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Displaying Women

Displaying Women
Author: Maureen E. Montgomery
Publisher: Routledge
Total Pages: 238
Release: 2016-04-29
Genre: History
ISBN: 1134952864

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Displaying Women explores the role of women in the representation of leisure in turn-of-the-century New York. To see and be seen--on Fifth Avenue and Broadway, in Central Park, and in the fashionable uptown hotels and restaurants--was one of the fundamental principles in the display aesthetic of New York's fashionable society. Maureen E. Montgomery argues for a reconsideration of the role of women in the bourgeois elite in turn-of-the-century America. By contrasting multiple images of women drawn from newspapers, magazines, private correspondence, etiquette manuals and the New York fiction of Edith Wharton, Henry James and others, she offers a convincing antidote to the long-standing tendency in women's history to overlook women whose class affiliations have put them in a position of power.


Edith Wharton's Women

Edith Wharton's Women
Author: Susan Goodman
Publisher: UPNE
Total Pages: 224
Release: 1990
Genre: Women in literature
ISBN: 9780874515244

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What a Library Means to a Woman

What a Library Means to a Woman
Author: Sheila Liming
Publisher: U of Minnesota Press
Total Pages: 284
Release: 2020-04-28
Genre: Literary Criticism
ISBN: 1452960666

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Examining the personal library and the making of self When writer Edith Wharton died in 1937, without any children, her library of more than five thousand volumes was divided and subsequently sold. Decades later, it was reassembled and returned to The Mount, her historic Massachusetts estate. What a Library Means to a Woman examines personal libraries as technologies of self-creation in modern America, focusing on Wharton and her remarkable collection of books. Sheila Liming explores the connection between libraries and self-making in late nineteenth- and early twentieth-century American culture, from the 1860s to the 1930s. She tells the story of Wharton’s library in concert with Wharton scholarship and treatises from this era concerning the wider fields of book history, material and print culture, and the histories (and pathologies) of collecting. Liming’s study blends literary and historical analysis while engaging with modern discussions about gender, inheritance, and hoarding. It offers a review of the many meanings of a library collection, while reading one specific collection in light of its owner’s literary celebrity. What a Library Means to a Woman was born from Liming’s ongoing work digitizing the Wharton library collection. It ultimately argues for a multifaceted understanding of authorship by linking Wharton’s literary persona to her library, which was, as she saw it, the site of her self-making.


Edith Wharton's Letters from the Underworld

Edith Wharton's Letters from the Underworld
Author: Candace Waid
Publisher: UNC Press Books
Total Pages: 260
Release: 1991
Genre: Literary Criticism
ISBN: 9780807843024

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Provides examinations and interpretations of several works by Wharton, and concentrates on the theme of women as artist


Edith Wharton's women characters

Edith Wharton's women characters
Author: Edith Phillips
Publisher:
Total Pages: 222
Release: 1939
Genre: Women in art
ISBN:

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Summer

Summer
Author: Edith Wharton
Publisher:
Total Pages: 300
Release: 1917
Genre: Fiction
ISBN:

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One of the first novels to deal honestly with a woman's sexual awakening, "Summer" created a sensation upon its 1917 publication. The Pulitzer Prize-winning author of "Ethan Frome" shattered the standards of conventional love stories with candor and realism. Nearly a century later, this tale remains fresh and relevant.


Gender and the Gothic in the Fiction of Edith Wharton

Gender and the Gothic in the Fiction of Edith Wharton
Author: Kathy A. Fedorko
Publisher: University of Alabama Press
Total Pages: 219
Release: 2017-12-12
Genre: Literary Criticism
ISBN: 0817359133

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An investigation into Wharton’s extensive use and adaptation of the Gothic in her fiction. Gender and the Gothic in the Fiction of Edith Wharton is an innovative study that provides fresh insights into Wharton’s male characters while at the same time showing how Wharton’s imagining of a fe/male self evolves throughout her career. Using feminist archetypal theory and theory of the female Gothic, Kathy A. Fedorko shows how Wharton, in sixteen short stories and six major novels written during four distinct periods of her life, adopts and adapts Gothic elements as a way to explore the nature of feminine and masculine ways of knowing and being and to dramatize the tension between them Edith Wharton’s contradictory views of women and men—her attitudes toward the feminine and the masculine—reflect a complicated interweaving of family and social environment, historical time, and individual psychology. Studies of Wharton have exhibited this same kind of contradiction, with some seeing her as disparaging men and the masculine and others depicting her as disparaging women and the feminine. The use of Gothic elements in her fiction provided Wharton, who was often considered the consummate realist, with a way to dramatize the conflict between feminine and masculine selves as she experienced them and to evolve and alternative to the dualism. Fedorko’s work is unique in its careful consideration of Whartons’s sixteen Gothic works which are seldom discussed. Further, the revelation of how these Gothic stories are reflected in her major realistic novels. In the novels with Gothic texts, Wharton draws multiple parallels between male and female protagonists, indicating the commonalities between women and men and the potential for a female self. Eventually, in her last completed novel and her last short story, Wharton imagines human beings who are comfortable with both gender selves.


Edith Wharton and Cosmopolitanism

Edith Wharton and Cosmopolitanism
Author: Meredith L. Goldsmith
Publisher: University Press of Florida
Total Pages: 305
Release: 2016-09-16
Genre: Literary Criticism
ISBN: 081305592X

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"These energizing, excellent essays address the international scope of Wharton's writing and contribute to the growing fields of transatlantic, hemispheric, and global studies."--Carol J. Singley, author of A Historical Guide to Edith Wharton "Readers will emerge with a new respect for Wharton's engagement with the world around her and for her ability to convey her particular vision in her literary works."--Julie Olin-Ammentorp, author of Edith Wharton's Writings from the Great War Hailed for her remarkable social and psychological insights into the Gilded Age lives of privileged Americans, Edith Wharton, the first woman to win a Pulitzer Prize, was a transnational author who attempted to understand and appreciate the culture, history, and artifacts of the regions she encountered in her extensive travels abroad. Edith Wharton and Cosmopolitanism explores the international scope of Wharton's life and writing, focusing on how her work connects with the idea of cosmopolitanism. This volume illustrates the many ways Wharton engaged with global issues of her time. Contributors examine both her canonical and lesser-known works, including her art historical discoveries, political work, travel writing, World War I texts, and first novel. They consider themes of anarchism, race, imperialism, regionalism, and orientalism; Wharton's treatment of contemporary marriage debates; her indebtedness to her literary predecessors; and her genre experimentation. Together, they demonstrate how Wharton's struggle to balance her powerful local and national identifications with cosmopolitan values, resulted in a diverse, complex, and sometimes problematic relationship to a cosmopolitan vision. Contributors: Ferdâ Asya | William Blazek | Rita Bode | Donna Campbell | Mary Carney | Clare Virginia Eby | June Howard | Meredith L. Goldsmith | Sharon Kim | D. Medina Lasansky | Maureen Montgomery | Emily J. Orlando | Margaret A. Toth | Gary Totten


The Female Intruder in the Novels of Edith Wharton

The Female Intruder in the Novels of Edith Wharton
Author: Carol Wershoven
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 188
Release: 1982
Genre: Literary Criticism
ISBN: 9780838631263

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This study reflects recent feminist interest in Wharton as a critic of American materialism and as a woman who personally escaped from the confines of the conventional, prosperous Eastern urban society of her time. Building upon the work of R. W. B. Lewis and C. G. Wolff, the author gives close readings of Wharton's best-known novels and traces her interpretation of changing social mores from the 1870s through the 1920s. Concludes that Wharton was not a "fossilized old New Yorker" but an independent, fearless seeker of the intelligent, creative life. ISBN 0-8386-3126-6 : $24.50.