Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Drugs And Theater In Early Modern England PDF full book. Access full book title Drugs And Theater In Early Modern England.
| Author | : Tanya Pollard |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 222 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 019927083X |
Draws upon both medical and literary research to show the preoccupation of Shakespeare and his contemporaries with drugs and poisons in their dramas.
| Author | : Tanya Pollard |
| Publisher | : |
| Total Pages | : 211 |
| Release | : 2005 |
| Genre | : Drugs in literature |
| ISBN | : 9780191710322 |
In this text the author argues that the power of the theatre in early modern England, as well as the striking hostility to it stems from the pervasive contemporary idea that drama altered the body as well as the mind
| Author | : Matthew Steggle |
| Publisher | : Routledge |
| Total Pages | : 266 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351922998 |
Did Shakespeare's original audiences weep? Equally, while it seems obvious that they must have laughed at plays performed in early modern theatres, can we say anything about what their laughter sounded like, about when it occurred, and about how, culturally, it was interpreted? Related to both of these problems of audience behaviour is that of the stage representation of laughing, and weeping, both actions performed with astonishing frequency in early modern drama. Each action is associated with a complex set of non-verbal noises, gestures, and cultural overtones, and each is linked to audience behaviour through one of the axioms of Renaissance dramatic theory: that weeping and laughter on stage cause, respectively, weeping and laughter in the audience. This book is a study of laughter and weeping in English theatres, broadly defined, from around 1550 until their closure in 1642. It is concerned both with the representation of these actions on the stage, and with what can be reconstructed about the laughter and weeping of theatrical audiences themselves, arguing that both actions have a peculiar importance in defining the early modern theatrical experience.
| Author | : Lisa Hopkins |
| Publisher | : Manchester University Press |
| Total Pages | : 218 |
| Release | : 2023-08-29 |
| Genre | : Performing Arts |
| ISBN | : 1526159910 |
Many early modern plays use poison, most famously Hamlet, where the murder of Old Hamlet showcases the range of issues poison mobilises. Its orchard setting is one of a number of sinister uses of plants which comment on both the loss of horticultural knowledge resulting from the Dissolution of the Monasteries and also the many new arrivals in English gardens through travel, trade, and attempts at colonisation. The fact that Old Hamlet was asleep reflects unease about soporifics troubling the distinction between sleep and death; pouring poison into the ear smuggles in the contemporary fear of informers; and it is difficult to prove. This book explores poisoning in early modern plays, the legal and epistemological issues it raises, and the cultural work it performs, which includes questions related to race, religion, nationality, gender, and humans’ relationship to the environment.
| Author | : Deutermann Allison Deutermann |
| Publisher | : Edinburgh University Press |
| Total Pages | : 208 |
| Release | : 2016-05-31 |
| Genre | : Drama |
| ISBN | : 1474411274 |
Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it
| Author | : Rebecca Lemon |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 277 |
| Release | : 2018-02-02 |
| Genre | : Literary Criticism |
| ISBN | : 0812294815 |
Rebecca Lemon illuminates a previously-buried conception of addiction, as a form of devotion at once laudable, difficult, and extraordinary, that has been concealed by the persistent modern link of addiction to pathology. Surveying sixteenth-century invocations, she reveals how early moderns might consider themselves addicted to study, friendship, love, or God. However, she also uncovers their understanding of addiction as a form of compulsion that resonates with modern scientific definitions. Specifically, early modern medical tracts, legal rulings, and religious polemic stressed the dangers of addiction to alcohol in terms of disease, compulsion, and enslavement. Yet the relationship between these two understandings of addiction was not simply oppositional, for what unites these discourses is a shared emphasis on addiction as the overthrow of the will. Etymologically, "addiction" is a verbal contract or a pledge, and even as sixteenth-century audiences actively embraced addiction to God and love, writers warned against commitment to improper forms of addiction, and the term became increasingly associated with disease and tyranny. Examining canonical texts including Doctor Faustus, Twelfth Night, Henry IV, and Othello alongside theological, medical, imaginative, and legal writings, Lemon traces the variety of early modern addictive attachments. Although contemporary notions of addiction seem to bear little resemblance to its initial meanings, Lemon argues that the early modern period's understanding of addiction is relevant to our modern conceptions of, and debates about, the phenomenon.
| Author | : K. Craik |
| Publisher | : Springer |
| Total Pages | : 200 |
| Release | : 2007-04-06 |
| Genre | : Literary Criticism |
| ISBN | : 0230206085 |
How did Renaissance literature affect readers' minds, bodies and souls? In what ways did the history of literary experience overlap with the history of humours and emotions? This book argues that a new aesthetic vocabulary based on the theory of the passions was formulated in the Renaissance to describe the affective power of literature.
| Author | : Lauren Robertson |
| Publisher | : Cambridge University Press |
| Total Pages | : 269 |
| Release | : 2022-12-31 |
| Genre | : Literary Criticism |
| ISBN | : 100922512X |
Lauren Robertson's original study shows that the theater of Shakespeare and his contemporaries responded to the crises of knowledge that roiled through early modern England by rendering them spectacular. Revealing the radical, exciting instability of the early modern theater's representational practices, Robertson uncovers the uncertainty that went to the heart of playgoing experience in this period. Doubt was not merely the purview of Hamlet and other onstage characters, but was in fact constitutive of spectators' imaginative participation in performance. Within a culture in the midst of extreme epistemological upheaval, the commercial theater licensed spectators' suspension among opposed possibilities, transforming dubiety itself into exuberantly enjoyable, spectacular show. Robertson shows that the playhouse was a site for the entertainment of uncertainty in a double sense: its pleasures made the very trial of unknowing possible.
| Author | : Allison P. Hobgood |
| Publisher | : Cambridge University Press |
| Total Pages | : 247 |
| Release | : 2014-01-23 |
| Genre | : Drama |
| ISBN | : 1107041287 |
Passionate Playgoing in Early Modern England examines the emotional effect of stage performance on the minds of the early modern theatre audience.
| Author | : Eric Dunnum |
| Publisher | : Routledge |
| Total Pages | : 498 |
| Release | : 2019-09-18 |
| Genre | : Performing Arts |
| ISBN | : 1351252631 |
Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience. This study analyses how, out of anxiety that unruly audiences would destroy the nascent industry of professional drama in England, playwrights sought to limit the effect that their plays could have on the audience. They tried to construct playgoing through their drama in the hopes of creating a less-reactive, more pensive, and controlled playgoer. The result was the radical experimentation in dramaturgy that, in part, defines Renaissance drama. Written for scholars of Early Modern and Renaissance Drama and Theatre, Theatre History, and Early Modern and Renaissance History, this book calls for a new focus on the local economic concerns of the theatre companies as a way to understand the motivation behind the drama of early modern London.
