Diego Velazquezs Early Paintings And The Culture Of Seventeenth Century Seville PDF Download
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| Author | : Tanya J. Tiffany |
| Publisher | : Penn State Press |
| Total Pages | : 255 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 0271053798 |
Download Diego Velázquez's Early Paintings and the Culture of Seventeenth-century Seville Book in PDF, ePub and Kindle
"Explores the early works of seventeenth-century Spanish painter Diego Velâazquez. Focuses on works from 1617 to 1623, examining the painter's critical engagement with the artistic, religious, and social practices of his native Seville"--Provided by publisher.
| Author | : John Marciari |
| Publisher | : Yale University Press |
| Total Pages | : 89 |
| Release | : 2014-01-01 |
| Genre | : Art |
| ISBN | : 0300207867 |
Download The Young Velázquez Book in PDF, ePub and Kindle
"Published in conjunction with the exhibition El joven Velazquez: 'La educacion de la virgen' de Yale restaurada, organized by the mayor of the city of Seville and the Yale University Art Gallery."
| Author | : Laura Cumming |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Biography |
| ISBN | : 9780701188443 |
Download The Vanishing Man Book in PDF, ePub and Kindle
In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velazquez, he bought the picture and set out to discover its strange history. When Laura Cumming stumbled on a startling trial involving John Snare, it sent her on a search of her own. At first she was pursuing the picture, and the life and work of the elusive painter, but then she found herself following the bookseller's fortunes too - from London to Edinburgh to nineteenth-century New York, from fame to ruin and exile. An innovative fusion of detection and biography, this book shows how and why great works of art can affect us, even to the point of mania. And on the trail of John Snare, Cumming makes a surprising discovery of her own. But most movingly, The Vanishing Man is an eloquent and passionate homage to the Spanish master Velazquez, bringing us closer to the creation and appreciation of his works than ever before
| Author | : Agnes Lugo-Ortiz |
| Publisher | : Cambridge University Press |
| Total Pages | : 489 |
| Release | : 2013-09-30 |
| Genre | : History |
| ISBN | : 1107354781 |
Download Slave Portraiture in the Atlantic World Book in PDF, ePub and Kindle
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
| Author | : Kevin Ingram |
| Publisher | : Springer |
| Total Pages | : 370 |
| Release | : 2018-12-06 |
| Genre | : History |
| ISBN | : 3319932365 |
Download Converso Non-Conformism in Early Modern Spain Book in PDF, ePub and Kindle
This book examines the effects of Jewish conversions to Christianity in late medieval Spanish society. Ingram focuses on these converts and their descendants (known as conversos) not as Judaizers, but as Christian humanists, mystics and evangelists, who attempt to create a new society based on quietist religious practice, merit, and toleration. His narrative takes the reader on a journey from the late fourteenth-century conversions and the first blood purity laws (designed to marginalize conversos), through the early sixteenth-century Erasmian and radical mystical movements, to a Counter-Reformation environment in which conversos become the advocates for pacifism and concordance. His account ends at the court of Philip IV, where growing intolerance towards Madrid’s converso courtiers is subtly attacked by Spain’s greatest painter, Diego Velázquez, in his work, Los Borrachos. Finally, Ingram examines the historiography of early modern Spain, in which he argues the converso reform phenomenon continues to be underexplored.
| Author | : Juan Facundo Riaño |
| Publisher | : |
| Total Pages | : 296 |
| Release | : 1879 |
| Genre | : Arts decoratives |
| ISBN | : |
Download The Industrial Arts in Spain Book in PDF, ePub and Kindle
| Author | : Jonathan Brown |
| Publisher | : LearnVerbs.com |
| Total Pages | : 452 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : |
Download Collected Writings on Velazquez Book in PDF, ePub and Kindle
This book is a collection of 32 articles about Velázquez which appeared in scholarly journals, exhibition catalogues and newspapers and magazines between 1964 and 2006. Several are published in English for the first time. The text is the record of a lifelong engagement with the life and works of this enigmatic artist and evaluates many of the numerous attempts to solve the mysteries presented by the Spaniard’s paintings. These questions are considered in the final essay, Velázquez, today and tomorrow’, which is published here for the first time.Two themes unite the essays. Velázquez was the court painter to Philip IV, and the changing relationship between painter and patron provides the framework for interpreting the artist’s career. The centerpiece of this relationship is Velázquez’s Las Meninas, which is the subject of two long articles, the now-classic On the Meaning of Las Meninas’ (1978) and Las Meninas as a masterpiece’ (1999). The second theme is the problem of attributions and the related question of Velázquez’s innovative technique. Velázquez was not a prolific painter. As the supply of securely-attributed works is now mostly in museums, and as the price of great pictures continues to reach new heights, questions of authenticity become increasingly contentious. In this book, Brown considers the problem in its widest dimensions and participates in the debate about individual attributions.Jonathan Brown is regarded as a leading specialist on Spanish painting of the Golden Age and on the Spanish master Diego Velázquez. Among his many books are Velázquez, Painter and Courtier (1986) and Velázquez. The Technique of Genius (1998), with Carmen Garrido. His studies of art at the European courts include A Palace for a King. The Buen Retiro and the Court of Philip IV, with John H. Elliott (rev. ed. 2003). Brown is Carroll and Milton Petrie Professor of Fine Arts, Institute of Fine Arts, New York University.
| Author | : Suzanne L. Stratton-Pruitt |
| Publisher | : Cambridge University Press |
| Total Pages | : 256 |
| Release | : 2002-03-25 |
| Genre | : Art |
| ISBN | : 9780521660464 |
Download The Cambridge Companion to Velázquez Book in PDF, ePub and Kindle
The Cambridge Companion to Velázquez offers a synthetic overview of one of the greatest painters of Golden Age Spain and seventeenth century Europe. With contributions from art historians and those working in other disciplines, this book offers fresh approaches to the vast literature on this artist. The essays also guide the reader to an understanding of Velázquez's work--his training in his native Seville, reflections in his oeuvre of artistic currents from outside Spain, and how Velázquez's religious paintings may be understood within the religious context of Counter-Reformation Spain.
| Author | : George Kubler |
| Publisher | : Yale University Press |
| Total Pages | : 165 |
| Release | : 2008-04-17 |
| Genre | : Art |
| ISBN | : 0300196377 |
Download The Shape of Time Book in PDF, ePub and Kindle
When it was first released in 1962, The Shape of Time presented a radically new approach to the study of art history. Drawing upon new insights in fields such as anthropology and linguistics, George Kubler replaced the notion of style as the basis for histories of art with the concept of historical sequence and continuous change across time. Kubler’s classic work is now made available in a freshly designed edition. “The Shape of Time is as relevant now as it was in 1962. This book, a sober, deeply introspective, and quietly thrilling meditation on the flow of time and space and the place of objects within a larger continuum, adumbrates so many of the critical and theoretical concerns of the late twentieth and early twenty-first century. It is both appropriate and necessary that it re-appear in our consciousness at this time.”—Edward J. Sullivan, New York University This book will be of interest to all students of art history and to those concerned with the nature and theory of history in general. In a study of formal and symbolic durations the author presents a radically new approach to the problem of historical change. Using new ideas in anthropology and linguistics, he pursues such questions as the nature of time, the nature of change, and the meaning of invention. The result is a view of historical sequence aligned on continuous change more than upon the static notion of style—the usual basis for conventional histories of art. A carefully reasoned and brilliantly suggestive essay in defense of the view that the history of art can be the study of formal relationships, as against the view that it should concentrate on ideas of symbols or biography.—Harper's.It is a most important achievement, and I am sure that it will be studies for many years in many fields. I hope the book upsets people and makes them reformulate.—James Ackerman.In this brief and important essay, George Kubler questions the soundness of the stylistic basis of art historical studies. . . . The Shape of Time ably states a significant position on one of the most complex questions of modern art historical scholarship.—Virginia Quarterly Review.
| Author | : Giles Knox |
| Publisher | : Routledge |
| Total Pages | : 303 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351543091 |
Download The Late Paintings of Vel?uez Book in PDF, ePub and Kindle
The startling conclusion of The Late Paintings of Vel?uez is that Diego Vel?uez painted two of his most famous works, The Spinners and Las Meninas, as theoretically informed manifestos of painterly brushwork. As a pair, Giles Knox argues, the two paintings form a learned retort to the prevailing critical disdain for the painterly. Knox presents a Vel?uez who was much more aware of the art theory of his era than previously acknowledged, leading him to reinterpret Las Meninas and The Spinners as representing together a polemically charged celebration of the "handedness" of painting. Knox removes Vel?uez from his Iberian isolation and seeks to recover his highly self-conscious attempt to carve out a place for himself within the history of European painting as a whole. The Late Paintings of Vel?uez presents an artist who, like Annibale Carracci, Poussin, Rembrandt, and Vermeer was not only aware of contemporary theoretical writings on art, but also able to translate that knowledge and understanding into a distinctive and personal theory of painting. In Las Meninas and The Spinners, Vel?uez propounded this theory with paint, not words. Knox's rethinking of the dynamic relationship between text and image presents a case, not of writing influencing painting, or vice versa, but of the two realms being inextricably bound together. Painterly brushwork presented a challenge to writers on art not just because it was connected too intimately with the base actions of the hand; it was also devilishly hard to describe. By reading Vel?uez's painterly performance as text, Knox deciphers how Vel?uez was able to craft theoretical arguments more compelling and more vivid than any written counterparts.
