Directorium Chori Anglicanum The Choral Service Of The United Church Of England And Ireland Compiled From Authentic Sources By Benjamin St John Baptist Joule Fourth Edition PDF Download

Excerpt from Directorium Chori Anglicanum: The Choral Service of the United Church of England and Ireland But in the modern accepted version of Tallis, not only is the plain-song sometimes placed in the treble, sometimes in the tenor, and at other times completely obliterated, but the number of vocal parts varies from four to five, and a part of the Litany is included, which it is well known Tallis did not set at all, as well as a Response which was not added till some time after the death of the composer, who is made responsible for the whole service. The inevitable conclusion is that the arrangement specially attributed to Tallis, is a spurious, incongruous compilation, which is sure tomislead the congregation, and the use of which, at all times to be depre cated, becomes preposterously absurd when the choir consists of children only, or. Indeed, when any vocal harmony part is more prominent than the plain-song. The second division of the Creed of St. Athanasius is intended for use in Churches where the Psalms are sung to Gregorian Chants. It is suggested that the eye may be much assisted in reading across pages 8 and 9, - 12 and 13, - 12* and - 36 and 37, - 38 and 39, (which, in binding, are not always placed precisely Opposite, ) by drawing with the pen, lines so as to connect the first with the second section of the verse, - e.g. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.