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| Author | : Marcel Bänabou |
| Publisher | : U of Nebraska Press |
| Total Pages | : 212 |
| Release | : 2001-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780803261860 |
The narrator discovers a strange book on his desk. He opens the book and it tells him to stop reading and throw it away.
| Author | : Marcel Bänabou |
| Publisher | : U of Nebraska Press |
| Total Pages | : 216 |
| Release | : 2001-01-01 |
| Genre | : Literary Collections |
| ISBN | : 9780803213197 |
The narrator discovers a strange book on his desk. He opens the book and it tells him to stop reading and throw it away.
| Author | : Fran Mason |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 464 |
| Release | : 2009 |
| Genre | : Literature, Modern |
| ISBN | : 0810868555 |
"The A to Z of Postmodernist Literature and Theater examines the different areas of postmodernist literature and theater and the variety of forms that have been produced. It contains a list of acronyms, a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on individual writers, important aesthetic practices, significant texts, and important movements and ideas that have created a variety of literary approaches within the form. By placing these concerns within the historical, philosophical, and cultural contexts of postmodernism, this reference explores the frameworks within which postmodernist literature of the late twentieth and early twenty-first centuries operates." --Book Jacket.
| Author | : Anna Kemp |
| Publisher | : Liverpool University Press |
| Total Pages | : 219 |
| Release | : 2021-08-15 |
| Genre | : Literary Criticism |
| ISBN | : 180034550X |
Life as Creative Constraint is the first book to focus on the extraordinary life-writing of the French experimental writing group, the Oulipo. The Oulipo's enthusiasm for literary games and formal gymnastics has seen its work caricatured as 'lifeless' - impressively virtuoso but more interested in form than content and ultimately disengaged from the world. This book examines a broad corpus of work by Georges Perec, Marcel Bénabou, Jacques Roubaud and Anne F. Garréta to show that, despite the group's early devotion to the radical impersonality of mathematics, later generations of oulipians have brought the group's fascination with systems, games and constraints to bear on autobiography. Far from being 'lifeless', oulipian constraints and concepts provide the tools that allow writers to engage critically and creatively with lived experience, and mine the potential of the autobiographical genre. The games played by these writers are not simply pastimes or cunning writing techniques, but modes of survival, self-examination, self-invention, and relating to the world and to others. As the title of Georges Perec’s masterpiece suggests, they are a mode d’emploi for life.
| Author | : Joe Milutis |
| Publisher | : John Hunt Publishing |
| Total Pages | : 276 |
| Release | : 2013-01-25 |
| Genre | : Literary Criticism |
| ISBN | : 1780997035 |
Failure, A Writer’s Life is a catalogue of literary monstrosities. Its loosely organized vignettes and convolutes provide the intrepid reader with a philosophy for the unreadable, a consolation for the ignored, and a map for new literary worlds. ,
| Author | : Julia Cameron |
| Publisher | : Penguin |
| Total Pages | : 295 |
| Release | : 2002-03-04 |
| Genre | : Self-Help |
| ISBN | : 1101156880 |
"With its gentle affirmations, inspirational quotes, fill-in-the-blank lists and tasks — write yourself a thank-you letter, describe yourself at 80, for example — The Artist’s Way proposes an egalitarian view of creativity: Everyone’s got it."—The New York Times "Morning Pages have become a household name, a shorthand for unlocking your creative potential"—Vogue Over four million copies sold! Since its first publication, The Artist's Way phenomena has inspired the genius of Elizabeth Gilbert and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron's novel approach guides readers in uncovering problems areas and pressure points that may be restricting their creative flow and offers techniques to free up any areas where they might be stuck, opening up opportunities for self-growth and self-discovery. The program begins with Cameron’s most vital tools for creative recovery – The Morning Pages, a daily writing ritual of three pages of stream-of-conscious, and The Artist Date, a dedicated block of time to nurture your inner artist. From there, she shares hundreds of exercises, activities, and prompts to help readers thoroughly explore each chapter. She also offers guidance on starting a “Creative Cluster” of fellow artists who will support you in your creative endeavors. A revolutionary program for personal renewal, The Artist's Way will help get you back on track, rediscover your passions, and take the steps you need to change your life.
| Author | : Werner Hamacher |
| Publisher | : U of Nebraska Press |
| Total Pages | : 426 |
| Release | : 2019-06-01 |
| Genre | : Philosophy |
| ISBN | : 1496206525 |
Werner Hamacher’s witty and elliptical 95 Theses on Philology challenges the humanities—and particularly academic philology—that assume language to be a given entity rather than an event. In Give the Word eleven scholars of literature and philosophy (Susan Bernstein, Michèle Cohen-Halimi, Peter Fenves, Sean Gurd, Daniel Heller-Roazen, Jan Plug, Gerhard Richter, Avital Ronell, Thomas Schestag, Ann Smock, and Vincent van Gerven Oei) take up the challenge presented by Hamacher’s theses. At the close Hamacher responds to them in a spirited text that elaborates on the context of his 95 Theses and its rich theoretical and philosophical ramifications. The 95 Theses, included in this volume, makes this collection a rich resource for the study and practice of “radical philology.” Hamacher’s philology interrupts and transforms, parting with tradition precisely in order to remain faithful to its radical but increasingly occluded core. The contributors test Hamacher’s break with philology in a variety of ways, attempting a philological practice that does not take language as an object of knowledge, study, or even love. Thus, in responding to Hamacher’s Theses, the authors approach language that, because it can never be an object of any kind, awakens an unfamiliar desire. Taken together these essays problematize philological ontology in a movement toward radical reconceptualizations of labor, action, and historical time.
| Author | : Clive King |
| Publisher | : Open Road Media |
| Total Pages | : 135 |
| Release | : 2016-09-06 |
| Genre | : Juvenile Fiction |
| ISBN | : 1504037685 |
A boy befriends a young caveman in this modern children’s classic of friendship and adventure. Barney isn’t supposed to go near the chalk pit. His grandmother and sister both told him the edge could give way and he could fall in—but what else is he supposed to do on a miserable gray day? It’s not long before Barney falls into the pit and bumps his head. But where he lands is more than an old garbage dump: It’s a home. There’s a little hut built out of discarded junk, and more surprisingly, there’s a boy, about Barney’s age, inside. He speaks in grunts instead of English, wears a rabbit-skin loincloth, has shaggy black hair, and might be named something that sounds like “Stig.” Barney befriends him immediately. Together, Barney and Stig go on all sorts of adventures, building a chimney for Stig’s hut, joining a foxhunt, stopping robbers, and catching a leopard escaped from the circus! Barney and Stig’s escapades have been delighting children for more than fifty years, while addressing important topics such as bullying, recycling, and language barriers. This timeless classic is sure to captivate readers young and old with its wit, imagination, and sense of adventure.
| Author | : Gärard Genette |
| Publisher | : U of Nebraska Press |
| Total Pages | : 249 |
| Release | : 2005-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 0803271107 |
Over the course of the past forty years, Gärard Genette?s work has profoundly influenced scholars of narratology, poetics, aesthetics, and literary and cultural criticism, and he continues to be one of France?s most influential theorists. The eighteen pieces in Essays in Aesthetics are of international interest because they are concerned either with universal aesthetic problems (the receiver?s relationship to an aesthetic object, abstract art, the role of repetition in aesthetics, genre theory, and the rapport between literature and music) or with specific moments in the work of a well-known writer or artist (such as Stendhal, Proust, Manet, Pissarro, and Canaletto).øEssays in Aesthetics contains a wealth of material related to the appreciation of beauty by one of the subtlest and most original minds working in aesthetics today. Genette knows the fine arts as well as he knows literature and as a result has innovative things to say to readers in that field as well as to philosophers and literary scholars.
| Author | : Giancarlo Maiorino |
| Publisher | : Penn State Press |
| Total Pages | : 378 |
| Release | : 2010-11 |
| Genre | : Literary Criticism |
| ISBN | : 0271048190 |
&“Titology,&” a term first coined in 1977 by literary critic Harry Levin, is the field of literary studies that focuses on the significance of a title in establishing the thematic developments of the pages that follow. While the term has been used in the literary community for thirty years, this book presents for the first time a thoroughly developed theoretical discussion on the significance of the title as a foundation for scholarly criticism. Though Maiorino acknowledges that many titles are superficial and &“indexical,&” there exists a separate and more complex class of titles that do much more than simply decorate a book&’s spine. To prove this argument, Maiorino analyzes a wide range of examples from the modern era through high modernism to postmodernism, with writings spanning the globe from Spain and France to Germany and America. By examining works such as Essais, The Waste Land, Ulysses, and Don Quixote, First Pages proves the power of the title to connect the reader to the thematic, cultural, and literary context of the writing as a whole. Much like a fa&çade to a building, the title page serves as the frontispiece of literature, a sign that offers perspective and demands interpretation.
