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Edison's Kinetoscope and Its Films

Edison's Kinetoscope and Its Films
Author: Ray Phillips
Publisher: Praeger
Total Pages: 232
Release: 1997-11-13
Genre: Biography & Autobiography
ISBN:

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Motion pictures were first seen in 1894, when Thomas Edison introduced the Kinetoscope, a device for individually looking at film through a viewer. Over the next three years, Edison manufactured almost 1,000 Kinetoscopes and produced some 250 films to show in them. A million people worldwide first saw motion pictures through these devices. This book describes in detail how Kinetoscopes worked and how they were sold, and describes the parlors to which the public flocked, fascinated by the novelty of moving images. It examines how the machines were copied by others and later eclipsed by the advent of projection. It also indicates where surviving machines can be found in the United States and Europe. The book concludes with an index to Edison's films between 1892 and 1896, and presents titles, filming dates, subject descriptions, and information on the location of surviving copies. Copiously illustrated, the book is a vital research tool for all students of motion picture history.


EDISON MOTION PICTURES

EDISON MOTION PICTURES
Author: MUSSER CHARLES
Publisher: Smithsonian Books (DC)
Total Pages: 730
Release: 1997
Genre: Art
ISBN:

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"This book provides essential documentation of all known Edison films made between 1890 and 1900. Thomas Edison and his associates at the Edison Laboratory in West Orange, New Jersey, invented the first system of commercial motion pictures." "Making the historical framework predominant while retaining traditional cataloging features, Edison Motion Pictures, 18901900 is of value to a wide range of scholars interested in American life at the turn of the century - those working in performance studies, film and media studies, cultural history, ethnic studies, and social and political history. Documentary filmmakers, film programmers, archivists, and librarians can also benefit from using this catalog." "Edison films from the end of the nineteenth century offer a unique visual record of American entertainment and popular culture - moving images that become much more interesting and useful when they can be examined in conjunction with pertinent documentation." "Scholars concerned with portrayals of war, depictions of the American presidency, and many other topics in the nation's political history will find much useful information."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


The Kinetoscope

The Kinetoscope
Author: Richard Brown
Publisher: Indiana University Press
Total Pages: 249
Release: 2017-10-01
Genre: Performing Arts
ISBN: 0861969316

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The story of how the motion-picture device was developed, and its role in Victorian society and early cinema. The position of the kinetoscope in film history is central and undisputed; indicative of its importance is the detailed attention American scholars have given to examining its history. However, the Kinetoscope’s development in Britain has not been well documented and much current information about it is incomplete and out of date. This book, for the first time, presents a comprehensive account of the unauthorized and often colorful development of British kinetoscopes, using many previously unpublished sources. The commercial and technical backgrounds of the kinetoscope are looked at in detail; the style and content of the earliest British films analyzed; and the device’s place in the wider world of Victorian popular entertainment examined. In addition, a unique legal case is revealed and a number of previously unrecorded film pioneers are identified and discussed.


The Man Who Made Movies

The Man Who Made Movies
Author: Paul Spehr
Publisher: Indiana University Press
Total Pages: 713
Release: 2008-11-17
Genre: Biography & Autobiography
ISBN: 0861969367

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The story of W.K.L. Dickson—assistant to Edison, inventor, and key figure in early cinematography: “Valuable and comprehensive.” —Communication Booknotes Quarterly W.K.L. Dickson was Thomas Edison’s assistant in charge of the experimentation that led to the Kinetoscope and Kinetograph—the first commercially successful moving image machines. In 1891–1892, he established what we know today as the 35mm format. Dickson also designed the Black Maria film studio and facilities to develop and print film, and supervised production of more than one hundred films for Edison. After leaving Edison, he became a founding member of the American Mutoscope Company, which later became the American Mutoscope & Biograph, then Biograph. In 1897, he went to England to set up the European branch of the company. Over the course of his career, Dickson made between five hundred and seven hundred films, which are studied today by scholars of the early cinema. This well-illustrated book offers a window onto early film history from the perspective of Dickson’s own oeuvre.


History of the Kinetograph, Kinetoscope And Kinetophonograph

History of the Kinetograph, Kinetoscope And Kinetophonograph
Author: W. K. L. Dickson
Publisher:
Total Pages: 55
Release: 2000-08-30
Genre: Performing Arts
ISBN: 9780756782733

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This is a facsimile ed. of the first history of the cinema by W.K.L. Dickson & Antonia Dickson, & was reproduced from W.K.L. Dickson's own annotated copy of the book. When this book was first published in 1895, practical moving pictures were barely two years old, & film projection was yet to be perfected. Dickson had begun to work with Edison in 1883; within 5 years, he was leader of the team that was attempting to build an instrument which does for the eye what the phonograph does for the Ear.Ó The results of their labor were the kinetograph (the camera used for photographing motion pictures) & the kinetoscope (the means for viewing them). This book allows the reader to experience the wonder & promise of the cinema in its infancy. Illustrations.


A Million and One Nights

A Million and One Nights
Author: Terry Ramsaye
Publisher: New York : Simon and Schuster
Total Pages: 534
Release: 1926
Genre: Cinematography
ISBN:

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History of the films from Edison through Will Hays.


Before the Nickelodeon

Before the Nickelodeon
Author: Charles Musser
Publisher: Univ of California Press
Total Pages: 1023
Release: 2023-11-10
Genre:
ISBN: 0520323726

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Revolutions in Communication

Revolutions in Communication
Author: Bill Kovarik
Publisher: Bloomsbury Publishing USA
Total Pages: 385
Release: 2015-08-27
Genre: Social Science
ISBN: 144118550X

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The rise of the Information Age, the fall of the traditional media, and the bewildering explosion of personal information services are all connected to the historical chain of communications' revolutions. We need to understand these revolutions because they influence our present and future as much as any other trend in history. And we need to understand them not simply on a national basis - an unstable foundation for history in any event - but rather as part of the emergent global communications network. Unlike most of the current texts in the field, Revolutions in Communication is an up-to-date resource, expanding upon contemporary scholarship. It provides students and teachers with detailed sidebars about key figures, technical innovations, global trends, and social movements, as well as supplemental reading materials, and a fully supportive companion website. Revolutions in Communication is an authoritative introduction to the history of all branches of media.


Vitagraph

Vitagraph
Author: Andrew A. Erish
Publisher: University Press of Kentucky
Total Pages: 305
Release: 2021-06-08
Genre: Performing Arts
ISBN: 0813181216

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Winner of the 2022 Peter C. Rollins Book Award and the 2022 Browne Best Edited Reference/Primary Source Work in Popular and American Culture Award In Vitagraph: America's First Great Motion Picture Studio, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business. In fact, the truth about Vitagraph is far more interesting than the myths that later moguls propagated about themselves. Established in 1897 by J. Stuart Blackton and Albert E. Smith, Vitagraph was the leading producer of motion pictures for much of the silent era. Vitagraph established America's studio system, a division of labor utilizing specialized craftspeople and artists and developed fundamental aspects of American movies, from framing, lighting, and performance style to emphasizing character-driven comedy and drama in stories that respected and sometimes poked fun at every demographic of Vitagraph's vast audience. For most of its existence America's most influential studio was headquartered in Brooklyn, New York, before relocating to Hollywood. A historically rigorous and thorough account of the most influential producer of American motion pictures during the silent era, Erish draws on valuable primary material long overlooked by other historians to introduce readers to the fascinating, forgotten pioneers of Vitagraph.


Edison Motion Pictures, 1890-1900

Edison Motion Pictures, 1890-1900
Author: Charles Musser
Publisher: La Cineteca del Friuli
Total Pages: 719
Release: 1997
Genre: Performing Arts
ISBN: 9788886155076

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In this first systematic treatment of Thomas A. Edision's fictional and documentary film output during the 1890s, Charles Musser provides production specifications, Edison company summaries, newspaper accounts, frame enlargements, and other documentation.