Documents concernant le film "No other woman", 1933
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Author | : Ephraim Katz |
Publisher | : New York : HarperCollins Publishers |
Total Pages | : 1528 |
Release | : 1994 |
Genre | : Performing Arts |
ISBN | : 9780062730893 |
Gay and Lesbian Cinema: p. 513-514.
Author | : Siegbert Salomon Prawer |
Publisher | : Berghahn Books |
Total Pages | : 244 |
Release | : 2007 |
Genre | : History |
ISBN | : 9781845453039 |
Jews have been well represented in the cinema industry from the beginning of the film era: behind the screen, as producers, distributors, directors, script-writers, composers, set designers; and on the screen, as Jewish actors and as named Jewish characters in the film's plot. Some of these characters are fictional; others, ranging from Rabbi Loew of Prague to Ferdinand Lassalle and Alfred Dreyfus, have a historic original. This book examines how a variety of German and Austrian films treat aspects of Jewish life, at home and in the synagogue, and Jewish interaction with fellow Jews in different cultural environments; conflicts and accommodations between Jews and non-Jews at various times, ranging from the medieval to the contemporary. The author, one of the best known scholars in film history, theory and criticism, offers the reader a rich panorama of the many Jews involved in all spheres of the cinema and who, as the author reminds us repeatedly, together with their non-Jewish contemporaries, created a great industry and new forms of art. S. S. Prawer is a Fellow of The Queen's College, Oxford, the British Academy, and the German Academy of Language and Literature.
Author | : Jim Pauley |
Publisher | : Rowman & Littlefield |
Total Pages | : 425 |
Release | : 2024-10-15 |
Genre | : Performing Arts |
ISBN | : 1493086758 |
Columbia Pictures reaches a major milestone in 2024 by celebrating the 100-year anniversary of Columbia’s incorporation. In the same vein of recent Hollywood movie studio titles such as Warner Bros.: Hollywood’s Ultimate Backlot, Paramount: City of Dreams, and MGM: Hollywood’s Greatest Backlot, this new book documents the studio history of Columbia Pictures Corporation in Hollywood, as well as Columbia’s back lot in Burbank, California. This book reveals how Columbia came to be founded by Joe Brandt and brothers Harry and Jack Cohn in 1924, and uses the “studio tour” concept to describe Columbia's history of filmmaking, which includes Lost Horizon, Mr. Smith Goes to Washington, From Here to Eternity, The Bridge on the River Kwai, as well as many serials and television programs. The book has hundreds of photos, including studio documents, vintage publicity stills, and candids, along with aerial views and maps. The majority of the photos have never been published before.
Author | : Alan M. Wald |
Publisher | : UNC Press Books |
Total Pages | : 435 |
Release | : 2012-12-01 |
Genre | : Literary Criticism |
ISBN | : 1469608677 |
With this book, Alan Wald launches a bold and passionate account of the U.S. Literary Left from the 1920s through the 1960s. Exiles from a Future Time, the first volume of a trilogy, focuses on the forging of a Communist-led literary tradition in the 1930s. Exploring writers' intimate lives and heartfelt political commitments, Wald draws on original research in scores of archives and personal collections of papers; correspondence and interviews with hundreds of writers and their friends and families; and a treasure trove of unpublished memoirs, fiction, and poetry. In fashioning a "humanscape" of the Literary Left, Wald not only reassesses acclaimed authors but also returns to memory dozens of forgotten, talented writers. The authors range from the familiar Mike Gold, Langston Hughes, and Muriel Rukeyser to William Attaway, John Malcolm Brinnin, Stanley Burnshaw, Joy Davidman, Sol Funaroff, Joseph Freeman, Alfred Hayes, Eugene Clay Holmes, V. J. Jerome, Ruth Lechlitner, and Frances Winwar. Focusing on the formation of the tradition and the organization of the Cultural Left, Wald investigates the "elective affinity" of its avant-garde poets, the "Afro-cosmopolitanism" of its Black radical literary movement, and the uneasy negotiation between feminist concerns and class identity among its women writers.
Author | : Ian Aitken |
Publisher | : Routledge |
Total Pages | : 1663 |
Release | : 2013-10-18 |
Genre | : Performing Arts |
ISBN | : 1135206201 |
The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.
Author | : Nina Byers |
Publisher | : Cambridge University Press |
Total Pages | : 347 |
Release | : 2006-08-17 |
Genre | : Science |
ISBN | : 0521821975 |
Publisher description
Author | : Dawn Ades |
Publisher | : |
Total Pages | : 116 |
Release | : 2008 |
Genre | : Abstract films |
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Close-Up explores the defamiliarising effects of bringing a camera lens very close to its subject. Trans-historical and cross-generational, the exhibition brings together selected experiments in close-up film and photography from mid-nineteenth century microscopy; avant-garde film and photography from the 1920s and 1930s; post-war conceptual art; and contemporary art from the 1990s and 2000s.
Author | : James Monaco |
Publisher | : Perigee Trade |
Total Pages | : 616 |
Release | : 1991 |
Genre | : Performing Arts |
ISBN | : |
An alphabetical reference on the major film figures (stars, producers, directors, writers, et al.), past and present. Each entry provides a substantial career biography and a complete listing of all films the individual has been involved with. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Catherine Parsons Smith |
Publisher | : Univ of California Press |
Total Pages | : 392 |
Release | : 2007-10-16 |
Genre | : Music |
ISBN | : 0520933834 |
In this fascinating social history of music in Los Angeles from the 1880s to 1940, Catherine Parsons Smith ventures into an often neglected period to discover that during America's Progressive Era, Los Angeles was a center for making music long before it became a major metropolis. She describes the thriving music scene over some sixty years, including opera, concert giving and promotion, and the struggles of individuals who pursued music as an ideal, a career, a trade, a business--or all those things at once. Smith demonstrates that music making was closely tied to broader Progressive Era issues, including political and economic developments, the new roles played by women, and issues of race, ethnicity, and class.