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Devil's Music, Holy Rollers and Hillbillies

Devil's Music, Holy Rollers and Hillbillies
Author: James A. Cosby
Publisher: McFarland
Total Pages: 264
Release: 2016-06-05
Genre: Music
ISBN: 1476625387

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Rock music today is universal and its popular history is well known. Yet few know how and why it really came about. Taking a fresh look at events long overlooked or misunderstood, this book tells how some of the most disenfranchised people in a free and prosperous nation strove to make themselves heard--and changed the world. Describing the genesis of rock and roll, the author covers everything from its deep roots in the Mississippi Delta, key early figures, like deejay "Daddy-O" Dewey Phillips and gospel star Sister Rosetta Tharpe, and the influence of so-called "holy rollers" of the Pentecostal church who became crucial performers--Elvis Presley, Jerry Lee Lewis and Little Richard.


Louisiana Hayride

Louisiana Hayride
Author: Tracey E. W. Laird
Publisher: Oxford University Press
Total Pages: 221
Release: 2005
Genre: History
ISBN: 0195167511

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Provides an examination of northwest Louisiana's unique musical milieu, home to the Louisiana Hayride, a radio barn dance between 1948 and 1960. The region's history, geography, race relations, media, and other forces set the stage for the Hayride's critical role in both country music and rock-and-roll.


Garage Rock and Its Roots

Garage Rock and Its Roots
Author: Eric James Abbey
Publisher: McFarland
Total Pages: 225
Release: 2015-05-12
Genre: Music
ISBN: 0786451254

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When British rockers invaded the United States in the 1960s, youths responded by growing long hair and playing electrified music in suburban garages. Garage rock has grown from a hobby of the rebellious to a cultural statement: anything not mainstream, from alternative country to hardcore punk, can be included in the realm of contemporary garage rock. Issues of rebellion, clothing and hair styles, playing styles, nostalgia and "selling out" permeate the modern culture of garage rock. Pure rock from the '50s, '60s and '70s and older root styles such as swing and rockabilly have been reasserted in this form, leaving the confines of garages for clubs and other venues where fans' tastes are tuned to the underground. This study explores garage rock as it evolved alongside mainstream music and examines how it reflects notions of self though the assertion of individuality and rebellion in prosperous postmodern times. Using the Detroit music scene as the focus, the author presents two sections. The first section examines the creation of the scene, the importance of relationships to the past and the appearance used throughout. The second section analyzes the alliances and relationships to society that undergird contemporary garage rock. The author maintains garage rock has developed a place in American cultural history, and its continuation will be based on how the underground situates itself within postmodern society.


What Was the First Rock 'N' Roll Record

What Was the First Rock 'N' Roll Record
Author: Jim Dawson
Publisher: Genius Book Company
Total Pages: 0
Release: 2022-09-16
Genre:
ISBN: 9781947521971

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"The blues had a baby and they called it rock 'n' roll," said the great Muddy Waters. But what was the firstborn? What was the first rock 'n' roll record? Using this question as their starting point, writers Jim Dawson and Steve Propes nominate 50 recordings for that honor. Beginning with a 1944 Jazz at the Philharmonic recording, "Blues, Part 2," and ending with Elvis Presley's "Heartbreak Hotel," What Was the First Rock 'n' Roll Record? profiles some of the most important and influential recordings in rock's history. For each nominee, Dawson and Propes provide chart positions, labels, recording information, and an explanation as to why it might qualify as the first. Lesser known milestones like "Open the Door, Richard" and "Rocket 88" appear here alongside acknowledged classics like "Shake, Rattle, and Roll" and "Rock Around the Clock," and many forgotten artists are restored to their rightful place in rock's pantheon. The result is a provocative and entertaining guide to the earliest days of rock 'n' roll. This 30th anniversary updated and revised edition brings to light new and surprising details about the songs and artists that are vying for the honor of being the first rock 'n' roll record.


Roots and Blues

Roots and Blues
Author: Arnold Adoff
Publisher: HarperCollins
Total Pages: 97
Release: 2011-01-03
Genre: Juvenile Nonfiction
ISBN: 0547758642

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Through poems and poetic prose pieces, acclaimed children's author Arnold Adoff celebrates that uniquely American form of music called the blues. In his signature “shaped speech” style, he creates a narrative of moments and joyous music, from the drums of the ancestors, the red dirt of the plantations, the current of the mighty Mississippi, and the shackles, blood, and tears of slavery. Each chop of the ax is a beat, each lash of the whip fashions another line on the musical staff. But each sound also creates the chords and harmonies that preserve the ancestors and their stories, and sustain life, faith, and hope into our own times.


Grit, Noise, and Revolution

Grit, Noise, and Revolution
Author: David A. Carson
Publisher: University of Michigan Press
Total Pages: 420
Release: 2006-06-19
Genre: History
ISBN: 9780472031900

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A narrative history of the birth of rock 'n' roll in Detroit


Red Rock

Red Rock
Author: Jonathan W. Campbell
Publisher: Earnshaw Books Limited
Total Pages: 0
Release: 2011
Genre: History
ISBN: 9789881998248

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A look at the people and events that have created Chinese rock & roll.


History of Rock 'n' Roll in Ten Songs

History of Rock 'n' Roll in Ten Songs
Author: Greil Marcus
Publisher: Yale University Press
Total Pages: 278
Release: 2014-09-02
Genre: Music
ISBN: 0300190301

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The legendary critic and author of Mystery Train “ingeniously retells the tale of rock and roll” (Publishers Weekly, starred review). Unlike previous versions of rock ’n’ roll history, this book omits almost every iconic performer and ignores the storied events and turning points everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs and dramatizes how each embodies rock ’n’ roll as a thing in itself, in the story it tells, inhabits, and acts out—a new language, something new under the sun. “Transmission” by Joy Division. “All I Could Do Was Cry” by Etta James and then Beyoncé. “To Know Him Is to Love Him,” first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcus’s hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticism—and its most gifted and incisive practitioner—is destined to become an enduring classic. “One of the epic figures in rock writing.”—The New York Times Book Review “Marcus is our greatest cultural critic, not only because of what he says but also, as with rock-and-roll itself, how he says it.”—The Washington Post Winner of the Deems Taylor Virgil Thomson Award in Music Criticism, given by the American Society of Composers, Authors & Publishers


Rock Music, Authority and Western Culture, 1964-1980

Rock Music, Authority and Western Culture, 1964-1980
Author: James A. Cosby
Publisher: McFarland
Total Pages: 297
Release: 2024-01-26
Genre: Music
ISBN: 1476651353

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The history of rock and roll music can be seen in a long arc of Western civilization's struggle for both greater individual expression and societal stability. In the 1960s, the West's relationship with authority ruptured, in part due to the rock revolution. The lessons and implications of this era have yet to be fully grasped. This book examines the key artists, music, and events of the classic rock era--defined here as 1964 to 1980--through a virtual psychoanalysis of the West. Over these years, important truths unfold in the stories of British Invaders, hippies, proto-punks, and more, as well as topics to include drugs, primal scream therapy, the occult, spirituality, and disco and its detractors, to name just a few. Through a narrative that is equal parts entertaining, scholarly, and even spiritual, readers will gain a greater appreciation for rock music, better understand the confusing world we live in today, and see how greater individuality and social stability may be better reconciled moving forward.


Jazz and Death

Jazz and Death
Author: Walter van de Leur
Publisher: Taylor & Francis
Total Pages: 161
Release: 2023-05-12
Genre: Music
ISBN: 135137317X

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Jazz and Death: Reception, Rituals, and Representations critically examines the myriad and complex interactions between jazz and death, from the New Orleans "jazz funeral" to jazz in heaven or hell, final recordings, jazz monuments, and the music’s own presumed death. It looks at how fans, critics, journalists, historians, writers, the media, and musicians have narrated, mythologized, and relayed those stories. What causes the fascination of the jazz world with its deaths? What does it say about how our culture views jazz and its practitioners? Is jazz somehow a fatal culture? The narratives surrounding jazz and death cast a light on how the music and its creators are perceived. Stories of jazz musicians typically bring up different tropes, ranging from the tragic, misunderstood genius to the notion that virtuosity somehow comes at a price. Many of these narratives tend to perpetuate the gendered and racialized stereotypes that have been part of jazz’s history. In the end, the ideas that encompass jazz and death help audiences find meaning in a complex musical practice and come to grips with the passing of their revered musical heroes -- and possibly with their own mortality.