Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Ecomedievalism PDF full book. Access full book title Ecomedievalism.
| Author | : Karl Fugelso |
| Publisher | : D. S. Brewer |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : History |
| ISBN | : 9781843844655 |
Essays on the post-modern reception and interpretation of the Middle Ages, with a particular concentration on environmental matters.
| Author | : Karl Fugelso |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 260 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 1843844060 |
Essays on the post-modern reception and interpretation of the middle ages.
| Author | : Adam J. Goldwyn |
| Publisher | : Springer |
| Total Pages | : 252 |
| Release | : 2017-11-29 |
| Genre | : Literary Criticism |
| ISBN | : 3319692038 |
Byzantine Ecocriticism: Women, Nature, and Power in the Medieval Greek Romance applies literary ecocriticism to the imaginative fiction of the Greek world from the twelfth to fifteenth centuries. Through analyses of hunting, gardening, bride-stealing, and warfare, Byzantine Ecocriticism exposes the attitudes and behaviors that justified human control over women, nature, and animals; the means by which such control was exerted; and the anxieties surrounding its limits. Adam Goldwyn thus demonstrates the ways in which intersectional ecocriticism, feminism, and posthumanism can be applied to medieval texts, and illustrates how the legacies of medieval and Byzantine environmental practice and ideology continue to be relevant to contemporary ecological and environmental concerns.
| Author | : Leverhulme Early Career Fellow Mary Boyle |
| Publisher | : Boydell & Brewer |
| Total Pages | : 229 |
| Release | : 2023-02-14 |
| Genre | : |
| ISBN | : 1843846063 |
Identifies and investigates international medievalism through three distinct strands: "Internationally Nationalist", "Someone Else's Past?", and "Activist Medievalism". Medievalism - the reception of the Middle Ages - often invokes a set of tropes generally considered 'medieval', rather than consciously engaging with medieval cultures and societies. International medievalism offers an additional interpretative layer by juxtaposing two or more national cultures, at least one of which is medieval. 'National' can be aspirational: it might refer to the area within agreed borders, or to the people who live there, but it might also describe the people who understand, or imagine, themselves to constitute a nation. And once 'medieval' becomes simply a collection of ideas, it can be re-formed as desired, cast as more geographically than historically specific, or function as a gateway to an even more nebulous past. This collection identifies and investigates international medievalism through three distinct strands, 'Internationally Nationalist', 'Someone Else's Past?', and 'Activist Medievalism', exploring medievalist media from the textual to the architectural. Subjects range from The Green Children of Woolpit to Refugee Tales, and from Viking metal to Joan of Arc. As the contributors to each section make clear, for centuries the medieval has provided material for countless competing causes and cannot be contained within historical, political, or national borders. The essays show how the medieval is repeatedly co-opted and recreated, formed as much as formative: inviting us to ask why, and in service of what.
| Author | : Umberto Eco |
| Publisher | : Yale University Press |
| Total Pages | : 160 |
| Release | : 2002-01-01 |
| Genre | : Art |
| ISBN | : 9780300093049 |
In this authoritative, lively book, the celebrated Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas. Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of medieval culture. "[A] delightful study. . . . [Eco's] remarkably lucid and readable essay is full of contemporary relevance and informed by the energies of a man in love with his subject." --Robert Taylor, Boston Globe "The book lays out so many exciting ideas and interesting facts that readers will find it gripping." --Washington Post Book World "A lively introduction to the subject." --Michael Camille, The Burlington Magazine "If you want to become acquainted with medieval aesthetics, you will not find a more scrupulously researched, better written (or better translated), intelligent and illuminating introduction than Eco's short volume." --D. C. Barrett, Art Monthly
| Author | : KellyAnn Fitzpatrick |
| Publisher | : Boydell & Brewer |
| Total Pages | : 246 |
| Release | : 2019 |
| Genre | : History |
| ISBN | : 1843845415 |
The medieval in the modern world is here explored in a variety of media, from film and book to gaming.
| Author | : Anne McKendry |
| Publisher | : McFarland |
| Total Pages | : 276 |
| Release | : 2019-04-23 |
| Genre | : Literary Criticism |
| ISBN | : 1476636257 |
Combining elements of medievalism, the historical novel and the detective narrative, medieval crime fiction capitalizes upon the appeal of all three--the most famous examples being Umberto Eco's The Name of the Rose (one of the best-selling books ever published) and Ellis Peters' endearing Brother Cadfael series. Hundreds of other novels and series fill out the genre, in settings ranging from the so-called Celtic Enlightenment in seventh-century Ireland to the ruthless Inquisition in fourteenth-century France to the mean streets of medieval London. The detectives are an eclectic group, including weary ex-crusaders, former Knights Templar, enterprising monks and nuns, and historical poets such as Geoffrey Chaucer. This book investigates the enduring popularity of the largely unexamined genre and explores its social, cultural and political contexts.
| Author | : Valerie B. Johnson |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 433 |
| Release | : 2022-03-21 |
| Genre | : Literary Criticism |
| ISBN | : 1501514237 |
Thomas Hahn’s work laid the foundations for medieval romance studies to embrace the study of alterity and hybridity within Middle English literature. His contributions to scholarship brought Robin Hood studies into the critical mainstream, normalized the study of historically marginalized literature and peoples, and encouraged scholars to view medieval readers as actively encountering others and exploring themselves. This volume employs his methodologies – careful attention to texts and their contexts, cross-cultural readings, and theoretically-informed analysis – to highlight the literary culture of late medieval England afresh. Addressing long-established canonical works such as Chaucer, Christine de Pizan, and Malory alongside understudied traditions and manuscripts, this book will be of interest to literary scholars of the later Middle Ages who, like Hahn, work across boundaries of genre, tradition, and chronology.
| Author | : Clare A. Lees |
| Publisher | : Penn State Press |
| Total Pages | : 284 |
| Release | : 2010-11 |
| Genre | : History |
| ISBN | : 0271046287 |
Medievalists have much to gain from a thoroughgoing contemplation of place. If landscapes are windows onto human activity, they connect us with medieval people, enabling us to ask questions about their senses of space and place. In A Place to Believe In Clare Lees and Gillian Overing bring together scholars of medieval literature, archaeology, history, religion, art history, and environmental studies to explore the idea of place in medieval religious culture. The essays in A Place to Believe In reveal places real and imagined, ancient and modern: Anglo-Saxon Northumbria (home of Whitby and Bede&’s monastery of Jarrow), Cistercian monasteries of late medieval Britain, pilgrimages of mind and soul in Margery Kempe, the ruins of Coventry Cathedral in 1940, and representations of the sacred landscape in today&’s Pacific Northwest. A strength of the collection is its awareness of the fact that medieval and modern viewpoints converge in an experience of place and frame a newly created space where the literary, the historical, and the cultural are in ongoing negotiation with the geographical, the personal, and the material. Featuring a distinguished array of scholars, A Place to Believe In will be of great interest to scholars across medieval fields interested in the interplay between medieval and modern ideas of place. Contributors are Kenneth Addison, Sarah Beckwith, Stephanie Hollis, Stacy S. Klein, Fred Orton, Ann Marie Rasmussen, Diane Watt, Kelley M. Wickham-Crowley, Ulrike Wiethaus, and Ian Wood.
| Author | : Valerie B. Johnson |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 372 |
| Release | : 2022-03-21 |
| Genre | : Literary Criticism |
| ISBN | : 1501514210 |
Thomas Hahn’s work laid the foundations for medieval romance studies to embrace the study of alterity and hybridity within Middle English literature. His contributions to scholarship brought Robin Hood studies into the critical mainstream, normalized the study of historically marginalized literature and peoples, and encouraged scholars to view medieval readers as actively encountering others and exploring themselves. This volume employs his methodologies – careful attention to texts and their contexts, cross-cultural readings, and theoretically-informed analysis – to highlight the literary culture of late medieval England afresh. Addressing long-established canonical works such as Chaucer, Christine de Pizan, and Malory alongside understudied traditions and manuscripts, this book will be of interest to literary scholars of the later Middle Ages who, like Hahn, work across boundaries of genre, tradition, and chronology.
