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| Author | : Paul Werstine |
| Publisher | : Cambridge University Press |
| Total Pages | : 447 |
| Release | : 2013 |
| Genre | : Drama |
| ISBN | : 1107020425 |
This book argues for editing Shakespeare's plays in a new way, without pretending to distinguish authorial from theatrical versions.
| Author | : James Purkis |
| Publisher | : Cambridge University Press |
| Total Pages | : 325 |
| Release | : 2016-06-13 |
| Genre | : Literary Criticism |
| ISBN | : 1107119685 |
This book explores collaboration, theatre practice, and Shakespeare's canon by analysing the evidence of manuscripts used in early modern playhouses.
| Author | : Peter Holland |
| Publisher | : Cambridge University Press |
| Total Pages | : 418 |
| Release | : 2017-12-07 |
| Genre | : Literary Criticism |
| ISBN | : 1108281125 |
The seventieth volume in the annual series of volumes devoted to Shakespeare study and production. The articles are drawn from the World Shakespeare Congress, held 400 years after Shakespeare's death, in July/August 2016 in Stratford-upon-Avon and London. The theme is 'Creating Shakespeare'.
| Author | : Barbara Ravelhofer |
| Publisher | : Taylor & Francis |
| Total Pages | : 234 |
| Release | : 2016-10-04 |
| Genre | : Performing Arts |
| ISBN | : 1317111524 |
James Shirley was the last great dramatist of the English Renaissance, shining out among other luminaries such as John Ford, Ben Jonson, or Richard Brome. This collection considers Shirley within the culture of his time, and highlights his contribution to seventeenth-century English literature as poet and playwright. Individual essays explore Shirley’s musical theatre and spoken verse, performance conditions, female agency and politics, and the presentation of his work in manuscript and print. Collectively, the essays assemble a larger picture of Caroline drama, showing it to be more than simply a nostalgic endgame, its poets daintily sipping hemlock on the eve of the Civil Wars. Shirley’s literary versatility and long life, spanning the last days of Queen Elizabeth I to the ascension of Charles II, make him an ideal writer through whom to examine the distinctive qualities of Caroline theatre.
| Author | : James Purkis |
| Publisher | : Cambridge University Press |
| Total Pages | : 325 |
| Release | : 2016-06-13 |
| Genre | : Literary Criticism |
| ISBN | : 1316453839 |
How did Shakespeare write his plays and how were they revised during their passage to the stage? James Purkis answers these questions through a fresh examination of often overlooked evidence provided by manuscripts used in early modern playhouses. Considering collaboration and theatre practice, this book explores manuscript plays by Anthony Munday, Thomas Middleton, and Thomas Heywood to establish new accounts of theatrical revision that challenge formerly dominant ideas in Shakespearean textual studies. The volume also reappraises Shakespeare's supposed part in the Sir Thomas More manuscript by analysing the palaeographic, orthographic, and stylistic arguments for Shakespeare's authorship of three of the document's pages. Offering a new account of manuscript writing that avoids conventional narrative forms, Purkis argues for a Shakespeare fully participant in a manuscript's collaborative process, demanding a reconsideration of his dramatic canon. The book will greatly interest researchers and advanced students of Shakespeare studies, textual history, authorship studies and theatre historians.
| Author | : Leslie Thomson |
| Publisher | : Taylor & Francis |
| Total Pages | : 248 |
| Release | : 2022-07-15 |
| Genre | : Performing Arts |
| ISBN | : 1000615650 |
This book reconsiders the evidence for what we know (or think we know) about early modern performance conditions. This study encourages a new recognition and treatment of certain aspects of the plays as evidence – and demonstrates the significance of the implications of that new information. This book is also an assessment of the competing narratives about the processes involved in early modern performance: about the status of manuscript playbooks, about the parts that players memorized, about the functions of the bookkeeper, about casting, about prompting, and about rehearsal practices. Leslie Thomson investigates the bases for the interdependent beliefs that an early modern player relied only on his part to prepare for a performance, that rehearsal was minimal, and that a bookkeeper compensated for these circumstances by prompting any player who was "out of his part." By focusing on often ignored (or downplayed) requirements and challenges of early modern play texts, Thomson provides evidence for answers that will foster a more nuanced and thorough understanding of original performance practices. That will, in turn, influence how we read, study, and edit the plays. This exploration will be of great interest to theatre and performance researchers, graduate students, teachers of early modern drama at the undergraduate and graduate levels, performers, directors, editors.
| Author | : Roslyn L. Knutson |
| Publisher | : Springer Nature |
| Total Pages | : 271 |
| Release | : 2020-03-26 |
| Genre | : Literary Criticism |
| ISBN | : 303036867X |
As early modernists with an interest in the literary culture of Shakespeare’s time, we work in a field that contains many significant losses: of texts, of contextual information, of other forms of cultural activity. No account of early modern literary culture is complete without acknowledgment of these lacunae, and although lost drama has become a topic of increasing interest in Shakespeare studies, it is important to recognize that loss is not restricted to play-texts alone. Loss and the Literary Culture of Shakespeare’s Time broadens the scope of the scholarly conversation about loss beyond drama and beyond London. It aims to develop further models and techniques for thinking about lost plays, but also of other kinds of lost early modern works, and even lost persons associated with literary and theatrical circles. Chapters examine textual corruption, oral preservation, quantitative analysis, translation, and experiments in “verbatim theater”, plus much more.
| Author | : Jean-Christophe Mayer |
| Publisher | : Cambridge University Press |
| Total Pages | : 277 |
| Release | : 2018-09-06 |
| Genre | : Drama |
| ISBN | : 1107138337 |
This is the first dedicated account of the ways in which Shakespeare's texts were read in the two centuries after they were produced. A close examination of rare, often unpublished material offers a reconsideration of the role of readers in the history of Shakespeare's rise to fame.
| Author | : Will Sharpe |
| Publisher | : Oxford University Press |
| Total Pages | : 240 |
| Release | : 2023 |
| Genre | : Drama |
| ISBN | : 0198819633 |
Shakespeare and Collaborative Writing offers a rich account of Shakespeare's artistic development in, against, and beyond collaboration. In undertaking a rigorous appreciation of his co-authored works, it presents them as distinctive works of art that transform our understanding of Shakespeare the poet, dramatist, and enduring cultural icon.
| Author | : Grace Ioppolo |
| Publisher | : Routledge |
| Total Pages | : 250 |
| Release | : 2013-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 1134300050 |
This book presents new evidence about the ways in which English Renaissance dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences. Grace Ioppolo argues that the path of the transmission of the text was not linear, from author to censor to playhouse to audience - as has been universally argued by scholars - but circular. Extant dramatic manuscripts, theatre records and accounts, as well as authorial contracts, memoirs, receipts and other archival evidence, are used to prove that the text returned to the author at various stages, including during rehearsal and after performance. This monograph provides much new information and case studies, and is a fascinating contribution to the fields of Shakespeare studies, English Renaissance drama studies, manuscript studies, textual study and bibliography and theatre history.
