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| Author | : Charlise Lyles |
| Publisher | : Gray & Company, Publishers |
| Total Pages | : 272 |
| Release | : 2008 |
| Genre | : Biography & Autobiography |
| ISBN | : 159851041X |
Describes the author's childhood education in the Cleveland projects in the 1960s and 1970s, where she learned to appreciate literature at a young age despite growing up amid race riots and murder.
| Author | : James S. Grotstein |
| Publisher | : Routledge |
| Total Pages | : 1011 |
| Release | : 2018-05-08 |
| Genre | : Psychology |
| ISBN | : 0429912854 |
All the contributors to this compilation knew Bion personally and were influenced by his work. They include: Herbert Rosenfeld, Frances Tustin, Andre Green, Donald Meltzer and Hanna Segal.Wilfred R. Bion has taken his place as one of the foremost psychoanalysts of our time, yet it is only within recent years that the impact of his achievements are being felt. His death has stilled his pen and voice but demands a restatement of his view by those who have been most influenced by him. Bion's greatness lay, not only in the odd vertices of his incredible observations, but in the resources of his epistemological vastness, his respect for truth obtained in the disciplined absence of memory and desire, and his paying such scrupulous attention to and interpreting of recombinant constructions he achieved with mental elements their functions, and their transformations. His was the Language of Achievement, which is the tongue begotten by patience. Of note is his introduction of Plato's theory of forms and Kant's categories into psychoanalytic metapsychology, to say nothing of his mathematical, group and religious theories.
| Author | : Robert Cormier |
| Publisher | : Knopf Books for Young Readers |
| Total Pages | : 195 |
| Release | : 2013-03-19 |
| Genre | : Young Adult Fiction |
| ISBN | : 0307834298 |
One of the most controversial YA novels of all time, The Chocolate War is a modern masterpiece that speaks to fans of S. E. Hinton’s The Outsiders and John Knowles’s A Separate Peace. After suffering rejection from seven major publishers, The Chocolate War made its debut in 1974, and quickly became a bestselling—and provocative—classic for young adults. This chilling portrait of an all-boys prep school casts an unflinching eye on the pitfalls of conformity and corruption in our most elite cultural institutions. “Masterfully structured and rich in theme; the action is well crafted, well timed, suspenseful.”—The New York Times Book Review “The characterizations of all the boys are superb.”—School Library Journal, starred review “Compellingly immediate. . . . Readers will respect the uncompromising ending.”—Kirkus Reviews, starred review An ALA Best Book for Young Adults A School Library Journal Best Book of the Year A Kirkus Reviews Editor’s Choice A New York Times Outstanding Book of the Year
| Author | : T. S. Eliot |
| Publisher | : Faber & Faber |
| Total Pages | : 128 |
| Release | : 2009-11 |
| Genre | : |
| ISBN | : 9780571256266 |
Let Us Go Then, You and I is a new edition of T. S. Eliot's selected poems, published to celebrate his nomination as the 'Nation's Favourite Poet' in a BBC poll for National Poetry Day 2009.
| Author | : Roberta S. Trites |
| Publisher | : University of Iowa Press |
| Total Pages | : 209 |
| Release | : 1998-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 1587293331 |
The Young Adult novel is ordinarily characterized as a coming-of-age story, in which the narrative revolves around the individual growth and maturation of a character, but Roberta Trites expands this notion by chronicling the dynamics of power and repression that weave their way through YA books. Characters in these novels must learn to negotiate the levels of power that exist in the myriad social institutions within which they function, including family, church, government, and school. Trites argues that the development of the genre over the past thirty years is an outgrowth of postmodernism, since YA novels are, by definition, texts that interrogate the social construction of individuals. Drawing on such nineteenth-century precursors as Little Women and Adventures of Huckleberry Finn, Disturbing the Universe demonstrates how important it is to employ poststructuralist methodologies in analyzing adolescent literature, both in critical studies and in the classroom. Among the twentieth-century authors discussed are Blume, Hamilton, Hinton, Le Guin, L'Engle, and Zindel. Trites' work has applications for a broad range of readers, including scholars of children's literature and theorists of post-modernity as well as librarians and secondary-school teachers. Disturbing the Universe: Power and Repression in Adolescent Literature by Roberta Seelinger Trites is the winner of the 2002 Children's Literature Association's Book Award. The award is given annually in order to promote and recognize outstanding contributions to children's literature, history, scholarship, and criticisim; it is one of the highest academic honors that can accrue to an author of children's literary criticism.
| Author | : Madeleine L'Engle |
| Publisher | : |
| Total Pages | : 44 |
| Release | : 1984 |
| Genre | : Children |
| ISBN | : |
| Author | : Denis Donoghue |
| Publisher | : Yale University Press |
| Total Pages | : 356 |
| Release | : 2002-08-11 |
| Genre | : Literary Criticism |
| ISBN | : 9780300097191 |
When Denis Donoghue left Warrenpoint and went to Dublin in September 1946, he entered University College as a student of Latin and English. A few months later he also started as a student of lieder at the Royal Irish Academy of Music. These studies have informed his reading of English, Irish, and American literature. Now in this volume, one of our most distinguished readers of modern literature offers his most personal book of literary criticism. Donoghue's Words Alone is an intellectual memoir, a lucid and illuminating account of his engagement with the works of T. S. Eliot--from initial undergraduate encounters with "The Love Song of J. Alfred Prufrock" to later submission to Eliot's entire writings. "The pleasure of Eliot's words persists," Donoghue says, "only because in good faith it can't be denied." Submission to Eliot, in Donoghue's case, involves the ear as much as it does the mind. He is a reader who listens attentively and a writer whose own music in these pages commands attention. Whether he is writing about Eliot's poetry or confronting the (often contentious) prose, Donoghue eloquently demonstrates what it means to read and to hear a master of language.
| Author | : Carson Kreitzer |
| Publisher | : Dramatic Publishing |
| Total Pages | : 100 |
| Release | : 2006 |
| Genre | : Drama |
| ISBN | : 9781583423639 |
"J. Robert Oppenheimer's rise and fall erupt in this kaleidoscopic play exploring questions of faith, conscience, and the consequences of the never-ending pursuit of knowledge. Act One: Math. The fevered wartime drive to build the first nuclear weapon, by a collection of previously academic theoretical physicists, many of them Jews fleeing Hitler's Germany. Success turns to horror when "the Gadget" is dropped, first on Hiroshima, then Nagasaki. Act Two: Aftermath. Oppenheimer confronts his conscience; Russia turns from ally to enemy. The Red scare is in full swing as we shift to the courtroom. Oppenheimer's wife, Kitty, drinks; J. Edger Hoover does the dance of the seven veils; and the Father of the Atomic Bomb has his security clearance revoked, cast out of the world he helped create. In a flash that is the end of his life, J. Robert Oppenheimer paces the desert of the Trinity Test Site, wrestling with his memories and one scary, sexy, unpredictable demon: Lilith, Hebrew mythology's first woman, cast out of Eden for refusing to behave. Hissing in his ear, she goads him to admit what he refuses to acknowledge: an anger that mirrors her own. "Oppie" is haunted by actions, decisions, and a trinity of women--mother, wife Kitty, and lover, Jean Tatlock. Her suicide is never far from his mind; her Communist ties are never far from the government's."--Publisher's website.
| Author | : Harry Eiss |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 417 |
| Release | : 2022-03-22 |
| Genre | : Poetry |
| ISBN | : 1527581675 |
Do I dare disturb the universe? This is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best-known poems of the previous century, T. S. Eliotâs The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and The Waste Land, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If the reader works through Eliotâs love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work, but do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Danteâs Divine Comedy, and its inclusion of amour as a means to salvation. Danteâs work is generally seen as the greatest literature ever to come out of Italy. This book is an expanded revision of Seeking God in the Works of T. S. Eliot and Michelangelo. It explores how T.S Eliot struggled with the highest meanings of existence in his poetry and his own life, and perhaps managed to express what has become known as a modernist (and post-modernist) view of what Rudolph Otto designated the mysterium tremendum, the experience of a mystical awe, the experience of God.
| Author | : Harry Eiss |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 297 |
| Release | : 2017-05-11 |
| Genre | : Religion |
| ISBN | : 144389365X |
Do I dare disturb the universe? It is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best known poems of the twentieth century, T. S. Eliot’s The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and his also famous The Wasteland, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If a reader works through his love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work. Many do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Dante’s Divine Comedy, and its inclusion of amour as a means to salvation. His work is generally seen as the greatest literature ever to come out of Italy, sometimes referred to as the epic representation of St. Thomas Aquinas’ Summa Theologica, one of the central documents establishing Catholic doctrine. This book explores how these brilliant men struggle with the highest meanings of life in their artistic expressions and perhaps manage to express what Rudolph Otto designates the mysterium tremendum, the experience of a mystical awe, what he calls the numinous or, in more common terms, the experience of God.
