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| Author | : Iain Fenlon |
| Publisher | : Cambridge University Press |
| Total Pages | : 322 |
| Release | : 1995-02-23 |
| Genre | : Music |
| ISBN | : 9780521472821 |
Concerned with the study of music from the early Middle Ages to the seventeenth century. Includes articles on French 16th-century music, theatre and poetry
| Author | : Carl Parrish |
| Publisher | : Courier Corporation |
| Total Pages | : 352 |
| Release | : 2012-12-06 |
| Genre | : Music |
| ISBN | : 0486171450 |
Features 50 compositions from early Middle Ages to mid-18th century, including a Gregorian hymn, English lute piece, operatic arias, instrumental and vocal motets; works by Vivaldi, Telemann, Scarlatti, and others. Features commentary.
| Author | : Thomas Forrest Kelly |
| Publisher | : Oxford University Press |
| Total Pages | : 144 |
| Release | : 2011-04-25 |
| Genre | : Music |
| ISBN | : 9780199831890 |
From Gregorian chant to Bach's Brandenburg Concerti, the music of the Medieval, Renaissance, and Baroque periods is both beautiful and intriguing, expanding our horizons as it nourishes our souls. In this Very Short Introduction, Thomas Forrest Kelly provides not only a compact overview of the music itself, but also a lively look at the many attempts over the last two centuries to revive it. Kelly shows that the early-music revival has long been grounded in the idea of spontaneity, of excitement, and of recapturing experiences otherwise lost to us--either the rediscovery of little-known repertories or the recovery of lost performing styles, with the conviction that, with the right performance, the music will come to life anew. Blending musical and social history, he shows how the Early Music movement in the 1960s took on political overtones, fueled by a rebellion against received wisdom and enforced conformity. Kelly also discusses ongoing debates about authenticity, the desirability of period instruments, and the relationship of mainstream opera companies and symphony orchestras to music that they often ignore, or play in modern fashion.
| Author | : Iain Fenlon |
| Publisher | : Cambridge University Press |
| Total Pages | : 328 |
| Release | : 2009-03-19 |
| Genre | : Literary Criticism |
| ISBN | : 9780521104388 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume thirteen include: Ut musica poesis: Music and poetry in France in the late sixteenth century; Ronsard, the Lyric Sonnet and Late Sixteenth-Century Chanson; Italianism and Claude de Jeune; Geometry and Rhetoric in Antoine de Bertrand's Troisiesme livre de chansons.
| Author | : Iain Fenlon |
| Publisher | : Cambridge University Press |
| Total Pages | : 434 |
| Release | : 2001-05-10 |
| Genre | : Music |
| ISBN | : 9780521652018 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in Volume 18 include: Music notation in Arcivio San Pietro C 105 and in the Farfa Breviary, Chigi C.VI 117; Rinuccini the craftsman: A view of his L'Arianna Ferdinand of Aragon's entry into Valladolid in 1513: The triumph of a Christian king; Citation and allusion in the late Ars nova: The case of Esperance and the En attendant songs.
| Author | : Iain Fenlon |
| Publisher | : Cambridge University Press |
| Total Pages | : 336 |
| Release | : 2004-12-27 |
| Genre | : Literary Criticism |
| ISBN | : 9780521842501 |
Musical history from the early Middle Ages to the end of the seventeenth century.
| Author | : Mark Everist |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2018-08-09 |
| Genre | : Music |
| ISBN | : 1108577075 |
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
| Author | : Iain Fenlon |
| Publisher | : Cambridge University Press |
| Total Pages | : 338 |
| Release | : 2002-04-08 |
| Genre | : Music |
| ISBN | : 9780521807739 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 20 include: The Footnote Quarrels of the Modal Theory: A Remarkable Episode in the Reception of Medieval Music; The Vatican Organum Treatise Re-examined; Ludwig Senfl and the Judas Trope: Composition and Religious Toleration at the Bavarian Court; Who 'Made' the Magnus liber?
| Author | : Iain Fenlon |
| Publisher | : Cambridge University Press |
| Total Pages | : 312 |
| Release | : 2001-04-19 |
| Genre | : Music |
| ISBN | : 9780521790734 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 19 include: Ritual and Ceremony in the Spanish Royal Chapel, c. 1559-c. 1561; Urban Minstrels in Late Medieval Southern France; Mapping the Soundscapes: Church Music in English Towns 1450-1550; A New Look at Old-Roman Chant.
| Author | : Iain Fenlon |
| Publisher | : Cambridge University Press |
| Total Pages | : 350 |
| Release | : 1999-03-04 |
| Genre | : Music |
| ISBN | : 9780521622424 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.
