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| Author | : Joanna Hofer-Robinson |
| Publisher | : Edinburgh University Press |
| Total Pages | : 280 |
| Release | : 2018-07-13 |
| Genre | : Social Science |
| ISBN | : 1474420990 |
Dickens and Demolition examines how tropes, characters, or extracts from Dickens' fiction were repurposed as a portable terminology in arguments for large-scale demolition and redevelopment projects in London during his lifetime.
| Author | : Joanna Hofer-Robinson |
| Publisher | : EUP |
| Total Pages | : 248 |
| Release | : 2018 |
| Genre | : Building |
| ISBN | : 9781474420983 |
Intro -- List of Il lustrations -- Acknowledgements -- Series Editor's Preface -- Abbreviations and a Note on Editions -- Introduction -- Chapter 1 Charles Dickens and Metropolitan Improvements -- Chapter 2 Sets and the City: Staging London and Oliver Twist -- Chapter 3 Dickensian Afterlives and the Demolition of Field Lane -- Chapter 4 Paperwork and Philanthropy: Dickens's Involvement in Metropolitan Improvement -- Chapter 5 From Sanitary Reform to Cultural Memory: The Case of Jacob's Island -- Coda -- Archival Sources and a Note on Method -- Select Bibliography -- Index
| Author | : Hugo Bowles |
| Publisher | : Oxford University Press |
| Total Pages | : 240 |
| Release | : 2018-12-20 |
| Genre | : Literary Criticism |
| ISBN | : 019256434X |
Initially described by Dickens as a 'savage stenographic mystery', shorthand was to become an essential and influential part of his toolkit as a writer. In this ground-breaking interdisciplinary study, Hugo Bowles tells the story of Dickens's stenographic journey from his early encounters with the 'despotic' shorthand symbols of Gurney's Brachygraphy in 1828 to his lifelong commitment to shorthand for reporting, letter writing, copying, and note-taking. Drawing on empirical evidence from Dickens's shorthand notebooks, Dickens and the Stenographic Mind forensically explores Dickens's unique ability to write in two graphic codes, offering an original critique of the impact of shorthand on Dickens's mental processing of language. The author uses insights from morphology, phonetics, and the psychology of reading to show how Dickens's biscriptal habits created a unique stenographic mindset that was then translated into novel forms of creative writing. The volume argues that these new scriptal arrangements, which include phonetic speech, stenographic patterns of letters in individual words, phonaesthemes, and literary representations of shorthand-related acts of reading and writing, created reading puzzles that bound Dickens and his readers together in a new form of stenographic literacy. Clearly written and cogently argued, Dickens and the Stenographic Mind not only opens up new evidence from a little known area of Dickens's professional life to expert scrutiny, but is highly relevant to a number of important debates in Victorian studies including orality and literacy in the nineteenth century, the role of voice and voicing in Dickens's writing process, his relationship with his readers, and his various writing personae as law reporter, sketch-writer, journalist, and novelist.
| Author | : Ruth Richardson |
| Publisher | : OUP Oxford |
| Total Pages | : 391 |
| Release | : 2012-02-02 |
| Genre | : History |
| ISBN | : 0191624136 |
The recent discovery that as a young man Charles Dickens lived only a few doors from a major London workhouse made headlines worldwide, and the campaign to save the workhouse from demolition caught the public imagination. Internationally, the media immediately grasped the idea that Oliver Twist's workhouse had been found, and made public the news that both the workhouse and Dickens's old home were still standing, near London's Telecom Tower. This book, by the historian who did the sleuthing behind these exciting new findings, presents the story for the first time, and shows that the two periods Dickens lived in that part of London - before and after his father's imprisonment in a debtors' prison - were profoundly important to his subsequent writing career.
| Author | : Lee Jackson |
| Publisher | : Yale University Press |
| Total Pages | : 306 |
| Release | : 2023-09-26 |
| Genre | : History |
| ISBN | : 0300275056 |
The intriguing history of Dickens’s London, showing how tourists have reimagined and reinvented the Dickensian metropolis for more than 150 years Tourists have sought out the landmarks, streets, and alleys of Charles Dickens’s London ever since the death of the world-renowned author. Late Victorians and Edwardians were obsessed with tracking down the locations—dubbed “Dickensland”—that famously featured in his novels. But his fans were faced with a city that was undergoing rapid redevelopment, where literary shrines were far from sacred. Over the following century, sites connected with Dickens were demolished, relocated, and reimagined. Lee Jackson traces the fascinating history of Dickensian tourism, exploring both real Victorian London and a fictional city shaped by fandom, tourism, and heritage entrepreneurs. Beginning with the late nineteenth century, Jackson investigates key sites of literary pilgrimage and their relationship with Dickens and his work, revealing hidden, reinvented, and even faked locations. From vanishing coaching inns to submerged riverside stairs, hidden burial grounds to apocryphal shops, Dickensland charts the curious history of an imaginary world.
| Author | : Peter Cook |
| Publisher | : Springer |
| Total Pages | : 276 |
| Release | : 2018-08-29 |
| Genre | : Literary Criticism |
| ISBN | : 3319967916 |
This book explores the relationship between Dickens and canonical Romantic authors: Blake, Wordsworth, Coleridge, Byron, Percy and Mary Shelley, and Keats. Addressing a significant gap in Dickens studies, four topics are identified: Childhood, Time, Progress, and Outsiders, which together constitute the main aspects of Dickens’s debt to the Romantics. Through close readings of key Romantic texts, and eight of Dickens’s novels, Peter Cook investigates how Dickens utilizes Romantic tropes to express his responses to the exponential growth of post-revolutionary industrial, technological culture and its effects on personal life and relationships. In this close study of Dickensian Romanticism, Cook demonstrates the enduring relevance of Dickens and the Romantics to contemporary culture.
| Author | : Charles Dickens |
| Publisher | : Good Press |
| Total Pages | : 92 |
| Release | : 2019-11-20 |
| Genre | : Fiction |
| ISBN | : |
"Mudfog and Other Sketches" by Charles Dickens are an anthology of stories. The Mudfog Papers relates the proceedings of a fictional society, The Mudfog Society for the Advancement of Everything, a Pickwickian parody of the British Association for the Advancement of Science. The fictional town of Mudfog was based on Chatham in Kent, where Dickens spent part of his youth. Dickens' famous character, Oliver Twist, has even appeared in some of these tales.
| Author | : Joanna Hofer-Robinson |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2025-03-31 |
| Genre | : Literary Collections |
| ISBN | : 9781474498340 |
The first critical edition to collect Dickens's dramatic works, enriched with thorough scholarly notes that foreground primary archival research.
| Author | : Peter Clark |
| Publisher | : Haus Publishing |
| Total Pages | : 116 |
| Release | : 2024-06-27 |
| Genre | : Travel |
| ISBN | : 1914982142 |
A geographical narrative of Charles Dickens’s life in Kent. Few novelists have written so intimately about a city as Charles Dickens wrote about London, but he was intimately connected to Kent more than any other part of Britain. Perhaps Kent meant more to him than the capital. He had an idyllic childhood in Chatham and Kent features in his first works of fiction, Sketches by Boz and The Pickwick Papers, and in his favorite novel, David Copperfield. In his last ten years, he wrote two novels with strong Kentish themes, Great Expectations and The Mystery of Edwin Drood. He had his honeymoon outside Gravesend and often spent the summer months in Broadstairs. In 1856, he bought Gad’s Hill Place, near Rochester, and died there in 1870. Dickens’s Kent begins with the description of a walk from London to Dickens's main residence, Gad’s Hill Place, before taking the reader to areas in Kent most closely associated with his life and work: the Medway Towns and their surroundings, Thanet and East Kent, and finally Staplehurst, the scene of the railway accident that nearly killed him.
| Author | : Clare Pettitt |
| Publisher | : Oxford University Press |
| Total Pages | : 384 |
| Release | : 2020-06-03 |
| Genre | : Literary Criticism |
| ISBN | : 0192566164 |
Serial Forms: The Unfinished Project of Modernity, 1815-1848 proposes an entirely new way of reading the transition into the modern. It is the first book in a series of three which will take the reader up to the end of the First World War, moving from a focus on London to a global perspective. Serial Forms sets out the theoretical and historical basis for all three volumes. It suggests that, as a serial news culture and a stadial historicism developed together between 1815 and 1848, seriality became the dominant form of the nineteenth century. Through serial newsprint, illustrations, performances, and shows, the past and the contemporary moment enter into public visibility together. Serial Forms argues that it is through seriality that the social is represented as increasingly politically urgent. The insistent rhythm of the serial reorganizes time, recalibrates and rescales the social, and will prepare the way for the 1848 revolutions which are the subject of the next book. By placing their work back into the messy print and performance culture from which it originally appeared, Serial Forms is able to produce new and exciting readings of familiar authors such as Scott, Byron, Dickens, and Gaskell. Rather than offering a rarefied intellectual history or chopping up the period into 'Romantic' and 'Victorian', Clare Pettitt tracks the development of communications technologies and their impact on the ways in which time, history and virtuality are imagined.
