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Early American Cinema in Transition

Early American Cinema in Transition
Author: Charlie Keil
Publisher: University of Wisconsin Pres
Total Pages: 321
Release: 2001-12-10
Genre: Performing Arts
ISBN: 0299173631

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The period 1907–1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel’s duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O’Salem-Town; Cupid’s Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.


American Cinema’s Transitional Era

American Cinema’s Transitional Era
Author: Charlie Keil
Publisher: Univ of California Press
Total Pages: 383
Release: 2004-07-12
Genre: Business & Economics
ISBN: 0520240278

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This 'transitional era' covered the years 1908-1917 & witnessed profound changes in the structure of the motion picture industry in the US, involving film genre, film form, filmmaking practices & the emergence of the studio system. The pattern which emerged dominated the industry for decades to come.


American Cinema of the 1910s

American Cinema of the 1910s
Author: Charlie Keil
Publisher: Rutgers University Press
Total Pages: 298
Release: 2009
Genre: Art
ISBN: 0813544459

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It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.


The Talkies

The Talkies
Author: Donald Crafton
Publisher: Univ of California Press
Total Pages: 656
Release: 1999-11-22
Genre: Business & Economics
ISBN: 9780520221284

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This text offers readers a look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. The author presents a view of the talkies' reception, amongst other issues.


American Cinema’s Transitional Era

American Cinema’s Transitional Era
Author: Charlie Keil
Publisher: University of California Press
Total Pages: 0
Release: 2004-07-12
Genre: Performing Arts
ISBN: 9780520240278

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The years between 1908 and 1917 witnessed what may have been the most significant transformation in American film history. During this "transitional era," widespread changes affected film form and film genres, filmmaking practices and industry structure, exhibition sites, and audience demographics. By the end of the period, cinema had moved toward the shape it would assume for decades under the studio system. This collection of new essays by prominent film scholars traces these myriad changes, presenting the most detailed and comprehensive portrait yet of this pivotal stage in cinema's development. Topics under discussion include debates about cinema's place in American culture; the influence of an evolving feature format; the role of state censorship; emerging genres and audiences; onscreen depictions of gender, race, and nationality; changing exhibition practices and theater locales; and the emergence of Hollywood as the nation's film capital. Contributors: Richard Abel, Constance Balides, Ben Brewster, Scott Curtis, Lee Grieveson, Tom Gunning, Charlie Keil, J. A. Lindstrom, Roberta E. Pearson, Jennifer Lynn Peterson, Lauren Rabinovitz, Ben Singer, Shelley Stamp, Jacqueline Stewart


The West in Early Cinema

The West in Early Cinema
Author: Nanna Verhoeff
Publisher: Leiden University Press
Total Pages: 472
Release: 2006
Genre: Performing Arts
ISBN:

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Early American Cinema in Transition

Early American Cinema in Transition
Author: Charlie Keil
Publisher: Univ of Wisconsin Press
Total Pages: 324
Release: 2001-12-03
Genre: Business & Economics
ISBN: 9780299173647

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The period 1907–1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel’s duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O’Salem-Town; Cupid’s Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.


Bad Women

Bad Women
Author: Janet Staiger
Publisher: U of Minnesota Press
Total Pages: 250
Release: 1995
Genre: Cinema
ISBN: 9781452902678

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On female sexual morality


The Last Great American Picture Show

The Last Great American Picture Show
Author: Alexander Horwath
Publisher: Amsterdam University Press
Total Pages: 395
Release: 2004
Genre: Performing Arts
ISBN: 9053566317

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This publication is a major evaluation of the 1970s American cinema, including cult film directors such as Bogdanovich Altman and Peckinpah.