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| Author | : Seymour Slive |
| Publisher | : Smriti Books |
| Total Pages | : 398 |
| Release | : 1995 |
| Genre | : Art, Dutch |
| ISBN | : 9780300074512 |
This is an authoritative and perceptive study of Dutch painting from the 17th to the 19th centuries. Slive focuses on the major artists of the period discussing the kinds of painting that became specialities.
| Author | : Jakob Rosenberg |
| Publisher | : Puffin Books |
| Total Pages | : 506 |
| Release | : 1972 |
| Genre | : Architecture |
| ISBN | : |
| Author | : National Gallery of Art (U.S.) |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 0 |
| Release | : 1995 |
| Genre | : Painting |
| ISBN | : 9780894682117 |
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
| Author | : Hans Vlieghe |
| Publisher | : Yale University Press |
| Total Pages | : 356 |
| Release | : 1998-01-01 |
| Genre | : Art |
| ISBN | : 9780300104691 |
02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.
| Author | : Claartje Rasterhoff |
| Publisher | : Amsterdam University Press |
| Total Pages | : 345 |
| Release | : 2017-07-11 |
| Genre | : Art |
| ISBN | : 9048524113 |
Painting and Publishing as Cultural Industries, 1580-1800 addresses how a small country like the Dutch Republic could become a major player in the creation of cultural goods during the Golden Age. On the basis of quantitative and qualitative sources from art history and book history, Claartje Rasterhoff traces the evolution of the painting and publishing industries from modest trades to booming industries. Informed by studies on cultural industries, she focuses on the role of industrial organization in shaping patterns of growth and innovation. Much like their present-day counterparts, early modern Dutch cultural industries were spatially concentrated, highly networked, and institutionally embedded. This distinct organizational structure helped to reduce uncertainty in the market and stimulated the commercial and creative potential of painters and publishers, for a century at least. Dutch painters and publishers had catered to their markets so rapidly and in such variety, that the exceptional levels of output, quality, and innovation accomplished during the first half of the seventeenth century could not be sustained. As producers came to face saturated domestic markets, they took to limiting risks and strenghtening their distribution and marketing activities. By introducing the concepts of business cycles and spatial clusters, Rasterhoff offers a novel explanation
| Author | : Görel Cavalli-Björkman |
| Publisher | : |
| Total Pages | : 607 |
| Release | : 1986 |
| Genre | : Painting |
| ISBN | : 9789171007315 |
| Author | : Anne Haack Christensen |
| Publisher | : |
| Total Pages | : 170 |
| Release | : 2019-07-08 |
| Genre | : Artists' materials industry |
| ISBN | : 9781909492714 |
The papers in this volume were presented at the CATS international technical art history conference Trading Paintings and Painters' Materials 1550-1800 which explored international markets for paintings and artists' materials in the early modern period and their implications for artistic production. Questions central to these papers include: did preferences exist for artists' materials and paintings from specific geographical areas in particular places and if so why? How did the import of painting materials and artworks impact local production, connoisseurship and art theory? In what conditions were these artists' materials and finished artworks produced and traded in early modern Europe and beyond? The lavishly illustrated contributions in this volume deal with the above questions and shed light on different trades, products, countries and timeframes by combining a large variety of methods and sources, including visual analyses, written sources, pigment analyses and archaeological excavations. This fourth CATS Proceedings will be of interest to scholars and students, museum professionals, curators, conservators, art historians and conservation scientists.
| Author | : Mariët Westermann |
| Publisher | : Yale University Press |
| Total Pages | : 196 |
| Release | : 2004-01-01 |
| Genre | : Art |
| ISBN | : 9780300107234 |
Newly independent in 1585, the increasingly prosperous and politically powerful Dutch Republic experienced a tremendous rise in the production of artwork that was unparalleled in quantity, variety, and beauty. Now back in print, this classic book (originally published in 1996) examines the country's rich artistic culture in the seventeenth century, providing a full account of Dutch artists and patrons; artistic themes and techniques; and the political and social world in which artists worked. Distinguished art historian Mariët Westermann examines the ?worldly art” of this time in the context of the unique society that produced it, analyzing artists' choices and demonstrating how their pictures tell particular stories about the Dutch Republic, its people, and its past. More than 100 color illustrations complement this engaging discussion of an extraordinary moment in the history of art.
| Author | : E. H. ter Kuile |
| Publisher | : |
| Total Pages | : |
| Release | : 1986 |
| Genre | : |
| ISBN | : |
| Author | : David Freedberg |
| Publisher | : Getty Publications |
| Total Pages | : 458 |
| Release | : 1996-07-11 |
| Genre | : Art |
| ISBN | : 0892362014 |
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
