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Digital Audio Restoration

Digital Audio Restoration
Author: Simon J. Godsill
Publisher: Springer
Total Pages: 335
Release: 2013-12-21
Genre: Technology & Engineering
ISBN: 1447115619

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The application of digital signal processing (DSP) to problems in audio has been an area of growing importance since the pioneering DSP work of the 1960s and 70s. In the 1980s, DSP micro-chips became sufficiently powerful to handle the complex processing operations required for sound restoration in real-time, or close to real-time. This led to the first commer cially available restoration systems, with companies such as CEDAR Audio Ltd. in the UK and Sonic Solutions in the US selling dedicated systems world-wide to recording studios, broadcasting companies, media archives and film studios. Vast amounts of important audio material, ranging from historic recordings of the last century to relatively recent recordings on analogue or even digital tape media, were noise-reduced and re-released on CD for the increasingly quality-conscious music enthusiast. Indeed, the first restorations were a revelation in that clicks, crackles and hiss could for the first time be almost completely eliminated from recordings which might otherwise be un-releasable in CD format. Until recently, however, digital audio processing has required high-powered computational engines which were only available to large institutions who could afford to use the sophisticated digital remastering technology. With the advent of compact disc and other digital audio formats, followed by the increased accessibility of home computing, digital audio processing is now available to anyone who owns a PC with sound card, and will be of increasing importance, in association with digital video, as the multimedia revolution continues into the next millennium.


Digital Audio Restoration of Gramophone Records

Digital Audio Restoration of Gramophone Records
Author: Christoph Frank Stallmann
Publisher:
Total Pages: 472
Release: 2015
Genre: Phonograph
ISBN:

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Gramophones were the main audio recording medium for more than seven decades and regained widespread popularity over the past few years. Being an analogue storage medium, gramophone records are subject to distortions caused by scratches, dust particles, high temperatures, excessive playback and other noise induced by mishandling the record. Due to the early adoption of the compact disc and other digital audio mediums, most research to reduce the noise on gramophone records focused on physical improvements such as the enhancements of turntable hardware, amelioration of the record material or advances through better record cutting techniques. Comparatively little research has been conducted to digitally filter and reconstruct distorted gramophone recordings. This thesis provides an extensive analysis on the digital detection and reconstruction of noise in gramophone audio signals distorted by scratches. The ability to approximated audio signals was examined though an empirical analysis of different polynomials and time series models. The investigated polynomials include the standard, Fourier, Newton, Lagrange, Hermite, osculating and piecewise polynomials. Experiments were also conducted by applying autoregressive, moving average and heteroskedasticity models, such as the AR, MA, ARMA, ARIMA, ARCH and GARCH models. In addition, different variants of an artificial neural network were tested and compared to the time series models. Noise detection was performed using algorithms based on the standard score, median absolute deviation, Mahalanobis distance, nearest neighbour, mean absolute spectral deviation and the absolute predictive deviation method. The reconstruction process employed the examined polynomials and models and also considered adjacent window, mirroring window, nearest neighbour, similarity, Lanczos and cosine interpolation. The detection and reconstruction algorithms were benchmarked using a dataset of 800 songs from eight different genres. Simulations were conducted using artificially generated and real gramophone noise. The algorithms were compared according to their detection and reconstruction accuracy, the computational time needed and the tradeoff between the accuracy and time. Empirical analysis showed that the highest noise detection accuracy was achieved with the absolute predictive deviation using an ARIMA model. The predictive outlier detector employing a Jordan simple recurrent artificial neural network was most efficient by achieving the best detection rate in a limited timespan. It was also found that the artificial neural networks reconstructed the audio signals more accurately than the other interpolation algorithms. The AR model was most efficient by achieving the best tradeoff between the execution time and the interpolation error.


Applications of Digital Signal Processing to Audio and Acoustics

Applications of Digital Signal Processing to Audio and Acoustics
Author: Mark Kahrs
Publisher: Springer Science & Business Media
Total Pages: 569
Release: 2005-12-11
Genre: Technology & Engineering
ISBN: 030647042X

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Karlheinz Brandenburg and Mark Kahrs With the advent of multimedia, digital signal processing (DSP) of sound has emerged from the shadow of bandwidth limited speech processing. Today, the main appli cations of audio DSP are high quality audio coding and the digital generation and manipulation of music signals. They share common research topics including percep tual measurement techniques and analysis/synthesis methods. Smaller but nonetheless very important topics are hearing aids using signal processing technology and hardware architectures for digital signal processing of audio. In all these areas the last decade has seen a significant amount of application oriented research. The topics covered here coincide with the topics covered in the biannual work shop on “Applications of Signal Processing to Audio and Acoustics”. This event is sponsored by the IEEE Signal Processing Society (Technical Committee on Audio and Electroacoustics) and takes place at Mohonk Mountain House in New Paltz, New York. A short overview of each chapter will illustrate the wide variety of technical material presented in the chapters of this book. John Beerends: Perceptual Measurement Techniques. The advent of perceptual measurement techniques is a byproduct of the advent of digital coding for both speech and high quality audio signals. Traditional measurement schemes are bad estimates for the subjective quality after digital coding/decoding. Listening tests are subject to sta tistical uncertainties and the basic question of repeatability in a different environment.


Digital Audio Editing

Digital Audio Editing
Author: Simon Langford
Publisher: CRC Press
Total Pages: 505
Release: 2013-10-01
Genre: Music
ISBN: 1134111371

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Whether you’re comping a vocal track, restoring an old recording, working with dialogue or sound effects for film, or imposing your own vision with mash-ups or remixes, audio editing is a key skill to successful sound production. Digital Audio Editing gives you the techniques, from the simplest corrective editing like cutting, copying, and pasting to more complex creative editing, such as beat mapping and time-stretching. You’ll be able to avoid unnatural-sounding pitch correction and understand the potential pitfalls you face when restoring classic tracks. Author Simon Langford invites you to see editing with his wide-angle view, putting this skill into a broad context that will inform your choices even as you more skillfully manipulate sound. Focusing on techniques applicable to any digital audio workstation, it includes break-outs giving specific keystrokes and instruction in Avid’s Pro Tools, Apple’s Logic Pro, Steinberg’s Cubase, and PreSonus’s Studio One. The companion websites includes tutorials in all four software packages to help you immediately apply the broad skills from the book.


Motion Picture Restoration

Motion Picture Restoration
Author: Anil C. Kokaram
Publisher: Springer Science & Business Media
Total Pages: 342
Release: 2013-12-18
Genre: Technology & Engineering
ISBN: 1447134850

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The manipulation of pictures and video in digital form has been an established research activity for more than twenty years. It is only recently, however, that digital image and video processing equipment has been accessible to the gen eral public. This is due in part to the rapidly growing economy. of the home computer. A major contributing factor has been the marked rise in the pres ence of the non-academic user on the internet, particularly the World Wide Web (WWW). Manipulating digital imagery has become synonymous with the WWW. It is the drive to present audio and visual media to the home user in an interactive form and to increase the available range of choices, which has encouraged agreements to begin digital video television broadcasting before the turn of the century. With the increased demand for video material, there is a perceived increase in demand for material from archive sources and this has fuelled commercial interest in automatic digital restoration processes. Further more there is a continuing effort to design techniques for correcting errors in received compressed video bit streams for the purposes of live communications links over noisy channels e. g. mobile telephones and the internet. This book introduces the reader to a range of digital restoration activities beyond the well traversed areas of noise reduction and deblurring. It describes a number of problems associated with archived film and video.


Capturing Analog Sound for Digital Preservation

Capturing Analog Sound for Digital Preservation
Author:
Publisher:
Total Pages: 50
Release: 2006
Genre: Music
ISBN:

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The report investigates "procedures to reformat sound on analog carriers to digital media or files. It summarizes discussions and recommendations emerging from a meeting of leading audio preservation engineers held January 29-30, 2004, to assess the present state of standards and best practices for capturing sound from analog discs and tapes"--Page v.


Digital Audio Essentials

Digital Audio Essentials
Author: Bruce Fries
Publisher: "O'Reilly Media, Inc."
Total Pages: 378
Release: 2005-04-26
Genre: Computers
ISBN: 1491925647

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Join the digital audio revolution! Tens of millions of users are embracing digital music, and with Digital Audio Essentials, you can, too. Nearly every personal computer built in the last few years contains a CD-burning drive; MP3 and other portable player sales dominate the consumer electronics industry; and new networkable stereo equipment lets you use your digital music collection to power your home entertainment system.Whether it's downloading music, ripping CDs, organizing, finding, and creating higher quality music files, buying music players and accessories, or constructing a home stereo system, Digital Audio Essentials helps you do get it done.An indispensable reference for music enthusiasts, digital archivists, amateur musicians, and anyone who likes a good groove, Digital Audio Essentials helps you avoid time-consuming, costly trial and error in downloading audio files, burning CDs, converting analog music to digital form, publishing music to and streaming from the Web, setting up home stereo configurations, and creating your own MP3 and other audio files. The book--for both Mac and PC users--includes reliable hardware and software recommendations, tutorials, resources, and file sharing, and it even explains the basics of the DMCA and intellectual property law.You may (or may not) already know the basics of ripping CDs or downloading music, but Fries will show you so much more--including advice on the multitude of MP3 players on the market, stereo options, file formats, quality determinations, and the legalities of it all. Both a timely, entertaining guide and an enduring reference, this is the digital audio handbook you need to make the most of your expanding digital music collection.