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Douglass and Melville

Douglass and Melville
Author: Robert K. Wallace
Publisher: Spinner Publications
Total Pages: 166
Release: 2005
Genre: Biography & Autobiography
ISBN: 9780932027917

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Frederick Douglass was born into slavery in Maryland; Herman Melville was born into prosperity in New York. Despite their divergent backgrounds, these contemporary American authors shared amazingly similar ideas about the most pressing issues of their day, including war, slavery, abolition, and race relations. They also lived and worked near each other during the peak of their careers. Did they meet? Author Robert K. Wallace raises that provacative question, seeking clues as he follows their parallel footsteps through New Bedford, New York City and Albany in this most unusal and fasicnating book! File it under "biography," or "American History" or "American literature" or "abolition" or just plain "good reading!"


Frederick Douglass and Herman Melville

Frederick Douglass and Herman Melville
Author: Robert S. Levine
Publisher: UNC Press Books
Total Pages: 486
Release: 2012-09-01
Genre: Literary Collections
ISBN: 1469606690

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Frederick Douglass (1818-1895) and Herman Melville (1819-1891) addressed in their writings a range of issues that continue to resonate in American culture: the reach and limits of democracy; the nature of freedom; the roles of race, gender, and sexuality; and the place of the United States in the world. Yet they are rarely discussed together, perhaps because of their differences in race and social position. Douglass escaped from slavery and tied his well-received nonfiction writing to political activism, becoming a figure of international prominence. Melville was the grandson of Revolutionary War heroes and addressed urgent issues through fiction and poetry, laboring in increasing obscurity. In eighteen original essays, the contributors to this collection explore the convergences and divergences of these two extraordinary literary lives. Developing new perspectives on literature, biography, race, gender, and politics, this volume ultimately raises questions that help rewrite the color line in nineteenth-century studies. Contributors: Elizabeth Barnes, College of William and Mary Hester Blum, The Pennsylvania State University Russ Castronovo, University of Wisconsin-Madison John Ernest, West Virginia University William Gleason, Princeton University Gregory Jay, University of Wisconsin-Milwaukee Carolyn L. Karcher, Washington, D.C. Rodrigo Lazo, University of California, Irvine Maurice S. Lee, Boston University Robert S. Levine, University of Maryland, College Park Steven Mailloux, University of California, Irvine Dana D. Nelson, Vanderbilt University Samuel Otter, University of California, Berkeley John Stauffer, Harvard University Sterling Stuckey, University of California, Riverside Eric J. Sundquist, University of California, Los Angeles Elisa Tamarkin, University of California, Irvine Susan M. Ryan, University of Louisville David Van Leer, University of California, Davis Maurice Wallace, Duke University Robert K. Wallace, Northern Kentucky University Kenneth W. Warren, University of Chicago


Frederick Douglass & Herman Melville

Frederick Douglass & Herman Melville
Author: Robert Steven Levine
Publisher:
Total Pages: 0
Release: 2008
Genre: Biography & Autobiography
ISBN: 9780807831847

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Frederick Douglass and Herman Melville: Essays in Relation


Two Slave Rebellions at Sea

Two Slave Rebellions at Sea
Author: George Hendrick
Publisher: Wiley-Blackwell
Total Pages: 148
Release: 2000-07-26
Genre: History
ISBN: 9781881089452

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Fredrick Douglass (1818-1895), a fugitive slave who became the best-known black abolitionist orator and autobiographer, and Herman Melville (1819-1891), a fiction writer recognized for the elusiveness of his meanings, both composed stories about slave revolts at sea. In the decade just before the Civil War, during years of increasingly angry debate about slavery, Douglass in "The Heroic Slave" (1853) and Melville in "Benito Cereno" (1855) fictionalized important slave insurrections. Of the mutiny on the Creole, on which Douglass's story is based, the editors recount what can be recovered about the slave Madison Washington, who led the revolt, and reconstruct the events before and after the uprising. The editors warn the readers that the official documents about the case are all biased against the mutineers, who were never allowed to tell their story to American officials. Addressing largely white readers in the North, Douglass, to the contrary, speaks clearly as an abolitionist: Slaves wanted their freedom and were justified in using violence to gain it. "Benito Cereno" is based on Captain Amasa Delano's chapter in his Narrative of Voyages and Travels... (1817) about a slave mutiny off the coast of South America. Writing in part for a northern readership, Melville tells of a mutiny that, unlike Madison Washington's, was suppressed. Delano's account shows no sympathy for the slaves. Melville's view is hidden in ambiguities. "Benito Cereno" is one of Melville's stories most often collected in anthologies; Douglas's "The Heroic Slave" is rarely reprinted.


Melville and the Idea of Blackness

Melville and the Idea of Blackness
Author: Christopher Freeburg
Publisher: Cambridge University Press
Total Pages: 213
Release: 2012-08-27
Genre: Literary Criticism
ISBN: 1139536729

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By examining the unique problems that 'blackness' signifies in Moby-Dick, Pierre, 'Benito Cereno' and 'The Encantadas', Christopher Freeburg analyzes how Herman Melville grapples with the social realities of racial difference in nineteenth-century America. Where Melville's critics typically read blackness as either a metaphor for the haunting power of slavery or an allegory of moral evil, Freeburg asserts that blackness functions as the site where Melville correlates the sociopolitical challenges of transatlantic slavery and US colonial expansion with philosophical concerns about mastery. By focusing on Melville's iconic interracial encounters, Freeburg reveals the important role blackness plays in Melville's portrayal of characters' arduous attempts to seize their own destiny, amass scientific knowledge and perfect themselves. A valuable resource for scholars and graduate students in American literature, this text will also appeal to those working in American, African American and postcolonial studies.


Frederick Douglass and Herman Melville

Frederick Douglass and Herman Melville
Author: Melville Society
Publisher:
Total Pages: 32
Release: 2005
Genre: Frederick Douglass and Herman Melville: a Sesquicentennial Celebration
ISBN:

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African Culture and Melville's Art

African Culture and Melville's Art
Author: Sterling Stuckey
Publisher: OUP USA
Total Pages: 167
Release: 2008-11-19
Genre: History
ISBN: 0195372700

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Presenting a groundbreaking reappraisal of these two powerful pieces of fiction, Sterling Stuckey reveals how African customs and rituals heavily influenced one of America's greatest novelists.


A Political Companion to Herman Melville

A Political Companion to Herman Melville
Author: Jason Frank
Publisher: University Press of Kentucky
Total Pages: 456
Release: 2014-01-07
Genre: Political Science
ISBN: 0813143888

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Herman Melville is widely considered to be one of America's greatest authors, and countless literary theorists and critics have studied his life and work. However, political theorists have tended to avoid Melville, turning rather to such contemporaries as Ralph Waldo Emerson and Henry David Thoreau to understand the political thought of the American Renaissance. While Melville was not an activist in the traditional sense and his philosophy is notoriously difficult to categorize, his work is nevertheless deeply political in its own right. As editor Jason Frank notes in his introduction to A Political Companion to Herman Melville, Melville's writing "strikes a note of dissonance in the pre-established harmonies of the American political tradition." This unique volume explores Melville's politics by surveying the full range of his work -- from Typee (1846) to the posthumously published Billy Budd (1924). The contributors give historical context to Melville's writings and place him in conversation with political and theoretical debates, examining his relationship to transcendentalism and contemporary continental philosophy and addressing his work's relevance to topics such as nineteenth-century imperialism, twentieth-century legal theory, the anti-rent wars of the 1840s, and the civil rights movement. From these analyses emerges a new and challenging portrait of Melville as a political thinker of the first order, one that will establish his importance not only for nineteenth-century American political thought but also for political theory more broadly.


Melville in His Own Time

Melville in His Own Time
Author: Steven Olsen-Smith
Publisher: University of Iowa Press
Total Pages: 260
Release: 2015-06
Genre: Biography & Autobiography
ISBN: 1609383338

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Owing to the decline of his contemporary fame and to decades of posthumous neglect, Herman Melville remains enigmatic to readers despite his status as one of America’s most securely canonical authors. Born into patrician wealth but plunged into poverty as a child, in 1840 he signed aboard the whaleship Acushnet in the midst of a nationwide depression and sailed to the South Pacific. At the Marquesas Islands, he deserted and lived for a time among one of the group’s last unsubjugated tribes. Upon his return home, he achieved overnight success with a book based on his experiences, Typee (1846). Melville’s mastery of the English language and heterodox views made him a source of both controversy and fascination to western readers, until his increasing commitment to artistry and contempt for artificial conventions led him to write Moby-Dick (1851) and its successor Pierre (1852). Although the former is considered his masterwork today, the books offended mid-nineteenth-century cultural sensibilities and alienated Melville from the American literary marketplace. The resulting eclipse of his popular reputation was deepened by his voluntary withdrawal from society, so that obituaries written after his death in 1891 frequently expressed surprise that he hadn’t died long before. With most of his personal papers and letters lost or destroyed, his library of marked and annotated books dispersed, and first-hand accounts of him scattered, brief, and frequently conflicting, Melville’s place in American literary scholarship illustrates the importance of accurately edited documents and the value of new information to our understanding of his life and thought. As a chronologically organized collection of surviving testimonials about the author, Melville in His Own Time continues the tradition of documentary research well-exemplified over the past half-century by the work of Jay Leyda, Merton M. Sealts, and Hershel Parker. Combining recently discovered evidence with new transcriptions of long-known but rarely consulted testimony, this collection offers the most up-to-date and correct record of commentary on Melville by individuals who knew him.