary Criticism
ISBN: 1349044369

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A Publisher and his Circle

A Publisher and his Circle
Author: Tim Chilcott
Publisher: Routledge
Total Pages: 262
Release: 2014-05-09
Genre: Literary Criticism
ISBN: 1317677277

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In the early nineteenth century, the publishing house of Taylor & Hessey brought out the work of Keats, Clare, Hazlitt, De Quincey, Carlyle, Lamb, Coleridge and many more of the most important literary figures of the time, as well as the great literary journal of the period, the London Magazine. Tim Chilcott here examines the life and work of John Taylor, the firm’s founder. The account, originally published in 1972 and incorporating a large amount of hitherto unpublished material, is a fascinating piece of literary, social and publishing history, showing clearly the relationship between the author and his publisher, and in turn between the publisher and the reading public.


Poetry, Pictures, and Popular Publishing

Poetry, Pictures, and Popular Publishing
Author: Lorraine Janzen Kooistra
Publisher: Ohio University Press
Total Pages: 321
Release: 2014-10-07
Genre: Literary Criticism
ISBN: 0821443801

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In Poetry, Pictures, and Popular Publishing eminent Rossetti scholar Lorraine Janzen Kooistra demonstrates the cultural centrality of a neglected artifact: the Victorian illustrated gift book. Turning a critical lens on “drawing-room books” as both material objects and historical events, Kooistra reveals how the gift book’s visual/verbal form mediated “high” and popular art as well as book and periodical publication. A composite text produced by many makers, the poetic gift book was designed for domestic space and a female audience; its mode of publication marks a significant moment in the history of authorship, reading, and publishing. With rigorous attention to the gift book’s aesthetic and ideological features, Kooistra analyzes the contributions of poets, artists, engravers, publishers, and readers and shows how its material form moved poetry into popular culture. Drawing on archival and periodical research, she offers new readings of Eliza Cook, Adelaide Procter, and Jean Ingelow and shows the transatlantic reach of their verses. Boldly resituating Tennyson’s works within the gift-book economy he dominated, Kooistra demonstrates how the conditions of corporate authorship shaped the production and receptionof the laureate’s verses at the peak of his popularity. Poetry, Pictures, and Popular Publishing changes the map of poetry’s place—in all its senses—in Victorian everyday life and consumer culture.


A Companion to Victorian Poetry

A Companion to Victorian Poetry
Author: Ciaran Cronin
Publisher: John Wiley & Sons
Total Pages: 632
Release: 2008-04-15
Genre: Literary Criticism
ISBN: 1405123184

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This Companion brings together specially commissioned essays by distinguished international scholars that reflect both the diversity of Victorian poetry and the variety of critical approaches that illuminate it. Approaches Victorian poetry by way of genre, production and cultural context, rather than through individual poets or poems Demonstrates how a particular poet or poem emerges from a number of overlapping cultural contexts. Explores the relationships between work by different poets Recalls attention to a considerable body of poetry that has fallen into neglect Essays are informed by recent developments in textual and cultural theory Considers Victorian women poets in every chapter


Revisiting Italy

Revisiting Italy
Author: Rebecca Butler
Publisher: Routledge
Total Pages: 197
Release: 2021-05-05
Genre: Literary Criticism
ISBN: 1000381625

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With the rise of mass tourism, Italy became increasingly accessible to Victorian women travellers not only as a locus of artistic culture but also as a site of political enquiry. Despite being outwardly denied a political voice in Britain, many female tourists were conspicuous in their commitment to the Italian campaign for national independence, or Risorgimento (1815–61). Revisiting Italy brings several previously unexamined travel accounts by women to light during a decisive period in this political campaign. Revealing the wider currency of the Risorgimento in British literature, Butler situates once-popular but now-marginalized writers: Clotilda Stisted, Janet Robertson, Mary Pasqualino, Selina Bunbury, Margaret Dunbar and Frances Minto Elliot alongside more prominent figures: the Shelley-Byron circle, the Brownings, Florence Nightingale and the Kemble sisters. Going beyond the travel book, she analyses a variety of forms of travel writing including unpublished letters, privately printed accounts and periodical serials. Revisiting Italy focuses on the convergence of political advocacy, gender ideologies, national identity and literary authority in women’s travel writing. Whether promoting nationalism through a maternal lens, politicizing the pilgrimage motif or reviving gothic representations of a revolutionary Italy, it identifies shared touristic discourses as temporally contingent, shaped by commercial pressures and the volatile political climate at home and abroad.