Documents concernant le film "Vive la compagnie", 1934
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Author | : Brett Bowles |
Publisher | : Manchester University Press |
Total Pages | : 278 |
Release | : 2019-01-11 |
Genre | : Performing Arts |
ISBN | : 1526141647 |
Though long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895-1974) was among the most influential auteurs of his era. This comprehensive overview of Pagnol’s career, the first ever published in English, highlights his unique place in French cinema as a self-sufficient writer-producer-director and his contribution to the long-term evolution of filmmaking in a broader European context. In addition to reassessing the converted playwright’s controversial prioritisation of speech over image, the book juxtaposes Pagnol’s sunny rural melodramas with the dark, urban variety of poetic realism practised by influential peers such as Jean Renoir and Marcel Carné. In his penchant for outdoor location shooting and ethnographic authenticity, as well as his stubborn attachment to independent, artisanal production values, Pagnol served as a precursor to the French New Wave and Italian Neo-Realism, inspiring the likes of Jean-Luc Godard, François Truffaut, Vittorio De Sica, and Roberto Rossellini.
Author | : Stuart Wrede |
Publisher | : |
Total Pages | : 268 |
Release | : 1988 |
Genre | : Antiques & Collectibles |
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This lavishly illustrated volume presents in full color more than 300 of the finest posters selected from the rich resources of the graphic design collection of The Museum of Modern Art.
Author | : Gerd Gemünden |
Publisher | : Berghahn Books |
Total Pages | : 206 |
Release | : 2008-04-30 |
Genre | : Performing Arts |
ISBN | : 0857450662 |
With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism and the world of entertainment as well as with an awareness of literary culture and the avant-garde, features that lead to productive and often highly original confrontations between high and low.
Author | : Michael Temple |
Publisher | : Manchester University Press |
Total Pages | : 204 |
Release | : 2005 |
Genre | : Performing Arts |
ISBN | : 9780719056321 |
Jean Vigo is one of the legendary figures of world cinema, whose films L'Atalante and Zéro de Conduite still inspire young audiences today. Film historian Michael Temple explores Vigo's intense career and asks why it has had such a long-lasting impact on film culture, not just in France, but also for generations of filmmakers, critics, and moviegoers around the world. Accessibly written, this will be essential reading for students, teachers, film enthusiasts, and researchers.
Author | : Jean Renoir |
Publisher | : CUP Archive |
Total Pages | : 308 |
Release | : 1989 |
Genre | : Performing Arts |
ISBN | : 9780521385930 |
This is a 1990 collection of interviews and essays by the legendary filmmaker Jean Renoir.
Author | : Philippe Lejeune |
Publisher | : University of Hawaii Press |
Total Pages | : 362 |
Release | : 2009-04-30 |
Genre | : Literary Collections |
ISBN | : 0824833880 |
On Diary is the second collection in English of the groundbreaking and profoundly influential work of one of the best-known and provocative theorists of autobiography and diary. Ranging from the diary’s historical origins to its pervasive presence on the Internet, from the spiritual journey of the sixteenth century to the diary of Anne Frank, and from the materials and methods of diary writing to the question of how diaries end, these essays display Philippe Lejeune’s expertise, eloquence, passion, and humor as a commentator on the functions, practices, and significance of keeping or reading a diary. Lejeune is a leading European critic and theorist of diary and autobiography. His landmark essay, "The Autobiographical Pact," has shaped life writing studies for more than thirty years, and his many books and essays have repeatedly opened up new vistas for scholarship. As Michael Riffaterre notes, "Lejeune’s work on autobiography is the most original, powerful, effective approach to a difficult subject. . . . His style is very personal, lively. It grabs the reader as scholarship rarely does. Lejeune’s erudition and methodology are impeccable." Two substantial introductory essays by Jeremy Popkin and Julie Rak place Lejeune’s work within its critical and theoretical traditions and comment on his central importance within the fields of life writing, literary genetic studies, and cultural studies.
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Total Pages | : 1680 |
Release | : 1991 |
Genre | : Microcards |
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Author | : Leslie Page Moch |
Publisher | : Duke University Press |
Total Pages | : 270 |
Release | : 2012-03-30 |
Genre | : History |
ISBN | : 0822351838 |
This work looks at the surge of Bretons who left their homes in Western France in the latter half of the 19th century to live and work in Paris. Portrayed as backward, ignorant peasants they found no welcome until after WWII. Moch positions her work within immigration theory, connecting migration studies to theories about state projects of assimilation and about cultures of inclusion and exclusion.
Author | : Rosalind E. Krauss |
Publisher | : MIT Press |
Total Pages | : 324 |
Release | : 1986-07-09 |
Genre | : Design |
ISBN | : 9780262610469 |
Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.