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| Author | : Cornelia Isler-Kerényi |
| Publisher | : BRILL |
| Total Pages | : 384 |
| Release | : 2007 |
| Genre | : Religion |
| ISBN | : 9004144455 |
An interpretation of the god Dionysos as seen by Greek vase painters before the golden age of classical culture, which will help understand his wide popularity beyond wine consumption, which lasted until the end of antiquity.
| Author | : Cornelia Isler-Kerényi |
| Publisher | : BRILL |
| Total Pages | : 310 |
| Release | : 2014-11-14 |
| Genre | : Religion |
| ISBN | : 9004270124 |
Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was presenton many, both happy and sad, occasions. The vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation.
| Author | : Thomas H. Carpenter |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 198 |
| Release | : 1986 |
| Genre | : Architecture |
| ISBN | : |
This study examines the development of Dionysian imagery in Greek vase painting from the first appearance of the god on an Attic vase c. 580 BC to the point at which red figure overtook black figure as the dominant style of vase painting in Attica c. 520 BC.
| Author | : Cornelia Isler-Kerényi |
| Publisher | : Brill Academic Pub |
| Total Pages | : 290 |
| Release | : 2015 |
| Genre | : Religion |
| ISBN | : 9789004270114 |
"Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that - contrary to what is usually assumed - he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was present in both the public and private sphere on many, both happy and sad, occasions. In addition, the vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation"--
| Author | : Warren Huard |
| Publisher | : |
| Total Pages | : |
| Release | : 2018 |
| Genre | : Greek literature |
| ISBN | : |
Herakles and especially Dionysos are both much more prominent in Athenian black-figure pottery, where they are the two most frequently portrayed mythological characters. There is much that is novel in their portrayal in black-figure, but numerous continuities are also observed. They are depicted together most often in scenes of the Gigantomachy, and of the apotheosis of Herakles. In the scenes of apotheosis their appearance together seems to be meaningful, both in terms of the apotheosis as a wedding to which Dionysos brings wine, and also in terms of apotheosis as a Dionysian phenomenon, whereby Dionysos becomes a kind of divine patron to Herakles. It is in no small part in this capacity that we may understand Dionysos in his relation to Herakles later in antiquity, for instance in the Lesser Mysteries at Agrai, Aristophanes’ Frogs, and even Nonnos’ Dionysiaca.
| Author | : John J. Winkler |
| Publisher | : Princeton University Press |
| Total Pages | : 438 |
| Release | : 1990 |
| Genre | : History |
| ISBN | : 9780691015255 |
'The more we learn about the original production of tragedies and comedies in Athens the more it seems wrong even to call them plays in the modern sense of the word, ' write the editors in this collection of critically diverse innovative essays aimed at restoring the social context of ancient Greek drama.
| Author | : Filip Doroszewski |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2021-05-30 |
| Genre | : History |
| ISBN | : 1000392414 |
This volume presents an essential but underestimated role that Dionysus played in Greek and Roman political thought. Written by an interdisciplinary team of scholars, the volume covers the period from archaic Greece to the late Roman Empire. The reader can observe how ideas and political themes rooted in Greek classical thought were continued, adapted and developed over the course of history. The authors (including four leading experts in the field: Cornelia Isler-Kerényi, Jean-Marie Pailler, Richard Seaford andRichard Stoneman) reconstruct the political significance of Dionysus by examining different types of evidence: historiography, poetry, coins, epigraphy, art and philosophy. They discuss the place of the god in Greek city-state politics, explore the long tradition of imitating Dionysus that ancient leaders, from Alexander the Great to the Roman emperors, manifested in various ways, and shows how the political role of Dionysus was reflected in Orphism and Neoplatonist philosophy. Dionysus and Politics provides an excellent introduction to a fundamental feature of ancient political thought which until now has been largely neglected by mainstream academia. The book will be an invaluable resource to students and scholars interested in ancient politics and religion.
| Author | : Alberto Bernabé |
| Publisher | : Walter de Gruyter |
| Total Pages | : 700 |
| Release | : 2013-06-26 |
| Genre | : History |
| ISBN | : 3110301326 |
This book contributes to the understanding of Dionysos, the Greek god of wine, dancing, theatre and ecstasy, by putting together 30 studies of classical scholars. They combine the analysis of specific instances of particular dimensions of the god in cult, myth, literature and iconography, with general visions of Dionysos in antiquity and modern times. Only from the combination of different perspectives can we grasp the complex personality of Dionysos, and the forms of his presence in different cults, literary genres, and artistic forms, from Mycenaean times to late antiquity. The ways in which Dionysos was experienced may vary in each author, each cult, and each genre in which this god is involved. Therefore, instead of offering a new all-encompassing theory that would immediately become partial, the book narrows the focus on specific aspects of the god. Redefinition does not mean finding (again) the essence of the god, but obtaining a more nuanced knowledge of the ways he was experienced and conceived in antiquity.
| Author | : William Levitan |
| Publisher | : University of Michigan Press |
| Total Pages | : 817 |
| Release | : 2022-08-15 |
| Genre | : History |
| ISBN | : 0472038966 |
The first English verse translation of the Dionysiaca of Nonnus of Panopolis
| Author | : Renate Schlesier |
| Publisher | : Walter de Gruyter |
| Total Pages | : 751 |
| Release | : 2011-12-23 |
| Genre | : History |
| ISBN | : 3110222353 |
Within modern frameworks of knowledge and representation, Dionysos often appears to be atypical for ancient culture, an exception within the context of ancient polytheism, or even an instance of a difference that anticipates modernism. How can recent research contribute to a more precise understanding of the diverse transformations of the ancient god, from Greek antiquity to the Roman Empire? In this volume, which is the result of an international conference held in March 2009 at the Pergamon Museum Berlin, scholars from all branches of classical studies, including history of scholarship, consider this question. Consequently, this leads to a new look on vase paintings, sanctuaries, rituals and religious-political institutions like theatre, and includes new readings of the texts of ancient poets, historians and philosophers, as well as of papyri and inscriptions. It is the diversity of sources or methods and the challenge of former views that is the strength of this volume, providing a comprehensive, innovative and richly faceted account of the “different” god in an unprecedented way.
