Economic and Social Foundations of Late Imperial Culture
| Author | : Evelyn Sakakida Rawski |
| Publisher | : |
| Total Pages | : |
| Release | : 1985* |
| Genre | : |
| ISBN | : |
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Popular Culture in Late Imperial China
| Author | : David Johnson |
| Publisher | : Univ of California Press |
| Total Pages | : 468 |
| Release | : 2023-11-15 |
| Genre | : History |
| ISBN | : 0520340124 |
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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.
Popular Culture in Late Imperial China
| Author | : David George Johnson |
| Publisher | : Univ of California Press |
| Total Pages | : 474 |
| Release | : 1985-01-01 |
| Genre | : History |
| ISBN | : 9780520051201 |
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Chinese Popular Culture and Ming Chantefables
| Author | : Anne McLaren |
| Publisher | : BRILL |
| Total Pages | : 364 |
| Release | : 2022-02-22 |
| Genre | : History |
| ISBN | : 9004482709 |
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In 1967 a body of Chinese texts was discovered in a tomb outside Shanghai. It contained a set of unique examples of an oral genre favoured by unlearned classes in the late imperial period (15th century), best called 'chantefables', appearing at the beginning of a profound historical shift which resulted in a broadening of the uses of writing and printing in China. These texts are now generally seen to occupy an important place in the development of Chinese literature as a whole, and of Chinese vernacular literature in particular. In the first monographic treatment of all the chantefable corpus in English the author, by examination from a more anthropological view, points out that these 'oral traditional texts' can only be appreciated in the festival, ritual and performative context of their derivation and reception. Topics dealt with in this important work include the popular interpretation of Confucian orthodoxies, the literary recycling of the oral tradition, and the influence of chantefables on the development of Chinese vernacular fiction. The author offers interesting comparative perspective on the different social consequences of print technology in China and the West. Illustrations of ten chantefable woodblocks are included.
Printing and Book Culture in Late Imperial China
| Author | : Cynthia J. Brokaw |
| Publisher | : Univ of California Press |
| Total Pages | : 559 |
| Release | : 2005-03-07 |
| Genre | : History |
| ISBN | : 0520927796 |
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Despite the importance of books and the written word in Chinese society, the history of the book in China is a topic that has been little explored. This pioneering volume of essays, written by historians, art historians, and literary scholars, introduces the major issues in the social and cultural history of the book in late imperial China. Informed by many insights from the rich literature on the history of the Western book, these essays investigate the relationship between the manuscript and print culture; the emergence of urban and rural publishing centers; the expanding audience for books; the development of niche markets and specialized publishing of fiction, drama, non-Han texts, and genealogies; and more.
The Roman Empire
| Author | : Peter Garnsey |
| Publisher | : Univ of California Press |
| Total Pages | : 352 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 0520285980 |
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During the Principate (roughly 27 BCE to 235 CE), when the empire reached its maximum extent, Roman society and culture were radically transformed. But how was the vast territory of the empire controlled? Did the demands of central government stimulate economic growth or endanger survival? What forces of cohesion operated to balance the social and economic inequalities and high mortality rates? How did the official religion react in the face of the diffusion of alien cults and the emergence of Christianity? These are some of the many questions posed here, in the new, expanded edition of Garnsey and Saller's pathbreaking account of the economy, society, and culture of the Roman Empire. This second edition includes a new introduction that explores the consequences for government and the governing classes of the replacement of the Republic by the rule of emperors. Addenda to the original chapters offer up-to-date discussions of issues and point to new evidence and approaches that have enlivened the study of Roman history in recent decades. A completely new chapter assesses how far Rome’s subjects resisted her hegemony. The bibliography has also been thoroughly updated, and a new color plate section has been added.
Commerce in Culture
| Author | : Cynthia J. Brokaw |
| Publisher | : BRILL |
| Total Pages | : 699 |
| Release | : 2020-03-23 |
| Genre | : History |
| ISBN | : 1684174503 |
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"Sibao today is a cluster of impoverished villages in the mountains of western Fujian. Yet from the late seventeenth through the early twentieth century, it was home to a flourishing publishing industry. Through itinerant booksellers and branch bookshops managed by Sibao natives, this industry supplied much of south China with cheap educational texts, household guides, medical handbooks, and fortune-telling manuals.It is precisely the ordinariness of Sibao imprints that make them valuable for the study of commercial publishing, the text-production process, and the geographical and social expansion of book culture in Chinese society. In a study with important implications for cultural and economic history, Cynthia Brokaw describes rural, lower-level publishing and bookselling operations at the end of the imperial period. Commerce in Culture traces how the poverty and isolation of Sibao necessitated a bare-bones approach to publishing and bookselling and how the Hakka identity of the Sibao publishers shaped the configuration of their distribution networks and even the nature of their publications.Sibao’s industry reveals two major trends in print culture: the geographical extension of commercial woodblock publishing to hinterlands previously untouched by commercial book culture and the related social penetration of texts to lower-status levels of the population."
Community Schools and the State in Ming China
| Author | : Sarah Schneewind |
| Publisher | : Stanford University Press |
| Total Pages | : 326 |
| Release | : 2006 |
| Genre | : History |
| ISBN | : 9780804751742 |
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According to imperial edict in pre-modern China, an elementary school was to be established in every village in the empire for any boy to attend. This book looks at how the schools worked, how they changed over time, and who promoted them and why. Over the course of the Ming period (1368-1644), schools were sponsored first by the emperor, then by the central bureaucracy, then by local officials, and finally by the people themselves. The changing uses of schools helps us to understand how the Ming state related to society over the course of nearly 300 years, and what they can show us about community and political debates then and now.
The Painter's Practice
| Author | : James Cahill |
| Publisher | : Columbia University Press |
| Total Pages | : 218 |
| Release | : 1994 |
| Genre | : Art patronage |
| ISBN | : 9780231081818 |
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His work fills in the hitherto unexplored social and economic contexts in which painters worked, revealing the details of how painters in China actually made their living from the sixteenth century onward.
Appropriation and Representation
| Author | : Shuhui Yang |
| Publisher | : University of Michigan Press |
| Total Pages | : 197 |
| Release | : 2020-08-06 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0472901516 |
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Feng Menglong (1574–1646) was recognized as the most knowledgeable connoisseur of popular literature of his time. He is known today for compiling three famous collections of vernacular short stories, each containing forty stories, collectively known as Sanyan. Appropriation and Representation adapts concepts of ventriloquism and dialogism from Bakhtin and Holquist to explore Feng’s methods of selecting source materials. Shuhui Yang develops a model of development in which Feng’s approach to selecting and working with his source materials becomes clear. More broadly, Appropriation and Representation locates Feng Menglong’s Sanyan in the cultural milieu of the late Ming, including the archaist movement in literature, literati marginality and anxieties, the subversive use of folk works, and the meiren xiangcao tradition—appropriating a female identity to express male frustration. Against this background, a rationale emerges for Feng’s choice to elevate and promote the vernacular story while stepping back form an overt authorial role.
