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Edo Culture

Edo Culture
Author: Kazuo Nishiyama
Publisher: University of Hawaii Press
Total Pages: 324
Release: 1997-04-01
Genre: History
ISBN: 9780824818500

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Nishiyama Matsunosuke is one of the most important historians of Tokugawa (Edo) popular culture, yet until now his work has never been translated into a Western language. Edo Culture presents a selection of Nishiyama’s writings that serves not only to provide an excellent introduction to Tokugawa cultural history but also to fill many gaps in our knowledge of the daily life and diversions of the urban populace of the time. Many essays focus on the most important theme of Nishiyama’s work: the seventeenth to nineteenth centuries as a time of appropriation and development of Japan’s culture by its urban commoners. In the first of three main sections, Nishiyama outlines the history of Edo (Tokyo) during the city’s formative years, showing how it was shaped by the constant interaction between its warrior and commoner classes. Next, he discusses the spirit and aesthetic of the Edo native and traces the woodblock prints known as ukiyo-e to the communal activities of the city’s commoners. Section two focuses on the interaction of urban and rural culture during the nineteenth century and on the unprecedented cultural diffusion that occurred with the help of itinerant performers, pilgrims, and touring actors. Among the essays is a delightful and detailed discourse on Tokugawa cuisine. The third section is dedicated to music and theatre, beginning with a study of no, which was patronized mainly by the aristocracy but surprisingly by commoners as well. In separate chapters, Nishiyama analyzes the relation of social classes to musical genres and the aesthetics of kabuki. The final chapter focuses on vaudeville houses supported by the urban masses.


Edo, the City that Became Tokyo

Edo, the City that Became Tokyo
Author: Akira Naito
Publisher: Kodansha Amer Incorporated
Total Pages: 211
Release: 2003
Genre: Travel
ISBN: 9784770027573

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An illustrated account of the growth and development of Japan's capital cityrom the 16th to the end of the 19th centuries, this text gives a full anducid account of the development of Japan's premier urban landscape. Itsighly visual approach encompasses historical maps which detail theevelopment of the city.;In addition to information on architecturalevelopment, the book also provides details concerning technologies,ifestyles and social structures.


Ẹdo Language Book - Eb'Ẹdo

Ẹdo Language Book - Eb'Ẹdo
Author: Brian Robbo Ogbẹide
Publisher:
Total Pages: 430
Release: 2018-05-13
Genre:
ISBN: 9783000582172

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This book titled: Edo Language Book - Eb'Ẹdo, is meant for individuals who wish to learn the language Ẹdo in order to have an easy communication with the great state and the lovely people it inhabitat. It's meant for those who lives in and outside the country, Nigeria, and has no access to anything Edo language books, as they would like their offspring to learn the language, to enable them communicate with their relatives whenever they talk or visit Edo / Nigeria.Last but not least, this book equipped with over 428 pages, more than 48,000 words and contains almost every aspect (A-Z) of Edo day to day's spoken words.This includes, the Edo Alphabets, Greetings, Animal names, Numeric figures, parts of the human body, Questions and answers, Simple Sentences, words and meanings from English to Edo' etc.This book may be purchase for educational, business, communication or promotional use, and it will help you and your family learns and understands this interesting language Edo, which is also known as "BENIN".So, get it and be glad you did........


An Edo Anthology

An Edo Anthology
Author: Sumie Jones
Publisher: University of Hawaii Press
Total Pages: 534
Release: 2013-02-28
Genre: Literary Criticism
ISBN: 0824837762

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During the eighteenth century, Edo (today’s Tokyo) became the world’s largest city, quickly surpassing London and Paris. Its rapidly expanding population and flourishing economy encouraged the development of a thriving popular culture. Innovative and ambitious young authors and artists soon began to look beyond the established categories of poetry, drama, and prose, banding together to invent completely new literary forms that focused on the fun and charm of Edo. Their writings were sometimes witty, wild, and bawdy, and other times sensitive, wise, and polished. Now some of these high spirited works, celebrating the rapid changes, extraordinary events, and scandalous news of the day, have been collected in an accessible volume highlighting the city life of Edo. Edo’s urban consumers demanded visual presentations and performances in all genres. Novelties such as books with text and art on the same page were highly sought after, as were kabuki plays and the polychrome prints that often shared the same themes, characters, and even jokes. Popular interest in sex and entertainment focused attention on the theatre district and “pleasure quarters,” which became the chief backdrops for the literature and arts of the period. Gesaku, or “playful writing,” invented in the mid-eighteenth century, satirized the government and samurai behavior while parodying the classics. These entertaining new styles bred genres that appealed to the masses. Among the bestsellers were lengthy serialized heroic epics, revenge dramas, ghost and monster stories, romantic melodramas, and comedies that featured common folk. An Edo Anthology offers distinctive and engaging examples of this broad range of genres and media. It includes both well-known masterpieces and unusual examples from the city’s counterculture, some popular with intellectuals, others with wider appeal. Some of the translations presented here are the first available in English and many are based on first editions. In bringing together these important and expertly translated Edo texts in a single volume, this collection will be warmly welcomed by students and interested readers of Japanese literature and popular culture.


Edo, Art in Japan 1615-1868

Edo, Art in Japan 1615-1868
Author: Robert T. Singer
Publisher: Yale University Press
Total Pages: 480
Release: 1998
Genre: Art
ISBN: 9780300077964

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Shows and describes Edo-period art, including screens, armor, woodblock prints, pottery, and kimonos


Good Old Coney Island

Good Old Coney Island
Author: Edo McCullough
Publisher: Fordham University Press
Total Pages: 362
Release: 1957
Genre: History
ISBN:

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The third period was that of the nickel empire when the subways reached the island, the great hordes arrived, and Coney grew cheap and garish. In its fourth period, Coney Island became a beautiful seaside park."--BOOK JACKET.


Cent Vues Célèbres D'Edo

Cent Vues Célèbres D'Edo
Author: Melanie Trede
Publisher: Taschen America Llc
Total Pages: 584
Release: 2015
Genre: Art
ISBN: 9783836556590

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A dazzling reprint of Hiroshige's views of Edo (modern-day Tokyo), one of the masterpieces of the ukiyo-e woodblock tradition and a paradigm of the Japonisme that inspired Impressionist, Post-Impressionist and Art Nouveau artists, from Vincent van Gogh to James McNeill Whistler.


Edo and Paris

Edo and Paris
Author: James L. McClain
Publisher: Cornell University Press
Total Pages: 536
Release: 1997
Genre: History
ISBN: 9780801481833

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Edo Kabuki in Transition

Edo Kabuki in Transition
Author: Satoko Shimazaki
Publisher: Columbia University Press
Total Pages: 389
Release: 2016-04-26
Genre: Literary Criticism
ISBN: 0231540523

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Satoko Shimazaki revisits three centuries of kabuki theater, reframing it as a key player in the formation of an early modern urban identity in Edo Japan and exploring the process that resulted in its re-creation in Tokyo as a national theatrical tradition. Challenging the prevailing understanding of early modern kabuki as a subversive entertainment and a threat to shogunal authority, Shimazaki argues that kabuki instilled a sense of shared history in the inhabitants of Edo (present-day Tokyo) by invoking "worlds," or sekai, derived from earlier military tales, and overlaying them onto the present. She then analyzes the profound changes that took place in Edo kabuki toward the end of the early modern period, which witnessed the rise of a new type of character: the vengeful female ghost. Shimazaki's bold reinterpretation of the history of kabuki centers on the popular ghost play Tokaido Yotsuya kaidan (The Eastern Seaboard Highway Ghost Stories at Yotsuya, 1825) by Tsuruya Nanboku IV. Drawing not only on kabuki scripts but also on a wide range of other sources, from theatrical ephemera and popular fiction to medical and religious texts, she sheds light on the development of the ubiquitous trope of the vengeful female ghost and its illumination of new themes at a time when the samurai world was losing its relevance. She explores in detail the process by which nineteenth-century playwrights began dismantling the Edo tradition of "presenting the past" by abandoning their long-standing reliance on the sekai. She then reveals how, in the 1920s, a new generation of kabuki playwrights, critics, and scholars reinvented the form again, "textualizing" kabuki so that it could be pressed into service as a guarantor of national identity.


Tour of Duty

Tour of Duty
Author: Constantine Nomikos Vaporis
Publisher: University of Hawaii Press
Total Pages: 336
Release: 2009-11-12
Genre: History
ISBN: 0824834704

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A Choice Outstanding Academic Title Alternate attendance (sankin kotai) was one of the central institutions of Edo-period (1603-1868) Japan and one of the most unusual examples of a system of enforced elite mobility in world history. It required the daimyo to divide their time between their domains and the city of Edo, where they waited upon the Tokugawa shogun. Based on a prodigious amount of research in both published and archival primary sources, Tour of Duty renders alternate attendance as a lived experience, for not only the daimyo but also the samurai retainers who accompanied them. Beyond exploring the nature of travel to and from the capital as well as the period of enforced bachelorhood there, Constantine Vaporis elucidates-for the first time-the significance of alternate attendance as an engine of cultural, intellectual, material, and technological exchange. Vaporis argues against the view that cultural change simply emanated from the center (Edo) and reveals more complex patterns of cultural circulation and production taking place between the domains and Edo and among distant parts of Japan. What is generally known as "Edo culture" in fact incorporated elements from the localities. In some cases, Edo acted as a nexus for exchange; at other times, culture traveled from one area to another without passing through the capital. As a result, even those who did not directly participate in alternate attendance experienced a world much larger than their own. Vaporis begins by detailing the nature of the trip to and from the capital for one particular large-scale domain, Tosa, and its men and goes on to analyze the political and cultural meanings of the processions of the daimyo and their extensive entourages up and down the highways. These parade-like movements were replete with symbolic import for the nature of early modern governance. Later chapters are concerned with the physical and social environment experienced by the daimyo's retainers in Edo; they also address the question of who went to Edo and why, the network of physical spaces in which the domainal samurai lived, the issue of staffing, political power, and the daily lives and consumption habits of retainers. Finally, Vaporis examines retainers as carriers of culture, both in a literal and a figurative sense. In doing so, he reveals the significance of travel for retainers and their identity as consumers and producers of culture, thus proposing a multivalent model of cultural change.