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| Author | : Gregory Claeys |
| Publisher | : Oxford University Press |
| Total Pages | : 569 |
| Release | : 2016-11-17 |
| Genre | : History |
| ISBN | : 0191088617 |
Download Dystopia Book in PDF, ePub and Kindle
Dystopia: A Natural History is the first monograph devoted to the concept of dystopia. Taking the term to encompass both a literary tradition of satirical works, mostly on totalitarianism, as well as real despotisms and societies in a state of disastrous collapse, this volume redefines the central concepts and the chronology of the genre and offers a paradigm-shifting understanding of the subject. Part One assesses the theory and prehistory of 'dystopia'. By contrast to utopia, conceived as promoting an ideal of friendship defined as 'enhanced sociability', dystopia is defined by estrangement, fear, and the proliferation of 'enemy' categories. A 'natural history' of dystopia thus concentrates upon the centrality of the passion or emotion of fear and hatred in modern despotisms. The work of Le Bon, Freud, and others is used to show how dystopian groups use such emotions. Utopia and dystopia are portrayed not as opposites, but as extremes on a spectrum of sociability, defined by a heightened form of group identity. The prehistory of the process whereby 'enemies' are demonised is explored from early conceptions of monstrosity through Christian conceptions of the devil and witchcraft, and the persecution of heresy. Part Two surveys the major dystopian moments in twentieth century despotisms, focussing in particular upon Nazi Germany, Stalinism, the Chinese Cultural Revolution, and Cambodia under Pol Pot. The concentration here is upon the political religion hypothesis as a key explanation for the chief excesses of communism in particular. Part Three examines literary dystopias. It commences well before the usual starting-point in the secondary literature, in anti-Jacobin writings of the 1790s. Two chapters address the main twentieth-century texts usually studied as representative of the genre, Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-Four. The remainder of the section examines the evolution of the genre in the second half of the twentieth century down to the present.
| Author | : Kat Zhang |
| Publisher | : HarperCollins Australia |
| Total Pages | : 343 |
| Release | : 2012-10-01 |
| Genre | : Juvenile Fiction |
| ISBN | : 0730499596 |
Download What's Left of Me Book in PDF, ePub and Kindle
Fifteen-year-old Eva cannot move, cannot speak and cannot scream. In her world, each body is born with two souls. She has the misfortune of being the recessive, the one fated to fade away. But Eva never did. Ages:12+ I should not exist. But I do. Eva and Addie started out the same way as everyone else-two souls woven together in one body, taking turns controlling their movements as they learned how to walk, how to sing, how to dance. But as they grew, so did the worried whispers. Why aren't they settling? Why isn't one of them fading? the doctors ran tests, the neighbors shied away, and their parents begged for more time. Finally Addie was pronounced healthy and Eva was declared gone. Except, she wasn't .... For the past three years, Eva has clung to the remnants of her life. Only Addie knows she's still there, trapped inside their body. then one day, they discover there may be a way for Eva to move again. the risks are unimaginable-hybrids are considered a threat to society, so if they are caught, Addie and Eva will be locked away with the others. And yet, for a chance to smile, to twirl, to speak, Eva will do anything. Praise for WHAt'S LEFt OF ME: "A shockingly unique story that redefines what it means to be human." Lauren DeStefano, New York times bestselling author of WItHER Ages:12+
| Author | : Shawn Coyne |
| Publisher | : Black Irish Entertainment LLC |
| Total Pages | : 459 |
| Release | : 2015-05-02 |
| Genre | : Reference |
| ISBN | : 1936891360 |
Download The Story Grid Book in PDF, ePub and Kindle
WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.
| Author | : Gregory Claeys |
| Publisher | : Oxford University Press |
| Total Pages | : 569 |
| Release | : 2017 |
| Genre | : Dystopias |
| ISBN | : 0198785682 |
Download Dystopia Book in PDF, ePub and Kindle
Dystopia: A Natural History is the first monograph devoted to the concept of dystopia. Taking the term to encompass both a literary tradition of satirical works, mostly on totalitarianism, as well as real despotisms and societies in a state of disastrous collapse, this volume redefines thecentral concepts and the chronology of the genre and offers a paradigm-shifting understanding of the subject.Part One assesses the theory and prehistory of "dystopia". By contrast to utopia, conceived as promoting an ideal of friendship defined as "enhanced sociability", dystopia is defined by estrangement, fear, and the proliferation of "enemy" categories. A "natural history" of dystopia thus concentratesupon the centrality of the passion or emotion of fear and hatred in modern despotisms. The work of Le Bon, Freud, and others is used to show how dystopian groups use such emotions. Utopia and dystopia are portrayed not as opposites, but as extremes on a spectrum of sociability, defined by aheightened form of group identity. The prehistory of the process whereby 'enemies' are demonised is explored from early conceptions of monstrosity through Christian conceptions of the devil and witchcraft, and the persecution of heresy.Part Two surveys the major dystopian moments in twentieth century despotisms, focussing in particular upon Nazi Germany, Stalinism, the Chinese Cultural Revolution, and Cambodia under Pol Pot. The concentration here is upon the political religion hypothesis as a key explanation for the chiefexcesses of communism in particular.Part Three examines literary dystopias. It commences well before the usual starting-point in the secondary literature, in anti-Jacobin writings of the 1790s. Two chapters address the main twentieth-century texts usually studied as representative of the genre, Aldous Huxley's Brave New World andGeorge Orwell's Nineteen Eighty-Four. The remainder of the section examines the evolution of the genre in the second half of the twentieth century down to the present.
| Author | : Christine Lehnen |
| Publisher | : |
| Total Pages | : 156 |
| Release | : 2015-12-09 |
| Genre | : |
| ISBN | : 9783828836846 |
Download Defining Dystopia Book in PDF, ePub and Kindle
| Author | : Fátima Vieira |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 325 |
| Release | : 2013-07-16 |
| Genre | : History |
| ISBN | : 1443850233 |
Download Dystopia(n) Matters Book in PDF, ePub and Kindle
The volume is divided into two parts, separated by an Intermezzo. The first part, “Dystopia Matters”, benefits from the contribution of reputed scholars of the field of Utopian Studies, who were asked to make a statement explaining why dystopia is important. The Intermezzo completes this part and offers the reader an informed discussion of the concepts of utopia, dystopia and anti-utopia whilst providing ground for the case studies presented in the second part, in the sections devoted to literature, film, and theatre. In one way or another, despite the variety of approaches, all contributors argue for the idea that, if dystopia has invaded most forms of contemporary discourse, its sibling, utopia, has not been eradicated from the scene. Furthermore, the studies show that the tension between the two concepts is instrumental to our cautious, conscious, and tentative construction of the future.
| Author | : Stanford M. Lyman |
| Publisher | : University of Arkansas Press |
| Total Pages | : 460 |
| Release | : 2001 |
| Genre | : Postmodernism |
| ISBN | : 9781610753500 |
Download Roads to Dystopia, Sociological Essay on the Post Modern Condition (c) Book in PDF, ePub and Kindle
| Author | : John Carey |
| Publisher | : |
| Total Pages | : 531 |
| Release | : 2000-09-01 |
| Genre | : Utopias |
| ISBN | : 9780571203178 |
Download The Faber Book of Utopias Book in PDF, ePub and Kindle
Utopias come in every conceivable cultural and sexual shade: communist, fascist, anarchist, green, techno-fantastic, all male, all female. John Carey's anthology encompasses many noble schemes, as well as chilling attempts at social control.
| Author | : Aaron S. Rosenfeld |
| Publisher | : Routledge |
| Total Pages | : 236 |
| Release | : 2020-07-08 |
| Genre | : Literary Criticism |
| ISBN | : 1000173194 |
Download Character and Dystopia Book in PDF, ePub and Kindle
This is the first extended study to specifically focus on character in dystopia. Through the lens of the "last man" figure, Character and Dystopia: The Last Men examines character development in Yevgeny Zamyatin’s We, Anthony Burgess’s A Clockwork Orange, Kazuo Ishiguro’s Never Let Me Go, Fyodor Dostoevsky’s Notes from Underground, George Orwell’s Nineteen Eighty-Four, Nathanael West’s A Cool Million, David Mamet’s Glengarry Glen Ross, Octavia Butler’s Parable of the Sower, Lois Lowry’s The Giver, Michel Houellebecq’s Submission, Chan Koonchung’s The Fat Years, and Maggie Shen King’s An Excess Male, showing how in the 20th and 21st centuries dystopian nostalgia shades into reactionary humanism, a last stand mounted in defense of forms of subjectivity no longer supported by modernity. Unlike most work on dystopia that emphasizes dystopia’s politics, this book’s approach grows out of questions of poetics: What are the formal structures by which dystopian character is constructed? How do dystopian characters operate differently than other characters, within texts and upon the reader? What is the relation between this character and other forms of literary character, such as are found in romantic and modernist texts? By reading character as crucial to the dystopian project, the book makes a case for dystopia as a sensitive register of modern anxieties about subjectivity and its portrayal in literary works.
| Author | : Doris Dier |
| Publisher | : GRIN Verlag |
| Total Pages | : 29 |
| Release | : 2012-10-09 |
| Genre | : Foreign Language Study |
| ISBN | : 3656285233 |
Download The Motifs of Utopia and Dystopia in Aldous Huxley’s "Brave New World" Book in PDF, ePub and Kindle
Seminar paper from the year 2012 in the subject Didactics for the subject English - Literature, Works, grade: 1, University of Vienna, course: Science Fiction: The Classics, language: English, abstract: One of the many features of science fiction is the creation of alternative worlds and societies. The utopia-motif has been a very creative one in doing so, constantly inspiring authors to pursuit the goal of imagining a perfect world. The motif is also productive in a sense of redevelopment, since it serves to lay out the points of criticism that occur when looking at the “real” world at times. These approaches have resulted in the formation of new motifs such as dystopia. Aldous Huxley’s Brave New World is an ambiguous masterpiece that allows the reader to reveal various levels of meaning. Researchers mainly suggest it to be read as a satire, but it is also considered to be a key work of dystopian literature. This paper points out the elements that allow us to identify Brave New World as both a utopian and dystopian narrative. It concentrates on the points of view because in my opinion they determine the motif. The thesis is that depending on the viewpoint of the different characters the two worlds Huxley presents us can be either interpreted as a utopia or dystopia. The paper aims to introduce the major terms Utopia and Dystopia, but also outline the two different worlds Huxley describes in his novel. It explores whether or not the thesis is applicable and verifiable.
