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Editing Early Modern Women

Editing Early Modern Women
Author: Sarah C. E. Ross
Publisher: Cambridge University Press
Total Pages: 313
Release: 2016-07-21
Genre: Literary Criticism
ISBN: 1316712532

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This collection of new essays is a comprehensive exploration of the theoretical and practical issues surrounding the editing of texts by early modern women. The chapters consider the latest developments in the field and address a wide range of topics, including the 'ideologies' of editing, genre and gender, feminism, editing for student or general readers, print publishing, and new and possible future developments in editing early modern writing, including digital publishing. The works of writers such as Queen Elizabeth I, Mary Wroth, Anne Halkett, Katherine Philips and Katherine Austen are examined, and the issues discussed are related to the ways editing in general has evolved in recent years. This book offers readers an original overview of the central issues in this growing field and will interest students and scholars of early modern literature and drama, textual studies, the history of editing, gender studies and book history.


Women Editing/Editing Women

Women Editing/Editing Women
Author: Chanita Goodblatt
Publisher: Cambridge Scholars Publishing
Total Pages: 310
Release: 2009-01-14
Genre: Literary Criticism
ISBN: 1443804223

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This collection of essays links current research in the writings and editing of early modern women and in those women who were themselves early editors with a new methodology of editing currently titled “the new textualism.” As such, the collection seeks to solve two problems. The first concerns the difficulty of editing the works of early modern women writers for whom there is little biographical data, a challenging task when the standard “life and works” format is thus inhibited. Second, related but slightly different, occurs because, although we know that there were women who edited in the early modern and even later periods, we know little about them as well. The new textualism approach to editing, which focuses on the material properties of the manuscript or book, its print or performance history and records of its dissemination, and the sociology of texts, provides a fruitful solution to both problems by broadening the concept of agency and hence provides a richer context for the production of a given text. The collection includes two sets of essays. One set has been reprinted from seminal works in the field of new textualism. These include writings by recognized figures like Jerome McGann, Leah Marcus, and Wendy Wall, among others. As such, that set provides background for the reading of the second, a group of six original essays by scholars now working in the field of early modern women writers who directly apply aspects of the new textualism in their research. The fusion of the research field of retrieving early modern women writers with the practices of new textualist editing is thus the core of this collection of essays and is illustrative of what can be achieved in the field of editing when this new approach to texts is put into practice.


Early Modern Women's Letter Writing, 1450-1700

Early Modern Women's Letter Writing, 1450-1700
Author: J. Daybell
Publisher: Springer
Total Pages: 213
Release: 2001-05-17
Genre: Fiction
ISBN: 0230598668

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This landmark book of essays examines the development of women's letter writing from the late fifteenth to the early eighteen century. It is the first book to deal comprehensively with women's letter writing during the Late Medieval and Early Modern period and shows that this was a larger and more socially diversified area of female activity than has generally been assumed. The essays, contributed by many of the leading researchers active in the field, illustrate women's engagement in various activities, both literary and political, social and religious.


Women Editing Modernism

Women Editing Modernism
Author: Jayne Marek
Publisher: University Press of Kentucky
Total Pages: 264
Release: 2014-07-11
Genre: Literary Criticism
ISBN: 0813149282

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For many years young writers experimenting with forms and aesthetics in the early decades of this century, small journals known collectively as "little" magazines were the key to recognition. Joyce, Stein, Eliot, Pound, Hemingway, and scores of other iconoclastic writers now considered central to modernism received little encouragement from the established publishers. It was the avant-garde magazines, many of them headed by women, that fostered new talent and found a readership for it. Jayne Marek examines the work of seven women editors -- Harriet Monroe, Alice Corbin Henderson, Margaret Anderson, Jane Heap, H.D., Bryher (Winifred Ellerman), and Marianne Moore -- whose varied activities, often behind the scenes and in collaboration with other women, contributed substantially to the development of modernist literature. Through such publications as Poetry, The Little Review, The Dial, and Close Up, these women had a profound influence that has been largely overlooked by literary historians. Marek devotes a chapter as well to the interactions of these editors with Ezra Pound, who depended upon but also derided their literary tastes and accomplishments. Pound's opinions have had lasting influence in shaping critical responses to women editors of the early twentieth century. In the current reevaluation of modernism, this important book, long overdue, offers an indispensable introduction to the formative influence of women editors, both individually and in their collaborative efforts.


A Companion to Early Modern Women's Writing

A Companion to Early Modern Women's Writing
Author: Anita Pacheco
Publisher: John Wiley & Sons
Total Pages: 414
Release: 2008-04-15
Genre: Literary Criticism
ISBN: 0470692774

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This timely volume represents one of the first comprehensive, student-oriented guides to the under-published field of early modern women's writing. Brings together more than twenty leading international scholars to provide the definitive survey volume to the field of early modern women's writing Examines individual texts, including works by Mary Sidney, Margaret Cavendish and Aphra Behn Explores the historical context and generic diversity of early modern women's writing, as well as the theoretical issues that underpin its study Provides a clear sense of the full extent of women's contributions to early modern literary culture


Women and Curiosity in Early Modern England and France

Women and Curiosity in Early Modern England and France
Author: Line Cottegnies
Publisher: BRILL
Total Pages: 266
Release: 2016-04-08
Genre: Literary Criticism
ISBN: 900431184X

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In Women and Curiosity in Early Modern England and France, the rehabilitation of female curiosity between the sixteenth and the eighteenth centuries is thoroughly investigated for the first time, in a comparative perspective that confronts two epistemological and religious traditions.


'Grossly Material Things'

'Grossly Material Things'
Author: Helen Smith
Publisher: Oxford University Press
Total Pages: 271
Release: 2012-05-03
Genre: Business & Economics
ISBN: 0199651582

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Virginia Woolf described fictions as 'grossly material things', rooted in their physical and economic contexts. This book takes Woolf's hint as its starting point, asking who made the books of the English Renaissance. It recovering the ways in which women participated as co-authors, editors, translators, patrons, printers, booksellers, and readers.


The Crimes of Women in Early Modern Germany

The Crimes of Women in Early Modern Germany
Author: Ulinka Rublack
Publisher: Oxford University Press on Demand
Total Pages: 304
Release: 2001
Genre: History
ISBN: 0198208863

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A study of the crimes of women in early modern Germany, this text draws on court records to examine the lives of shrewd cutpurses, quarrelling artisan wives, and soldiers' concubines.


The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700

The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700
Author: Elizabeth Scott-Baumann
Publisher: Oxford University Press
Total Pages: 897
Release: 2022-09-22
Genre: Literary Criticism
ISBN: 0192604732

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The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 brings together new work by scholars across the globe, from some of the founding figures in early modern women's writing to those early in their careers and defining the field now. It investigates how and where women gained access to education, how they developed their literary voice through varied genres including poetry, drama, and letters, and how women cultivated domestic and technical forms of knowledge from recipes and needlework to medicines and secret codes. Chapters investigate the ways in which women's writing was an integral part of the intellectual culture of the period, engaging with male writers and traditions, while also revealing the ways in which women's lives and writings were often distinctly different, from women prophetesses to queens, widows, and servants. It explores the intersections of women writing in English with those writing in French, Spanish, Latin, and Greek, in Europe and in New England, and argues for an archipelagic understanding of women's writing in Scotland, Wales, Ireland, and England. Finally, it reflects on—and challenges—the methodologies which have developed in, and with, the field: book and manuscript history, editing, digital analysis, premodern critical race studies, network theory, queer theory, and feminist theory. The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 captures the most innovative work on early modern women's writing in English at present.


Reading Early Modern Women's Writing

Reading Early Modern Women's Writing
Author: Paul Salzman
Publisher: OUP Oxford
Total Pages: 256
Release: 2006-11-30
Genre: Literary Criticism
ISBN: 0191532045

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This book contains the first comprehensive account of writing by women from the mid sixteenth century through to 1700. At the same time, it traces the way a representative sample of that writing was published, circulated in manuscript, read, anthologised, reprinted, and discussed from the time it was produced through to the present day. Salzman's study covers an enormous range of women from all areas of early modern society, and it covers examples of the many and varied genres produced by these women, from plays to prophecies, diaries to poems, autobiographies to philosophy. As well as introducing readers to the wealth of material produced by women in the early modern period, this book examines changing responses to what was written, tracing a history of reception and transmission that amounts to a cultural history of changing taste.