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Decadent Subjects

Decadent Subjects
Author: Charles Bernheimer
Publisher: JHU Press
Total Pages: 260
Release: 2002-07
Genre: Art
ISBN: 9780801867408

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Honorable Mention for the Aldo and Jeanne Scaglione Prize for Comparative Literary Studies from the Modern Language Association Charles Bernheimer described decadence as a "stimulant that bends thought out of shape, deforming traditional conceptual molds." In this posthumously published work, Bernheimer succeeds in making a critical concept out of this perennially fashionable, rarely understood term. Decadent Subjects is a coherent and moving picture of fin de siècle decadence. Mature, ironic, iconoclastic, and thoughtful, this remarkable collection of essays shows the contradictions of the phenomenon, which is both a condition and a state of mind. In seeking to show why people have failed to give a satisfactory account of the term decadence, Bernheimer argues that we often mistakenly take decadence to represent something concrete, that we see as some sort of agent. His salutary response is to return to those authors and artists whose work constitutes the topos of decadence, rereading key late nineteenth-century authors such as Nietzsche, Zola, Hardy, Wilde, Moreau, and Freud to rediscover the very dynamics of the decadent. Through careful analysis of the literature, art, and music of the fin de siècle including a riveting discussion of the many faces of Salome, Bernheimer leaves us with a fascinating and multidimensional look at decadence, all the more important as we emerge from our own fin de siècle.


Decadent Subjects

Decadent Subjects
Author: Charles Bernheimer
Publisher: JHU Press
Total Pages: 250
Release: 2002-07
Genre: Art
ISBN: 0801867401

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Honorable Mention for the Aldo and Jeanne Scaglione Prize for Comparative Literary Studies from the Modern Language Association Charles Bernheimer described decadence as a "stimulant that bends thought out of shape, deforming traditional conceptual molds." In this posthumously published work, Bernheimer succeeds in making a critical concept out of this perennially fashionable, rarely understood term. Decadent Subjects is a coherent and moving picture of fin de siècle decadence. Mature, ironic, iconoclastic, and thoughtful, this remarkable collection of essays shows the contradictions of the phenomenon, which is both a condition and a state of mind. In seeking to show why people have failed to give a satisfactory account of the term decadence, Bernheimer argues that we often mistakenly take decadence to represent something concrete, that we see as some sort of agent. His salutary response is to return to those authors and artists whose work constitutes the topos of decadence, rereading key late nineteenth-century authors such as Nietzsche, Zola, Hardy, Wilde, Moreau, and Freud to rediscover the very dynamics of the decadent. Through careful analysis of the literature, art, and music of the fin de siècle including a riveting discussion of the many faces of Salome, Bernheimer leaves us with a fascinating and multidimensional look at decadence, all the more important as we emerge from our own fin de siècle.


Decadent Literature in Twentieth-Century Japan

Decadent Literature in Twentieth-Century Japan
Author: I. Amano
Publisher: Springer
Total Pages: 243
Release: 2013-12-17
Genre: Literary Criticism
ISBN: 1137377437

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Decadence is a concept that designates a given historical moment as a phase of decay and valorizes the past as an irretrievable golden age. This study offers an innovative examination of a century of Japanese fiction through the analytical prism of decadence.


Ravel the Decadent

Ravel the Decadent
Author: Michael J. Puri
Publisher: Oxford University Press
Total Pages: 272
Release: 2012-03-27
Genre: Music
ISBN: 0190453680

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The music of Maurice Ravel (1875-1937), beloved by musicians and audiences since its debut, has been a difficult topic for scholars. The traditional stylistic categories of impressionism, symbolism, and neoclassicism, while relevant, have offered too little purchase on this fascinating but enigmatic work. In Ravel the Decadent, author Michael Puri provides an innovative and productive solution by locating the aesthetic origins of this music in the French Decadence and demonstrating the extension of this influence across the length of his oeuvre. From an array of Decadent topics Puri selects three--memory, sublimation, and desire--and uses them to delineate the content of this music, pinpoint its overlap with contemporary cultural discourse, and link it to its biographical context, as well as to create new methods altogether for the analysis and interpretation of music. Ravel the Decadent opens by defining the main concepts, giving particular attention to memory and decadence. It then stakes out contrasting modes of memory in this music: a nostalgic mode that views the past as forever lost, and a more optimistic one that imagines its resurrection and reanimation. Acknowledging Ravel's lifelong identity as a dandy--a figure that embodies the Decadence and its aspiration toward the sublime--Puri identifies possible moments of musical self-portraiture before stepping back to theorize dandyism in European musical modernism at large. He then addresses the dialectic between desire and its sublimation in the pairing of two genres--the bacchanal and the idyl--and leverages the central trio of concepts to offer provocative readings of Ravel's two waltz sets, the Valses nobles et sentimentales and La valse. Puri concludes by invoking the same terms to identify a topic of "faun music" that promises to create new common ground between Ravel and Debussy. Rife with close readings that will satisfy the musicologist, Ravel the Decadent also suits a more general reader through its broadly humanistic key concepts, immersion in contemporary art and literature, and clarity of language.


Decadent Orientalisms

Decadent Orientalisms
Author: David Fieni
Publisher: Fordham University Press
Total Pages: 224
Release: 2020-01-07
Genre: Literary Criticism
ISBN: 0823286428

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Decadent Orientalisms presents a sustained critique of the ways Orientalism and decadence have formed a joint discursive mode of the imperial imagination. Attentive to historical and literary configurations of language, race, religion, and power, Fieni shows the importance of understanding Western discourses of Eastern decline and obsolescence together with Arab and Islamic responses in which the language of decadence returns as a characteristic of the West. Taking seriously Edward Said’s claim that Orientalism is a “style of having power,” Fieni works historically through the aesthetic and ideological effects of Orientalist style, showing how it is at once comparative, descriptive, and performative. Orientalism, the book argues, relies upon decadence as the figure through which its positivist scientific claims become redistributed as speech acts—“truths” that establish dominance. Rather than attending to Orientalism as a repertoire of clichés and stereotypes, Decadent Orientalisms considers the systemic epistemological consequences of the diffuse, yet coherent network of institutions that have constituted Orientalism’s power.


Decadent Modernity

Decadent Modernity
Author: Michela Coletta
Publisher: Liverpool Latin American Studi
Total Pages: 200
Release: 2018
Genre: History
ISBN: 1786941317

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How did Latin Americans represent their own countries as modern? Through a comparative analysis of Argentina, Uruguay and Chile, the book investigates four themes that were central to definitions of Latin American modernity at the turn of the twentieth century: race, the autochthonous, education, and aesthetics.


Radical Decadence

Radical Decadence
Author: Julia Skelly
Publisher: Bloomsbury Publishing
Total Pages: 155
Release: 2017-05-04
Genre: Social Science
ISBN: 1472569431

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This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic.


Beyond Decadence

Beyond Decadence
Author: Butler, Peter
Publisher: Charles University in Prague, Karolinum Press
Total Pages: 254
Release: 2015-09-01
Genre: Literary Criticism
ISBN: 8024625717

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Jan Opolsky has long been considered to be little more than an epigon of the Czech Decadence. By detailed analysis of his prose, this book aims to show that Opolsky is a master of sustained narrative irony and an accomplished writer in his own right. Introduction brings an overview of Czech Decadent/Symbolist literature and art in an European perspective. The first monograph evaluates archival sources, private correspondence with other literary figures and includes classified bibliography of Opolsky.


Decadence: A Very Short Introduction

Decadence: A Very Short Introduction
Author: David Weir
Publisher: Oxford University Press
Total Pages: 160
Release: 2018-03-09
Genre: Literary Criticism
ISBN: 0190610239

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The history of decadent culture runs from ancient Rome to nineteenth-century Paris, Victorian London, fin de siècle Vienna, Weimar Berlin, and beyond. The decline of Rome provides the pattern for both aesthetic and social decadence, a pattern that artists and writers in the nineteenth century imitated, emulated, parodied, and otherwise manipulated for aesthetic gain. What begins as the moral condemnation of modernity in mid-nineteenth century France on the part of decadent authors such as Charles Baudelaire ends up as the perverse celebration of the pessimism that accompanies imperial decline. This delight in decline informs the rich canon of decadence that runs from Joris-Karl Huysmans's À Rebours to Oscar Wilde's The Picture of Dorian Gray, Aubrey Beardsley's drawings, Gustav Klimt's paintings, and numerous other works. In this Very Short Introduction, David Weir explores the conflicting attitudes towards modernity present in decadent culture by examining the difference between aesthetic decadence--the excess of artifice--and social decadence, which involves excess in a variety of forms, whether perversely pleasurable or gratuitously cruel. Such contrariness between aesthetic and social decadence led some of its practitioners to substitute art for life and to stress the importance of taste over morality, a maneuver with far-reaching consequences, especially as decadence enters the realm of popular culture today. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.


Aimer et mourir

Aimer et mourir
Author: Eilene Hoft-March
Publisher: Cambridge Scholars Publishing
Total Pages: 330
Release: 2009-01-23
Genre: Literary Collections
ISBN: 1443804576

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Aimer et Mourir offers a wide-ranging selection of essays that collectively address how, from the Middle Ages to the present, the notions of love and death get inextricably associated with the narratives that are women’s lives. Some of the essays tackle male writers’ representations that link women and, in particular, women’s sexuality, with death, resulting in the figures of the femme fatale, the woman in parturition, and the desiring vampire. A number of essays reiterate that women’s hyper-sexualized bodies have been used as a social construct and a psychological screen upon which to project a fear of death. The challenges to this pat reduction of “woman’s” domain come from the mostly women writers represented here—and they span from Marguerite de Navarre to Amélie Nothomb. These women writers rework the old formulae, giving us instead death-defying memories of love, love regenerative of language (as of bodies), love forcing the frontiers of death, or love creatively redefined within the parameters of death. Nor are these new narratives imagined as belonging to women alone but rather as attesting to a richer, more varied, and greatly sensitized human experience.