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Cultural Democracy

Cultural Democracy
Author: James Bau Graves
Publisher: University of Illinois Press
Total Pages: 274
Release: 2005
Genre: Art
ISBN: 0252029658

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Attention is given to American culture. Not the culture of WalMart and the cineplex but culture as it is lived closer to the ground like local culture and neighbourhood culture. The focus is on the choices that individuals make about how to shape the fabric of their lives, and about the mechanisms that make those choices available. The perpetual and symbiotic relationships linking the cultural with the political and economic spheres are a recurrent theme.


Provoking Democracy

Provoking Democracy
Author: Caroline Levine
Publisher: John Wiley & Sons
Total Pages: 256
Release: 2008-04-15
Genre: Literary Criticism
ISBN: 0470766255

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A provocative and compelling book that explores the complex relationship between democracy and avant-garde art, offering a surprising new perspective on the critical role that the arts play in democratic governance at home and abroad. Covers a broad range of topics, from disputes over public art, copyright, and obscenity, to the operations of the House Un-American Activities Committee during the Cold War Highlights detailed and at times shocking debates over the role of the rebellious artist within society


Democracy & the Arts

Democracy & the Arts
Author: Arthur M. Melzer
Publisher: Cornell University Press
Total Pages: 244
Release: 1999
Genre: Art
ISBN: 9780801435416

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In this book, some of our most prominent cultural critics explore the relationships between culture and politics as played out in the world of novels, television, museums, and even fashion. The authors - John Simon, Greil Marcus, Arthur C. Danto, and other well-known commentators from across the political spectrum - examine the arts in their relation to democracy and consider whether and how they serve one another.


Democratic Art

Democratic Art
Author: Sharon Ann Musher
Publisher: University of Chicago Press
Total Pages: 306
Release: 2015-05-04
Genre: Art
ISBN: 022624718X

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At its height in 1935, the New Deal devoted roughly $27 million ($320 million today) to supporting tens of thousands of needy writers, dancers, actors, musicians, and visual artists, who created over 100,000 worksbooks, murals, plays, concertsthat were performed for or otherwise imbibed by millions of Americans. But why did the government get so involved with the arts in the first place? Musher addresses this question and many others by exploring the political and aesthetic concerns of the 1930s, as well as the range of responsesfrom politicians, intellectuals, artists, and taxpayersto the idea of active government involvement in the arts. In the process, she raises vital questions about the roles that the arts should play in contemporary society."


The Arts of Democratization

The Arts of Democratization
Author: Jennifer M. Kapczynski
Publisher: University of Michigan Press
Total Pages: 279
Release: 2022-02-07
Genre: History
ISBN: 0472132911

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How postwar West German democracy was styled through word, image, sound, performance, and gathering


The Role of the Arts in Learning

The Role of the Arts in Learning
Author: Jay Michael Hanes
Publisher: Routledge
Total Pages: 288
Release: 2018-06-12
Genre: Education
ISBN: 1351801295

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Grounded in philosophy from John Dewey and Maxine Greene, this book sheds light on difficulties and practicalities of examining culture and politics within the realm of interdisciplinary education. Providing both theoretical and concrete examples of the importance of a contemporary arts education, this book offers imaginative ways the arts and sciences intersect with democratic learning and civic engagement. Chapters focus on education in relation to diversity, apprenticeship, and civic engagement; neuroscience and cognition; urban aesthetic experience and learning; and science and art intelligence.


The Arts of Democracy

The Arts of Democracy
Author: Casey Nelson Blake
Publisher: University of Pennsylvania Press
Total Pages: 388
Release: 2007
Genre: Art and state
ISBN: 9780812240290

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Written by some of the most respected and accomplished scholars working in their fields, this volume illuminates the often contradictory impulses that have shaped the historical intersection of the arts, public culture, and the state in modern America.


Public Art and the Fragility of Democracy

Public Art and the Fragility of Democracy
Author: Fred Evans
Publisher: Columbia Themes in Philosophy, Social Criticism, and the Arts
Total Pages: 360
Release: 2018
Genre: Aesthetics
ISBN: 9780231187589

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Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society.


Culture, Democracy and the Right to Make Art

Culture, Democracy and the Right to Make Art
Author: Alison Jeffers
Publisher: Bloomsbury Publishing
Total Pages: 299
Release: 2017-06-15
Genre: Performing Arts
ISBN: 1474258379

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Based on the words and experiences of the people involved, this book tells the story of the community arts movement in the UK, and, through a series of essays, assesses its influence on present day participatory arts practices. Part I offers the first comprehensive account of the movement, its history, rationale and modes of working in England, Northern Ireland, Scotland and Wales; Part II brings the work up to the present, through a scholarly assessment of its influence on contemporary practice that considers the role of technologies and networks, training, funding, commissioning and curating socially engaged art today. The community arts movement was a well-known but little understood and largely undocumented creative revolution that began as part of the counter-cultural scene in the late 1960s. A wide range of art forms were developed, including large processions with floats and giant puppets, shadow puppet shows, murals and public art, events on adventure playgrounds and play schemes, outdoor events and fireshows. By the middle of the 1980s community arts had changed and diversified to the point where its fragmentation meant that it could no longer be seen as a coherent movement. Interviews with the early pioneers provide a unique insight into the arts practices of the time. Culture, Democracy and the Right to Make Art is not simply a history because the legacy and influence of the community arts movement can be seen in a huge range of diverse locations today. Anyone who has ever encountered a community festival or educational project in a gallery or museum or visited a local arts centre could be said to be part of the on-going story of the community arts. This book is open access and available on www.bloomsburycollections.com . It is funded by the University of Manchester.


Art and Democracy in Post-Communist Europe

Art and Democracy in Post-Communist Europe
Author: Piotr Piotrowski
Publisher: Reaktion Books
Total Pages: 314
Release: 2012-08-01
Genre: Art
ISBN: 1861899319

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When the Iron Curtain fell in 1989, Eastern Europe saw a new era begin, and the widespread changes that followed extended into the world of art. Art and Democracy in Post-Communist Europe examines the art created in light of the profound political, social, economic, and cultural transformations that occurred in the former Eastern Bloc after the Cold War ended. Assessing the function of art in post-communist Europe, Piotr Piotrowski describes the changing nature of art as it went from being molded by the cultural imperatives of the communist state and a tool of political propaganda to autonomous work protesting against the ruling powers. Piotrowski discusses communist memory, the critique of nationalism, issues of gender, and the representation of historic trauma in contemporary museology, particularly in the recent founding of contemporary art museums in Bucharest, Tallinn, and Warsaw. He reveals the anarchistic motifs that had a rich tradition in Eastern European art and the recent emergence of a utopian vision and provides close readings of many artists—including Ilya Kavakov and Krzysztof Wodiczko—as well as Marina Abramovic’s work that responded to the atrocities of the Balkans. A cogent investigation of the artistic reorientation of Eastern Europe, this book fills a major gap in contemporary artistic and political discourse.