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E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera

E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera
Author: Francien Markx
Publisher: BRILL
Total Pages: 496
Release: 2015-11-02
Genre: Literary Criticism
ISBN: 9004309578

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In this first monograph on E. T. A. Hoffmann and opera, Francien Markx examines Hoffmann’s writings on opera and the challenges they pose to established narratives of aesthetic autonomy, the search for a national opera, and Hoffmann’s biography. Markx discusses Hoffmann’s lifelong fascination with opera against the backdrop of eighteenth-century theater reform, the creation of national identity, contemporary performance practices and musical and aesthetic discourses as voiced by C. M. von Weber, A. W. Schlegel, Heine, and Wagner, among others. The book reconsiders the traditional view that German opera followed a deterministic trajectory toward Wagner’s Gesamtkunstwerk and reveals a cosmopolitan spirit in Hoffmann’s operatic vision, most notably exemplified by his controversial advocacy for Spontini in Berlin.


The Cambridge Companion to Music and Romanticism

The Cambridge Companion to Music and Romanticism
Author: Benedict Taylor
Publisher: Cambridge University Press
Total Pages: 403
Release: 2021-08-26
Genre: History
ISBN: 1108475434

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A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.


"Was deutsch und echt..."

Author: Kasper Bastiaan van Kooten
Publisher: BRILL
Total Pages: 320
Release: 2019-03-25
Genre: History
ISBN: 9004245383

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This book shows nineteenth-century German opera’s entanglement with national identity formation, adding a significant perspective to discussions about Wagner’s relation to German nationalism by interpreting his esthetic endeavors as a continuation of previous campaigns for the genre’s emancipation.


The Lost History of Cosmopolitanism

The Lost History of Cosmopolitanism
Author: Leigh T.I. Penman
Publisher: Bloomsbury Publishing
Total Pages: 217
Release: 2020-11-26
Genre: History
ISBN: 1350156973

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The Lost History of Cosmopolitanism challenges our most basic assumptions about the history of an ideal at the heart of modernity. Beginning in antiquity and continuing through to today, Leigh T.I. Penman examines how European thinkers have understood words like 'kosmopolites', 'cosmopolite', 'cosmopolitan' and its cognates. The debates over their meanings show that there has never been a single, stable cosmopolitan concept, but rather a range of concepts-sacred and secular, inclusive and exclusive-all described with the cosmopolitan vocabulary. While most scholarly attention in the history of cosmopolitanism has focussed on Greek and Roman antiquity or the Enlightenments of the 18th century, this book shows that the crucial period in the evolution of modern cosmopolitanism was early modernity. Between 1500 and 1800 philosophers, theologians, cartographers, jurists, politicians, alchemists and heretics all used this vocabulary, shedding ancient associations, and adding new ones at will. The chaos of discourses prompted thinkers to reflect on the nature of the cosmopolitan ideal, and to conceive of an abstract 'cosmopolitanism' for the first time. This meticulously researched book provides the first intellectual history of an overlooked period in the evolution of a core ideal. As such, The Lost History of Cosmopolitanism is an essential work for anyone seeking a contextualised understanding of cosmopolitanism today.


Music Theatre and the Holy Roman Empire

Music Theatre and the Holy Roman Empire
Author: Austin Glatthorn
Publisher: Cambridge University Press
Total Pages: 391
Release: 2022-07-07
Genre: Music
ISBN: 1009079948

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Packed full of new archival evidence that reveals the interconnected world of music theatre during the 'Classical era', this interdisciplinary study investigates key locations, genres, music, and musicians. Austin Glatthorn explores the extent to which the Holy Roman Empire delineated and networked a cultural entity that found expression through music for the German stage. He maps an extensive network of Central European theatres; reconstructs the repertoire they shared; and explores how print media, personal correspondence, and their dissemination shaped and regulated this music. He then investigates the development of German melodrama and examines how articulations of the Holy Roman Empire on the musical stage expressed imperial belonging. Glatthorn engages with the most recent historical interpretations of the Holy Roman Empire and offers quantitative, empirical analysis of repertoire supported by conventional close readings to illustrate a shared culture of music theatre that transcended traditional boundaries in music scholarship.


Goethe Yearbook 24

Goethe Yearbook 24
Author: Adrian Daub
Publisher: Boydell & Brewer
Total Pages: 338
Release: 2017-06-15
Genre: Art
ISBN: 157113977X

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Cutting-edge scholarly articles on diverse aspects of Goethe and his age, featuring in this volume a special section on the poetics of space in the Goethezeit. The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 24 features a special section titled "The Poetics of Space in the Goethezeit," co-edited by John Lyon and Elliott Schreiber, with contributions on blind spots in Goethe's Elective Affinities; on the topography and topoi of Goethe's autobiographical childhood; on disorientation and the subterranean in Novalis; on selfhood, sovereignty, and public space in Die italienische Reise and Dichtung und Wahrheit; on Goethe's theater of anamnesis in Wilhelm Meisters Lehrjahre; and on spatial mobilization in Kleist's Berliner Abendblätter. There are also articles on the horror of coming home in Caroline de la Motte Fouqué's "Der Abtrünnige" and on Friedrich Heinrich Jacobi's Eduard Allwills Papiere. Contributors: Colin Benert, Stephanie Galasso, Tove Holmes, Edgar Landgraf, Sara Luly, John B. Lyon, Anthony Mahler, Monika Nenon, Joseph O'Neil, Elliott Schreiber, Inge Stephan, Gabriel Trop, Christian P. Weber. Adrian Daub is Associate Professor of German at Stanford. Elisabeth Krimmer is Professor of German at the University of California Davis. Book review editor Birgit Tautz is Associate Professor of German at Bowdoin College.


Opera in the Viennese Home from Mozart to Rossini

Opera in the Viennese Home from Mozart to Rossini
Author: Nancy November
Publisher: Cambridge University Press
Total Pages: 267
Release: 2024-01-18
Genre: Music
ISBN: 1009409808

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A unique window on the world of nineteenth-century amateur music-making provided by the study of domestic musical arrangements of opera.


Taking Stock – Twenty-Five Years of Comparative Literary Research

Taking Stock – Twenty-Five Years of Comparative Literary Research
Author:
Publisher: BRILL
Total Pages: 572
Release: 2019-10-29
Genre: Literary Criticism
ISBN: 900441035X

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This commemorative volume offers a retrospective of the discipline as mirrored in the series Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft since its founding in 1993. Leading scholars examine issues of world literature, the history of ideas, gender studies, aesthetics and literary translation.


A Serious Matter and True Joy

A Serious Matter and True Joy
Author: Margaret Eleanor Menninger
Publisher: BRILL
Total Pages: 396
Release: 2022-03-21
Genre: History
ISBN: 9004507809

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We tend to accept that German cities and states run their own cultural institutions (concert halls, theatres, museums). This book shows how this now “self-evident” fact became a reality in the course of the long nineteenth century.


The Real Tales of Hoffmann

The Real Tales of Hoffmann
Author: Michael Kaye
Publisher: Rowman & Littlefield Publishers
Total Pages: 0
Release: 2017
Genre: Music
ISBN: 9781442260849

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Giroud and Kaye tell the full story of The Tales of Hoffman for the first time. After discussing the work's influences and history, the book details sources for the opera, including the complete Barbier and Carré play. The annotated libretto is published in full, with the vari...