Documents concernant le film "le Prince mystérieux", 1921
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Author | : Jean-luc Godard |
Publisher | : Da Capo Press |
Total Pages | : 300 |
Release | : 1986-03-22 |
Genre | : Performing Arts |
ISBN | : 9780306802591 |
Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself-his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history.
Author | : National Library of Medicine (U.S.) |
Publisher | : |
Total Pages | : 896 |
Release | : 1951 |
Genre | : Library catalogs |
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Vols. for 1951-53 include "Authors" and "Subjects."
Author | : Annette Förster |
Publisher | : Amsterdam University Press |
Total Pages | : 561 |
Release | : 2018-01-31 |
Genre | : Art |
ISBN | : 9048524512 |
This magisterial book offers comprehensive accounts of the professional itineraries of three women in the silent film in the Netherlands, France and North America. Annette Förster presents a careful assessment of the long career of Dutch stage and film actress Adriënne Solser; an exploration of the stage and screen careers of French actress and filmmaker Musidora and Canadian-born actress and filmmaker Nell Shipman; an analysis of the interaction between the popular stage and the silent cinema from the perspective of women at work in both realms; fresh insights into Dutch stage and screen comedy, the French revue and the American Northwest drama of the 1910s; and much more, all grounded in a wealth of archival research.
Author | : Gregory J. Markopoulos |
Publisher | : |
Total Pages | : 544 |
Release | : 2017-12-12 |
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ISBN | : 9780992837730 |
FILM AS FILM: THE COLLECTED WRITINGS OF GREGORY J. MARKOPOULOS contains some ninety out-of-print or previously unavailable articles by the Greek-American filmmaker who, as a contemporary of Kenneth Anger, Stan Brakhage and Andy Warhol, was at the forefront of a movement that established a truly independent form of cinema. Beginning with his early writings on the American avant-garde and auteurs such as Dreyer, Bresson and Mizoguchi, it also features numerous essays on Markopoulos' own practice, and on films by Robert Beavers, that were circulated only in journals, self-published editions or programme notes. The texts become increasingly metaphysical and poetic as the filmmaker pursued his ideal of Temenos, an archive and screening space to be located at a remote site in the Peloponnese where his epic final work could be viewed in harmony with the Greek landscape. Gregory J. Markopoulos (born 1928, died 1992) is a unique figure in film history, whose life's work stands in testament to his strength of vision and commitment to the medium. "This collection of writings by a key figure of the New American Cinema complements, illuminates and extends an incomparable body of work. Equal parts theory, criticism and mythical prose, the texts reflect the charisma and originality of its author - and his enduring romanticism. Brandished by the same absolutes and passion that fuel his films, FILM AS FILM is a seminal addition to film scholarship and film history." (Andrea Picard, Toronto International Film Festival) FILM AS FILM: THE COLLECTED WRITINGS OF GREGORY J. MARKOPOULOS is edited by Mark Webber and has a foreword by P. Adams Sitney. The 2017 paperback edition contains a newly revised filmography.
Author | : Jonathan Rosenbaum |
Publisher | : JHU Press |
Total Pages | : 468 |
Release | : 2004-04-27 |
Genre | : Performing Arts |
ISBN | : 0801878403 |
A cogent and provocative argument about the art of film, Essential Cinema is a fiercely independent reference book of must-see movies for film lovers everywhere.
Author | : M. B. I︠A︡mpolʹskiĭ |
Publisher | : Univ of California Press |
Total Pages | : 339 |
Release | : 1998-10-26 |
Genre | : Literary Criticism |
ISBN | : 0520085302 |
"Iampolski deals with concepts and ideas that are highly complex and frequently very abstract, yet his discussion—and the progression of his analyses—is always precise and easy to follow. . . . Each of his points is grounded in a careful examination of a specific text, and most of the texts are well-known to American audiences."—Vladimir Padunov, University of Pittsburgh
Author | : R. J. Cardullo |
Publisher | : Springer |
Total Pages | : 351 |
Release | : 2017-01-28 |
Genre | : Education |
ISBN | : 9463008780 |
"André Bazin (1918–58) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Among those who came under his tutelage were four who would go on to become the most renowned directors of the postwar French cinema: François Truffaut, Jean-Luc Godard, Jacques Rivette, and Claude Chabrol. Bazin can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style.André Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s contains, for the first time in English in one volume, much if not all of Bazin’s writings on American cinema: on directors such as Orson Welles, Charles Chaplin, Preston Sturges, Alfred Hitchcock, Howard Hawks, John Huston, Nicholas Ray, Erich von Stroheim, and Elia Kazan; and on films such as High Noon, Citizen Kane, Rear Window, Limelight, Scarface, Niagara, The Red Badge of Courage, Greed, and Sullivan’s Travels.André Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s also features a sizable scholarly apparatus, including a contextual introduction to Bazin’s life and work, a complete bibliography of Bazin’s writings on American cinema, and credits of the films discussed. This volume thus represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world’s pre-eminent critical thinkers."