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| Author | : Milton Stricker |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 190 |
| Release | : 2017-06-20 |
| Genre | : Architectural design |
| ISBN | : 9781542894074 |
The only presentation not only of the basic elements of architectural design, but also understanding organic architectural principles and practice.
| Author | : Doug Patt |
| Publisher | : MIT Press |
| Total Pages | : 138 |
| Release | : 2012-02-17 |
| Genre | : Architecture |
| ISBN | : 0262516993 |
The basics of the profession and practice of architecture, presented in illustrated A-Z form. The word "architect" is a noun, but Doug Patt uses it as a verb—coining a term and making a point about using parts of speech and parts of buildings in new ways. Changing the function of a word, or a room, can produce surprise and meaning. In How to Architect, Patt—an architect and the creator of a series of wildly popular online videos about architecture—presents the basics of architecture in A-Z form, starting with "A is for Asymmetry" (as seen in Chartres Cathedral and Frank Gehry), detouring through "N is for Narrative," and ending with "Z is for Zeal" (a quality that successful architects tend to have, even in fiction—see The Fountainhead's architect-hero Howard Roark.) How to Architect is a book to guide you on the road to architecture. If you are just starting on that journey or thinking about becoming an architect, it is a place to begin. If you are already an architect and want to remind yourself of what drew you to the profession, it is a book of affirmation. And if you are just curious about what goes into the design and construction of buildings, this book tells you how architects think. Patt introduces each entry with a hand-drawn letter, and accompanies the text with illustrations that illuminate the concept discussed: a fallen Humpty Dumpty illustrates the perils of fragile egos; photographs of an X-Acto knife and other hand tools remind us of architecture's nondigital origins. How to Architect offers encouragement to aspiring architects but also mounts a defense of architecture as a profession—by calling out a defiant verb: architect!
| Author | : Nathan Cabot Hale |
| Publisher | : Courier Corporation |
| Total Pages | : 292 |
| Release | : 1993 |
| Genre | : Art |
| ISBN | : 9780486274829 |
Stimulating, thought-provoking guide to finding rich sources of creative abstraction in lines of growth and structure, water and liquid forms, weather patterns, earth colors, many other natural elements. Over 370 photographs and other illustrations.
| Author | : Adele Nelson |
| Publisher | : Univ of California Press |
| Total Pages | : 389 |
| Release | : 2022-01-04 |
| Genre | : Art |
| ISBN | : 0520379845 |
Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.
| Author | : Pier Vittorio Aureli |
| Publisher | : MIT Press |
| Total Pages | : 268 |
| Release | : 2011-02-11 |
| Genre | : Architecture |
| ISBN | : 0262515792 |
Architectural form reconsidered in light of a unitary conception of architecture and the city. In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli uses the term absolute not in the conventional sense of “pure,” but to denote something that is resolutely itself after being separated from its other. In the pursuit of the possibility of an absolute architecture, the other is the space of the city, its extensive organization, and its government. Politics is agonism through separation and confrontation; the very condition of architectural form is to separate and be separated. Through its act of separation and being separated, architecture reveals at once the essence of the city and the essence of itself as political form: the city as the composition of (separate) parts. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Étienne Louis-Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms. Their projects for the city do not take the form of an overall plan but are expressed as an “archipelago” of site-specific interventions.
| Author | : Barbara Liskov |
| Publisher | : Addison-Wesley Professional |
| Total Pages | : 472 |
| Release | : 2001 |
| Genre | : Computers |
| ISBN | : |
Liskov (engineering, Massachusetts Institute of Technology) and Guttag (computer science and engineering, also at MIT) present a component- based methodology for software program development. The book focuses on modular program construction: how to get the modules right and how to organize a program as a collection of modules. It explains the key types of abstractions, demonstrates how to develop specifications that define these abstractions, and illustrates how to implement them using numerous examples. An introduction to key Java concepts is included. Annotation copyrighted by Book News, Inc., Portland, OR.
| Author | : Tamara Munzner |
| Publisher | : CRC Press |
| Total Pages | : 422 |
| Release | : 2014-12-01 |
| Genre | : Business & Economics |
| ISBN | : 1466508930 |
Learn How to Design Effective Visualization SystemsVisualization Analysis and Design provides a systematic, comprehensive framework for thinking about visualization in terms of principles and design choices. The book features a unified approach encompassing information visualization techniques for abstract data, scientific visualization techniques
| Author | : Maria Lind |
| Publisher | : MIT Press |
| Total Pages | : 0 |
| Release | : 2013-02-01 |
| Genre | : Art |
| ISBN | : 0262518368 |
An examination of contemporary art's engagement with three modes of abstraction. This anthology reconsiders crucial aspects of abstraction's resurgence in contemporary art, exploring three equally significant strategies explored in current practice: formal abstraction, economic abstraction, and social abstraction. In the 1960s, movements as diverse as Latin American neo-concretism, op art and “eccentric abstraction” disrupted the homogeneity, universality, and rationality associated with abstraction. These modes of abstraction opened up new forms of engagement with the phenomenal world as well as the possibility of diverse readings of the same forms, ranging from formalist and transcendental to socio-economic and conceptual. In the 1980s, the writings of Peter Halley, Fredric Jameson, and others considered an increasingly abstracted world in terms of its economic, social, and political conditions—all of which were increasingly manifested through abstract codes or sites of style. Such economic abstraction is primarily addressed in art through subject or theme, but Deleuze and Guattari's notion of art as abstract machine opens up possibilities for art's role in the construction of a new kind of social reality. In more recent art, a third strand of abstraction emerges: a form of social abstraction centered on the strategy of withdrawal. Social abstraction implies stepping aside, a movement away from the mainstream, suggesting the possibilities for art to maneuver within self-organized, withdrawn initiatives in the field of cultural production. Artists surveyed include: Lee Bontecou, Louise Bourgeois, Amilcar de Castro, Paul Cézanne, Lygia Clark, Kajsa Dahlberg, Stephan Dillemuth, Marcel Duchamp, Gardar Eide Einarsson, Günther Förg, Liam Gillick, Ferreira Gullar, Jean Hélion, Eva Hesse, Jakob Jakobsen, Jasper Johns, Donald Judd, Wassily Kandinsky, Sol LeWitt, Piet Mondrian, Bruce Nauman, Hélio Oiticica, Blinky Palermo, Lygia Pape, Mai-Thu Perret, Jackson Pollock, Tobias Rehberger, Bridget Riley, Emily Roysden, Lucas Samaras, Julian Stanczak, Frank Stella, Hito Steyerl, Theo van Doesburg Writers include: Alfred H. Barr Jr., Ina Blom, Lynne Cooke, Anthony Davies, Judi Freeman, Peter Halley, Brian Holmes, Joe Houston, Fredric Jameson, Lucy R. Lippard, Sven Lütticken, Nina Möntmann, Gabriel Perez-Barreiro, Catherine Quéloz, Gerald Raunig, Irit Rogoff, Meyer Schapiro, Kirk Varnedoe, Stephan Zepke
| Author | : Paul N. Hilfinger |
| Publisher | : MIT Press (MA) |
| Total Pages | : 200 |
| Release | : 1983 |
| Genre | : Computers |
| ISBN | : |
The research reported in this book advances the art of designing programming languages. It sets forth some design principles for abstraction mechanisms and demonstrates their power by showing how they led to improvements in the design of Ada, a new language devised for the Department of Defense and one that will be wisely used in DOD-related projects. The author was a full-time consultant for the preliminary Ada language design and his suggestions for revising it were remarkable in that of the many revisions proposed, his were among the few that proved effective. The book also considers the likely outcome of even more substantial changes to the current version of Ada. In focusing on the effects of abstracting or generalizing the definitional mechanisms of a particular language, the author notes that these effects are manifested in two ways: in the complexity and expressive power of the language, and in the expected performance of programs written in it. He concludes, with regard to the first effect, that proper design of the abstraction facilities of a language can simpify it and icrease its utility to programmers, and wiht regard to the second, that abstraction mechanisms need not involve.
| Author | : Debora Stewart |
| Publisher | : Penguin |
| Total Pages | : 129 |
| Release | : 2015-05-06 |
| Genre | : Art |
| ISBN | : 1440335842 |
Would you love to take your art in a new direction? In Abstract Art Painting, you will enter a realm of tactile, intuitive excitement, combining pastel and acrylic to achieve results as unique as you are. You'll learn how to explore the use of color theory in abstraction and to use underpainting to bring structure and depth to your art. In addition you'll begin to understand how to work in a series and how this can help you develop your own personal style. A sampling of what you'll add to your creative toolbox: • Pastel and acrylic techniques to use to complete your own paintings • The benefits of expressing your ideas abstractly • How to loosen up by using your nondominant hand and drawing to music • Ways to express emotions through mark-making • Using color and symbolism for expression • Working with photos for inspiration • Tips for using color studies Step into your own abstract frame of mind today!
