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History of Photography

History of Photography
Author: Laurent Roosens
Publisher: A&C Black
Total Pages: 458
Release: 1989-01-01
Genre: Photography
ISBN: 0720123542

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The fourth volume in a history of photography, this is a bibliography of books on the subject.


Out of Place

Out of Place
Author: Gary Dufour
Publisher:
Total Pages: 128
Release: 1993
Genre: Literary Collections
ISBN:

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Carnegie Magazine

Carnegie Magazine
Author:
Publisher:
Total Pages: 304
Release: 1988
Genre:
ISBN:

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Poetics Journal Digital Archive

Poetics Journal Digital Archive
Author: Lyn Hejinian
Publisher: Wesleyan University Press
Total Pages: 1787
Release: 2015-02-25
Genre: Literary Criticism
ISBN: 0819571237

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The highly influential Poetics Journal, whose ten issues were published between 1982 and 1998, contributed to the surge of interest in the practice of poetics. Edited by internationally recognized poet/critics Lyn Hejinian and Barrett Watten, the journal presents major conversations and debates, and invites readers to expand on the critical and creative engagements they represent. This archive re-presents virtually all the articles originally published in Poetics Journal, organized alphabetically by author and in searchable form. It features indexes by contributors, keywords, and volume. The writing that appeared in Poetics Journal reflects the development of a range of creative and critical approaches in avant-garde poetry and art over two decades. In making this content newly available, the editors hope to preserve the generative enthusiasm for innovative writing and art it represents, while encouraging new uses and contexts. A Guide to Poetics Journal is also available, see http://www.upne.com/0819571205.html for more information.


Imaging the City

Imaging the City
Author: Jr. Warner
Publisher: Routledge
Total Pages: 542
Release: 2021-12-17
Genre: Political Science
ISBN: 1000661865

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Planners face a controversial task because their professional role requires them to be spokespersons for the public interest. In a welter of conflicting pictures and voices, how might the public interest be discovered? Once identified, how might it be expressed so that competing publics attend to it? There are no easy answers, but the experience of planners today suggests ways of working and innovations of promise.The focus on planning practice prompted the editors to analyze images that are now at work in our cities. For Vale and Warner, all city design and constructions offer material that people should include in images of their environment. The built and building city are part of the experience of all city dwellers; it is theirs to incorporate, interpret, or ignore. Essays included in this text trace the interplay between physical objects of planners and architects and the social experience and outlooks of image makers and their audiences.Imaging the City explores urban image making from civic boosterism of medieval cities to iconic imagery of Times Square. Vale and Warner bring together urban historians, geographers, city planners, architects, and cultural commentators to analyze the creation of urban imagery from the signature skyscrapers of Kuala Lumpur to the re-creation of the South Bronx and the use of city images in film, literature, television, and on the Internet. Urban dwellers, urban planners, architects, municipal officials, sociologists, urban historians - all will perceive their worlds with a heightened sense of awareness after reading this book.


Doug Hall

Doug Hall
Author: Doug Hall
Publisher:
Total Pages: 52
Release: 2003
Genre: Photography
ISBN:

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This Is Doug Hall

This Is Doug Hall
Author: Doug Hall
Publisher: Oro Editions
Total Pages: 0
Release: 2024-09
Genre: Art
ISBN: 9781961856110

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Even if you know Doug Hall's work, you don't know "this" Doug Hall: the little boy afraid of bears in Boston who became the love-smitten art student who grew into a fearless Conceptual artist challenging many of our most beloved assumptions. Although lavishly and beautifully illustrated, this is not a book only to be looked at but one to be thoroughly read and enjoyed. In an account at once intimate and historical, Doug Hall writes eloquently about his development as a person and an artist. He situates his story within the broader conflicts of the latter part of the twentieth century and shows how these often absurd forces influenced a generation of artists to adopt radical art practices--video, performance, and installation--as a counter to the modernist aesthetics that preceded them. From his hilarious and troubling descriptions of the Altamont Free Concert (1969) and his disorienting confrontation in Berkeley with an LSD-tripping Indian Saddhu to his thoughts about teaching, making art, and the thinking behind some of his most important projects, Hall's writing is generous and instructive for all those interested in our humanity and how it is nurtured through the arts.