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Dilution Anxiety and the Black Phallus

Dilution Anxiety and the Black Phallus
Author: Margo Natalie Crawford
Publisher:
Total Pages: 216
Release: 2008
Genre: Literary Criticism
ISBN:

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After the "Black is Beautiful" movement of the 1960s, black body politics have been overdetermined by both the familiar fetishism of light skin as well as the counter-fetishism of dark skin. Moving beyond the longstanding focus on the tragic mulatta and making room for the study of the fetishism of both light-skinned and dark-skinned blackness, Margo Natalie Crawford analyzes depictions of colorism in the work of Gertrude Stein, Wallace Thurman, William Faulkner, Black Arts poets, James Baldwin, Toni Morrison, and John Edgar Wideman. In Dilution Anxiety and the Black Phallus, Crawford adds images of skin color dilution as a type of castration to the field of race and psychoanalysis. An undercurrent of light-skinned blackness as a type of castration emerges within an ongoing story about the feminizing of light skin and the masculinizing of dark skin. Crawford confronts the web of beautified and eroticized brands and scars, created by colorism, crisscrossing race, gender, and sexuality. The depiction of the horror of these aestheticized brands and scars begins in the white-authored and black-authored modernist literature examined in the first chapters. A call for the end of the ongoing branding emerges with sheer force in the post-Black movement novels examined in the final chapters.


Toni Morrison and the Limits of a Politics of Recognition

Toni Morrison and the Limits of a Politics of Recognition
Author: William Jefferson
Publisher: Createspace Independent Publishing Platform
Total Pages: 199
Release: 2014-05-25
Genre: Literary Criticism
ISBN: 1497550769

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Is Toni Morrison's writing as politically progressive as is widely assumed? In this eye-opening study, critic William Jefferson argues that it is not. Analyzing Morrison's major texts from the 1970s, '80s, and '90s, Jefferson argues that Morrison's writing has advanced problematic conceptions of racial essentialism, sexuality, and agency that would not be identified as in any way progressive if issued from the pen of a white writer. More than merely showing readers underappreciated aspects of African-American history, Morrison's fiction has actively intervened in the politics of her era--and in ways politically reactionary and disturbing. Stepping back from Morrison's fiction, Jefferson asks why scholars have not recognized these political aspects of Morrison's writing. What he finds is a purportedly left-wing academy focused predominantly on recognizing the indisputably black aspects of Morrison's work. This "politics of recognition," unfortunately, also naturalizes Morrison's representations in the same manner liberal humanist criticism naturalized the representations of the pre-1970 literary canon.


Toni Morrison and the New Black

Toni Morrison and the New Black
Author: Jaleel Akhtar
Publisher: Routledge
Total Pages: 116
Release: 2018-06-14
Genre: Literary Criticism
ISBN: 0429954913

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Toni Morrison and the New Black examines how Morrison explores the concept of the new black in the context of post-soul, post-black and post-racial discourses. Morrison evolves the new black as symbolic of unprecedented black success in all walks of life, from politics to the media, business and beyond.The author's work shows how the new black reaffirms the possibility of upward mobility and success, and stands as testimony to the American Dream that anyone can achieve material success provided they work hard enough for it.


Black Cultural Production after Civil Rights

Black Cultural Production after Civil Rights
Author: Robert J Patterson
Publisher: University of Illinois Press
Total Pages: 395
Release: 2019-08-30
Genre: Social Science
ISBN: 0252051637

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The post-civil rights era of the 1970s offered African Americans an all-too-familiar paradox. Material and symbolic gains contended with setbacks fueled by resentment and reaction. African American artists responded with black approaches to expression that made history in their own time and continue to exercise an enormous influence on contemporary culture and politics. This collection's fascinating spectrum of topics begins with the literary and cinematic representations of slavery from the 1970s to the present. Other authors delve into visual culture from Blaxploitation to the art of Betye Saar to stage works like A Movie Star Has to Star in Black and White as well as groundbreaking literary works like Corregidora and Captain Blackman. A pair of concluding essays concentrate on institutional change by looking at the Seventies surge of black publishing and by analyzing Ntozake Shange's for colored girls. . . in the context of current controversies surrounding sexual violence. Throughout, the writers reveal how Seventies black cultural production anchors important contemporary debates in black feminism and other issues while spurring the black imagination to thrive amidst abject social and political conditions. Contributors: Courtney R. Baker, Soyica Diggs Colbert, Madhu Dubey, Nadine Knight, Monica White Ndounou, Kinohi Nishikawa, Samantha Pinto, Jermaine Singleton, Terrion L. Williamson, and Lisa Woolfork


Cultural Migrations and Gendered Subjects

Cultural Migrations and Gendered Subjects
Author: Silvia Castro-Borrego
Publisher: Cambridge Scholars Publishing
Total Pages: 165
Release: 2011-01-18
Genre: Literary Criticism
ISBN: 1443827789

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The present volume explores through cultural and literary representations the contributions of women to the construction of knowledge in an ever changing, global world as migrant subjects. The essays contained in this book also focus on the female body as a site of physical violence and abuse, fighting prevalent stereotypes about women’s representations and identities. This collection intends to enter a forum of discussion in which the colonial past serves as a point of reference for the analysis of contemporary issues. Women’s strategies for building possible identities are seen to be based on their own experiences, seeking the ways in which the public marking and marketing of the female body within the western male imaginary contributes to the making of women’s social and personal identities. The different articles contained in this volume examine issues of gender and boundaries, the realities of women as colonial and postcolonial subjects, and darker realities such as alienation and discrimination as a result of migration, racism, and colonization analysed through a variety of critical perspectives. The gendered, raced, classed dimensions and mixed heritages not only of white women but also of women of the African Diaspora; these are important issues for the construction of knowledge and identity in our present multicultural societies, and can potentially change the ways we conceptualize, situate and engage the humanities in our scholarly work and in our social and cultural policies. These women, their presumed sexuality and their capacity to produce hybrid subjects, as well as their supposed irrationality make them a singularly disruptive figure in our contemporary world; this interpretation has its roots in the treatment of women in colonial times, especially when they were out of the margins of respectable society. The volume is addressed to a wide readership, both scholarly and those interested in investigating the dynamics of the social and cultural conceptualizations of our multicultural and multiethnic contemporary societies, marked by the intercultural exchanges of migratory subjects from a gender perspective.


Radical Aesthetics and Modern Black Nationalism

Radical Aesthetics and Modern Black Nationalism
Author: GerShun Avilez
Publisher: University of Illinois Press
Total Pages: 233
Release: 2016-05-15
Genre: Social Science
ISBN: 0252098323

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Radical Aesthetics and Modern Black Nationalism explores the long-overlooked links between black nationalist activism and the renaissance of artistic experimentation emerging from recent African American literature, visual art, and film. GerShun Avilez charts a new genealogy of contemporary African American artistic production that illuminates how questions of gender and sexuality guided artistic experimentation in the Black Arts Movement from the mid-1960s to the mid-1970s. As Avilez shows, the artistic production of the Black Arts era provides a set of critical methodologies and paradigms rooted in the disidentification with black nationalist discourses. Avilez's close readings study how this emerging subjectivity, termed aesthetic radicalism, critiqued nationalist rhetoric in the past. It also continues to offer novel means for expressing black intimacy and embodiment via experimental works of art and innovative artistic methods. A bold addition to an advancing field, Radical Aesthetics and Modern Black Nationalism rewrites recent black cultural production even as it uncovers unexpected ways of locating black radicalism.


New Thoughts on the Black Arts Movement

New Thoughts on the Black Arts Movement
Author: Lisa Gail Collins
Publisher: Rutgers University Press
Total Pages: 406
Release: 2006-05-16
Genre: Social Science
ISBN: 0813541077

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During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture—which came to be known as the Black Arts Movement—has remained largely neglected by subsequent generations of critics. New Thoughts on the Black Arts Movement includes essays that reexamine well-known figures such as Amiri Baraka, Larry Neal, Gwendolyn Brooks, Sonia Sanchez, Betye Saar, Jeff Donaldson, and Haki Madhubuti. In addition, the anthology expands the scope of the movement by offering essays that explore the racial and sexual politics of the era, links with other period cultural movements, the arts in prison, the role of Black colleges and universities, gender politics and the rise of feminism, color fetishism, photography, music, and more. An invigorating look at a movement that has long begged for reexamination, this collection lucidly interprets the complex debates that surround this tumultuous era and demonstrates that the celebration of this movement need not be separated from its critique.


Black Men, Black Feminism

Black Men, Black Feminism
Author: Jared Sexton
Publisher: Springer
Total Pages: 110
Release: 2018-03-06
Genre: Social Science
ISBN: 3319741268

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A brief commentary on the necessity and the impossibility of black men’s participation in the development of black feminist theory and politics, Black Men, Black Feminism examines the basic assumptions that have guided—and misguided—black men’s efforts to take up black feminism. Offering a rejoinder to the contemporary study of black men and masculinity in the twenty-first century, Jared Sexton interrogates some of the most common intellectual postures of black men writing about black feminism, ultimately departing from the prevailing discourse on progressive black masculinities. Sexton examines, by contrast, black men’s critical and creative work—from Charles Burnett’s Killer of Sheep to Jordan Peele’s Get Out— to describe the cultural logic that provides a limited moral impetus to the quest for black male feminism and that might, if reconfigured, prompt an ethical response of an entirely different order.


Black Womanist Leadership

Black Womanist Leadership
Author: Toni C. King
Publisher: State University of New York Press
Total Pages: 295
Release: 2011-06-01
Genre: Social Science
ISBN: 1438436033

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Featuring the stories of fourteen Black women scholars, Black Womanist Leadership: Tracing the Motherline offers a culturally based model of Black women's leadership practices, and examines the mother-daughter transmission of these skills. The personal narratives fit into a storytelling tradition that reveals the ways Black mothers and women of the community—the Motherline—teach girls the "ways women lead." The essays present a range of different practical and theoretical issues of leadership and development, including mother nurture, emulation of and divergence from core values, internalized oppression, self determination, representation of the physical self, guardianship/governance of the body, cooperative economics, activism, contentiousness with or differentiation from the mother, and negotiation of leadership across public and private spheres. Together, they make a compelling argument for the necessity of continuing to teach the cultural and gender-specific resistance to oppression that has been passed along the Motherline, and to adapt this Motherline tradition to the lives and needs of women and girls in the 21st century.


The Cambridge Companion to Contemporary African American Literature

The Cambridge Companion to Contemporary African American Literature
Author: Yogita Goyal
Publisher: Cambridge University Press
Total Pages: 345
Release: 2023-12-31
Genre: Literary Criticism
ISBN: 1009184148

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African American literature has changed in startling ways since the end of the Black Arts Era. The last five decades have generated new paradigms of racial formation and novel patterns of cultural production, circulation, and reception. This volume takes up the challenge of mapping the varied and changing field of contemporary African American writing. Balancing the demands of historical and political context with attention to aesthetic innovation, it considers the history, practice, and future directions of the field. Examining various historical forces shaping the creation of innovative genres, the turn to the afterlife of slavery, the pull toward protest, and the impact of new and expanded geographies and methods, this Companion provides an invaluable point of reference for readers seeking rigorous and cutting-edge analyses of contemporary African American literature.