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| Total Pages | : 33 |
| Release | : 1982 |
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| Total Pages | : 69 |
| Release | : 1981 |
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| Release | : 1988 |
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| Author | : Gioia Mori |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024-10-29 |
| Genre | : Art |
| ISBN | : 9780300278507 |
A landmark retrospective on the Art Deco painter exploring her intersectional identities Tamara de Lempicka (1894-1980), the "Baroness with a Brush," is often cast as one of Art Deco's most celebrated artists, though her work transcends categorization, incorporating elements of Cubism and Neoclassicism in a distinctive, sensuous blend of form and function. Lempicka's paintings, including a self-portrait as the driver of a sleek green Bugatti, often depict dazzling, self-assured women, exuding elegance and transgressive sexuality while combining the modern with the classical. This gorgeous survey presents the full arc of Lempicka's career in the context of her life and her evolving identity, including her Polish and Russian origins, her marriages and other relationships, and her time in France, Italy, and the United States. This book unfolds chronologically through three sections that mark the stages of the artist's life and the evolution of her artistic style, with particular focus on her Jewish heritage, her expression of gender, and her sexuality. Published in association with the Fine Arts Museums of San Francisco Exhibition Schedule: de Young Museum, San Francisco (October 12, 2024-February 9, 2025) The Museum of Fine Arts, Houston (March 9-May 26, 2025)
| Author | : William Notman |
| Publisher | : |
| Total Pages | : 190 |
| Release | : 1863 |
| Genre | : Painting |
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| Author | : Silvio Berthoud |
| Publisher | : Jrp Ringier |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Art, Swiss |
| ISBN | : 9783037640609 |
This publication focuses on the so-called "crisis period" (after 1935 and during the Second World War). Gathering art-historical essays addressing the crisis in Giacometti's work and modernity in general, as well as more than 100 key works, the editors revisit his work through the notions of a split and non-linearity. Exhibition: Musée d'art et d'histoire, Geneva, November 5, 2009 - February 2, 2010; Museo Cantonale d'arte, Lugano, March 20 - June 20, 2010.
| Author | : Jan de Heer |
| Publisher | : 010 Publishers |
| Total Pages | : 250 |
| Release | : 2009 |
| Genre | : Architecture |
| ISBN | : 906450671X |
This book is an account of a significant aspect of Le Corbusier's work - the relationships between form and colour. The book relates the way in which he arrived at a personal architectonic polychromy in the early 1920s and how his theories relating to Purism developed.
| Author | : Michael Peppiatt |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2010 |
| Genre | : Artists' studios |
| ISBN | : 9780300093933 |
"This deeply engaging book focuses on one of the most evocative and influential spaces in twentieth-century art: the tiny, ramshackle studio behind Montparnasse where the great sculptor Alberto Giacometti lived and worked from the late 1926 until his death. For nearly forty years, this chaotic but visually riveting space was the absolute centre of Giacometti's world, as well as a magnet for a whole generation of artists and writers in Paris, from Picasso and Braque to Balthus, from Breton and Sartre to Genet and Beckett."--Dust jacket.
| Author | : Mario Praz |
| Publisher | : Ed. di Storia e Letteratura |
| Total Pages | : 618 |
| Release | : 2001 |
| Genre | : Literary Criticism |
| ISBN | : 9788887114874 |
| Author | : Romy Golan |
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| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Mural painting and decoration, European |
| ISBN | : 9780300141535 |
In this fascinating and generously illustrated book, Romy Golan explores mural and mural-like works in Europe from the 1920s to the 1950s, beginning with Monet's installation of the Nymphéas at the Musée de l'Orangerie in Paris, and ending dramatically with Le Corbusier's huge tapestries in Chandigarh, India. Many artists and critics looked to the mural as a corrective to the ills of painterly Modernism: the disruption of the pictorial field at the hands of Cubism and other avant-garde practices; the commodification of painting through the market for easel paintings; and more generally the alienation of man and the anomie of art in the modern condition. At the same time it was clear that a return to the mural format would never be more than an anachronistic and futile gesture. This book is therefore about mural paintings that are not convinced they belong on walls: such strange objects as mosaics designed to be disassembled; paintings that resemble large-scale photographs, or photomurals; and tapestries that functioned as portable woolen walls. The author argues that the uncertain relation of these objects to the wall is symptomatic of the dilemmas that troubled European art, artists, and architects during the middle decades of the twentieth century.
