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Dostoevsky and the Woman Question

Dostoevsky and the Woman Question
Author: Nina Pelikan Straus
Publisher: Palgrave MacMillan
Total Pages: 216
Release: 1994-07-15
Genre: Fiction
ISBN:

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This is the first full-length study of Dostoevsky's work to explore the relation between his male characters and his female characters from a feminist perspective. Intended not to impose feminist ideology upon the writer but rather to enlarge feminist discourse through Dostoevsky, it offers new interpretations of the novels that emphasize gender crisis. Dostoevsky's defense against Western Secularization and breakdown takes the form of inscribing "the feminine" as sacred. But this sacralization is undermined by his deeper intuition of the way certain masculine, sexist impulses exploit and eroticize female sacralization and by the way men's liberties conflict with women's liberation.


Dostoevsky in Context

Dostoevsky in Context
Author: Deborah A. Martinsen
Publisher: Cambridge University Press
Total Pages: 589
Release: 2016-01-05
Genre: Literary Criticism
ISBN: 1316462447

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This volume explores the Russia where the great writer, Fyodor Dostoevsky (1821–81), was born and lived. It focuses not only on the Russia depicted in Dostoevsky's works, but also on the Russian life that he and his contemporaries experienced: on social practices and historical developments, political and cultural institutions, religious beliefs, ideological trends, artistic conventions and literary genres. Chapters by leading scholars illuminate this broad context, offer insights into Dostoevsky's reflections on his age, and examine the expression of those reflections in his writing. Each chapter investigates a specific context and suggests how we might understand Dostoevsky in relation to it. Since Russia took so much from Western Europe throughout the imperial period, the volume also locates the Russian experience within the context of Western thought and practices, thereby offering a multidimensional view of the unfolding drama of Russia versus the West in the nineteenth century.


Framing Anna Karenina

Framing Anna Karenina
Author: Amy Mandelker
Publisher: Ohio State University Press
Total Pages: 246
Release: 1993
Genre: English fiction
ISBN: 0814206131

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Mandelker's revisionist analysis begins with the contention that Anna Karenina rejects the textual conventions of realism and the stereo-typical representation of women, especially in Victorian English fiction. In Anna Karenina, Tolstoy uses the theme of art and visual representation to articulate an aesthetics freed from gender bias and class discrimination.


Dostoevsky's The Idiot

Dostoevsky's The Idiot
Author: Liza Knapp
Publisher: Northwestern University Press
Total Pages: 292
Release: 1998
Genre: Literary Criticism
ISBN: 9780810115330

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This book is designed to guide readers through Dostoevsky's The Idiot, first published in 1869 and generally considered to be his most mysterious and confusing work.


A History of Women's Writing in Russia

A History of Women's Writing in Russia
Author: Adele Marie Barker
Publisher:
Total Pages: 424
Release: 2002-07-11
Genre: Literary Criticism
ISBN:

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A History of Women's Writing in Russia offers a comprehensive account of the lives and works of Russia's women writers. Based on original and archival research, this volume forces a re-examination of many of the traditionally held assumptions about Russian literature and women's role in the tradition. In setting about the process of reintegrating women writers into the history of Russian literature, contributors have addressed the often surprising contexts within which women's writing has been produced. Chapters reveal a flourishing literary tradition where none was thought to exist. They redraw the map defining Russia's literary periods, they look at how Russia's women writers articulated their own experience, and they reassess their relationship to the dominant male tradition. The volume is supported by extensive reference features including a bibliography and guide to writers and their works.


The Woman Question in Nineteenth-Century English, German and Russian Literature

The Woman Question in Nineteenth-Century English, German and Russian Literature
Author: Kathryn L. Ambrose
Publisher: BRILL
Total Pages: 245
Release: 2015-09-29
Genre: Literary Criticism
ISBN: 9004304843

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Kathryn Ambrose offers a new approach to the Woman Question in mid- to late-nineteenth-century English, German and Russian literature. Using a methodological framework based on feminist theory and post-structuralism, she provides a re-vision of canonical texts (such as Jane Eyre, Wuthering Heights, Middlemarch, Effi Briest, Fathers and Children and Anna Karenina) alongside lesser-known works by Emily and Charlotte Brontë, George Eliot, Theodor Storm, Theodor Fontane, Ivan Turgenev and Leo Tolstoy. Her exploration of the semiotics of barriers – as opposed to the established approach of the semiotics of space – makes for a rewarding reading of this period of literature and establishes new cross-cultural and literary connections between the three countries.


Dostoevsky’s Provocateurs

Dostoevsky’s Provocateurs
Author: Lynn Ellen Patyk
Publisher: Northwestern University Press
Total Pages: 338
Release: 2023-01-15
Genre: Literary Criticism
ISBN: 081014574X

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Confronting Bakhtin’s formative reading of Dostoevsky to recover the ways the novelist stokes conflict and engages readers—and to explore the reasons behind his adversarial approach Like so many other elements of his work, Fyodor Dostoevsky’s deliberate deployment of provocation was both prescient and precocious. In this book, Lynn Ellen Patyk singles out these forms of incitement as a communicative strategy that drives his paradoxical art. Challenging, revising, and expanding on Mikhail Bakhtin’s foundational analysis in Problems of Dostoevsky’s Poetics, Patyk demonstrates that provocation is the moving mover of Dostoevsky’s poetics of conflict, and she identifies the literary devices he uses to propel plot conflict and capture our attention. Yet the full scope of Dostoevsky’s provocative authorial activity can only be grasped alongside an understanding of his key themes, which both probed and exploited the most divisive conflicts of his era. The ultimate stakes of such friction are, for him, nothing less than moral responsibility and the truth of identity. Sober and strikingly original, compassionate but not uncritical, Dostoevsky’s Provocateurs exposes the charged current in the wiring of our modern selves. In an economy of attention and its spoils, provocation is an inexhaustibly renewable and often toxic resource.


Representing the Marginal Woman in Nineteenth-Century Russian Literature

Representing the Marginal Woman in Nineteenth-Century Russian Literature
Author: Svetlana Grenier
Publisher: Praeger
Total Pages: 200
Release: 2001
Genre: Literary Criticism
ISBN:

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Gender-oriented studies of 19th-century Russian literature have struggled with how to determine the feminism or misogyny of particular authors. This book argues that in order to make this determination, we need to engage with the poetics of the text rather than rely on the author's stated views. By focusing on the character type of the ward, or young female dependent, this book examines the narrative strategies used by such writers as Pushkin, Zhukova, Tolstoy, Herzen, and Dostoevsky to represent socially marginal women in their works. Drawing on the theories of Bakhtin, the volume analyzes the degree to which female characters are presented as subjects who actively think and perceive, rather than as passive objects who are thought of and perceived by men. In a polyphonic novel, authors enter into dialogic relationships with their characters; they depict them as unfinalizable persons, unfathomable and unpredictable, capable of the full range of human activity and emotion. The extent to which this polyphony incorporates women's voices is an accurate gauge of the feminism or misogyny of individual writers.


Funny Dostoevsky

Funny Dostoevsky
Author: Lynn Ellen Patyk
Publisher: Bloomsbury Publishing USA
Total Pages: 328
Release: 2024-05-16
Genre: Literary Criticism
ISBN:

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Tapping into the emergence of scholarly comedy studies since the 2000s, this collection brings new perspectives to bear on the Dostoevskian light side. Funny Dostoevksy demonstrates how and why Dostoevsky is one of the most humorous 19th-century authors, even as he plumbs the depths of the human psyche and the darkest facets of European modernity. The authors go beyond the more traditional categories of humor, such as satire, parody, and the carnivalesque, to apply unique lenses to their readings of Dostoevsky. These include cinematic slapstick and the body in Crime and Punishment, the affective turn and hilarious (and deadly) impatience in Demons, and ontological jokes in Notes from Underground and The Idiot. The authors – (coincidentally?) all women, including some of the most established scholars in the field alongside up-and-comers – address gender and the marginalization of comedy, culminating in a chapter on Dostoevsky's "funny and furious" women, and explore the intersections of gender and humor in literary and culture studies. Funny Dostoevksy applies some of the latest findings on humor and laughter to his writing, while comparative chapters bring Dostoevsky's humor into conjunction with other popular works, such as Chaplin's Modern Times and Lin-Manuel Miranda's Hamilton. Written with a verve and wit that Dostoevsky would appreciate, this boldly original volume illuminates how humor and comedy in his works operate as vehicles of deconstruction, pleasure, play, and transcendence.