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| Author | : Anikó Imre |
| Publisher | : Routledge |
| Total Pages | : 288 |
| Release | : 2005-09-14 |
| Genre | : Performing Arts |
| ISBN | : 1135872643 |
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Anikó Imre |
| Publisher | : John Wiley & Sons |
| Total Pages | : 610 |
| Release | : 2012-08-07 |
| Genre | : Performing Arts |
| ISBN | : 1118294351 |
A Companion to Eastern European Cinemas showcases twenty-five essays written by established and emerging film scholars that trace the history of Eastern European cinemas and offer an up-to-date assessment of post-socialist film cultures. Showcases critical historical work and up-to-date assessments of post-socialist film cultures Features consideration of lesser known areas of study, such as Albanian and Baltic cinemas, popular genre films, cross-national distribution and aesthetics, animation and documentary Places the cinemas of the region in a European and global context Resists the Cold War classification of Eastern European cinemas as “other” art cinemas by reconnecting them with the main circulation of film studies Includes discussion of such films as Taxidermia, El Perro Negro, 12:08 East of Bucharest Big Tõll, and Breakfast on the Grass and explores the work of directors including Tamás Almási, Walerian Borowczyk, Roman Polanski, Jerzy Skolimowski, Andrzej ̄u3awski, and Karel Vachek amongst many others
| Author | : Dina Iordanova |
| Publisher | : Wallflower Press |
| Total Pages | : 242 |
| Release | : 2003 |
| Genre | : Performing Arts |
| ISBN | : 9781903364611 |
Cinema of the Other Europe: The Industry and Artistry of East Central European Film is a comprehensive study of the cinematic traditions of Poland, Hungary, the Czech Republic and Slovakia from 1945 to the present day, exploring the major schools of filmmaking and the main stages of development across the region during the period of state socialism up until the end of the Cold War, as well as more recent transformations post-1989. In encouraging a more inclusive and comprehensive understanding of European cinema, much needed for the new unified Europe `enlarged' towards its Eastern periphery, this book maps out the interactions, key concerns, thematic spheres and stylistic particularities that make the cinema of East Central Europe a vital part of European film tradition. Cinema of the Other Europe is thus a timely appraisal of Film Studies debates ranging from the representation of history and memory, the reassessment of political content, ethics and society, the rehabilitation of popular cinema, and the rethinking of national and regional cinemas in the context of globalisation.
| Author | : Richard Taylor |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 296 |
| Release | : 2019-07-25 |
| Genre | : Performing Arts |
| ISBN | : 1838718508 |
This work maps the rich, varied cinema of Eastern Europe, Russia and the former USSR. Over 200 entries cover a variety of topics spanning a century of endeavour and turbulent history from Czech animation to Soviet montage, from the silent cinemas dating back to World War I through to the varied responses to the conflicts in the former Yugoslavia. It includes entries on actors and actresses, film festivals, studios, genres, directors, film movements, critics, producers and technicians, taking the coverage up to the late 1990s. In addition to the historical material of key figures like Eisenstein and Wadja, the editors provide separate accounts of the trajectory of the cinemas of Eastern Europe and of Russia in the wake of the collapse of communism.
| Author | : Daniel J. Goulding |
| Publisher | : |
| Total Pages | : 344 |
| Release | : 1989 |
| Genre | : Performing Arts |
| ISBN | : |
| Author | : David W. Paul |
| Publisher | : |
| Total Pages | : 360 |
| Release | : 1983 |
| Genre | : Performing Arts |
| ISBN | : |
| Author | : Leen Engelen Leen Engelen |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 216 |
| Release | : 2013-11-21 |
| Genre | : Performing Arts |
| ISBN | : 1442229608 |
Since the fall of the Berlin Wall in 1989, transnational European cinema has risen, not only in terms of production but also in terms of a growing focus on multiethnic themes within the European context. This shift from national to trans-European filmmaking has been profoundly influenced by such historical developments as the collapse of the Iron Curtain and the subsequent ongoing enlargement of the European Union. In European Cinema after the Wall: Screening East–West Mobility, Leen Engelen and Kris Van Heuckelom have brought together essays that critically examine representations of post-1989 migration from the former Eastern Bloc to Western Europe, uncovering an array of common tropes and narrative devices that characterize the influences and portrayals of immigration. Featuring essays by contributors from backgrounds as divergent as film studies, Slavic and Russian studies, comparative literature, sociology, contemporary history, and communication and media studies, this volume will appeal to scholars of film, European history, and those interested in the impact of migration, diaspora, and the global flow of cinematic culture.
| Author | : Andrea Virginás |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 301 |
| Release | : 2017-01-06 |
| Genre | : Social Science |
| ISBN | : 144386031X |
The “spatial”, the “bodily”, and the “memory turn” in the humanities and cultural studies are well-canonized developments. These features of our being in the world are fundamental in the medium of cinema, which is an art of spaces, bodies, and memories, increasingly so today when the analogue platform has been running parallel with the digitalized method of filmmaking. The three nodal concepts define the tripartite structure of this volume, composed of an overview study and twelve case-studies of post-1989 Eastern European film and cinema. The overarching questions of space representation and construction, bodies on screen, issues of national identification in a postcolonial framework, and cinema as a form of cultural memory are explored through the lens of specific national cinemas or contemporary Croatian, Hungarian, Polish, Serbian, Slovakian, Slovenian, and Romanian films. In addition to investigating the cohesive forces that mark the postcommunist Eastern European region as a coherent cultural entity in its cinematic representations, the volume also stands as a witness to the importance of transnational approaches.
| Author | : Sanja Bahun |
| Publisher | : Routledge |
| Total Pages | : 258 |
| Release | : 2014-07-25 |
| Genre | : Social Science |
| ISBN | : 1317818717 |
This book presents a comprehensive re-examination of the cinemas of the Soviet Union and Central and Eastern Europe during the communist era. It argues that, since the end of communism in these countries, film scholars are able to view these cinemas in a different way, no longer bound by an outlook relying on binary Cold War terms. With the opening of archives in Eastern Europe and the former Soviet Union, much more is known about these states and societies; at the same time, the field has been reinvigorated by its opening up to more contemporary concepts, themes and approaches in film studies and adjacent disciplines. Taking stock of these developments, this book presents a rich, varied tapestry, relating specific films to specific national and transnational circumstances, rather than viewing them as a single, monolithic "Cold War Communist" cinema.
| Author | : Peter Hames |
| Publisher | : Wallflower Press |
| Total Pages | : 318 |
| Release | : 2004 |
| Genre | : Performing Arts |
| ISBN | : 9781904764205 |
Analysis of 24 films including: People of the mountains, Ashes and diamonds, Knife in the water, A shop on the high street, Closely observed trains, Daisies, Man of marble, Colonel Redl, The decalogue (Dekalog), Satantango, The garden, Alice (directed by Jan Svankmajer).
