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Death, Belief and Politics in Central African History

Death, Belief and Politics in Central African History
Author: Kalusa, Walima T.
Publisher: The Lembani Trust
Total Pages: 418
Release: 2013-11-11
Genre: History
ISBN: 9982680013

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In this set of essays Walima T. Kalusa and Megan Vaughan explore themes in the history of death in Zambia and Malawi from the late nineteenth century to the present day. Drawing on extensive archival and oral historical research they examine the impact of Christianity on spiritual beliefs, the racialised politics of death on the colonial Copperbelt, the transformation of burial practices, the histories of suicide and of maternal mortality, and the political life of the corpse.


Please, Take Photographs

Please, Take Photographs
Author: Sindiwe Magona
Publisher: African Books Collective
Total Pages: 418
Release: 2009
Genre: Poetry
ISBN: 0980272955

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Sindiwe Magona's poems conspire with her. Even years after being written, they still seem warm from her lips, and it is this residue of her telling them that draws you into their confidence. From the languid innocence of the poems about her village, to her shattering images of Africa at war, Magona leads you headlong into her fireside circle where archetypes flicker like shadows on a face that has seen, and been. Please, Take Photographs is defiant and tender, horrific and homely, at once irreverent, outspoken and beautiful.


The Cultural and Artistic Legacy of Oliver Mtukudzi

The Cultural and Artistic Legacy of Oliver Mtukudzi
Author: Munyaradzi Nyakudya
Publisher: Springer Nature
Total Pages: 277
Release: 2022-09-10
Genre: Music
ISBN: 3030972003

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This book delves into a critical and comprehensive analysis of Mtukudzi’s legacy, as an outstanding musician who anchored his music on cultural identity specifically through the artistic manipulation of language. As a cultural worker, his remit extended beyond performance. This raised his stature to the levels of such African music icons as Fela Kuti of Nigeria, Salif Keita of Mali and Miriam Makeba/Hugh Masekela of South Africa, all towering giants in African musical performance. This volume examines how Mtukudzi artistically manipulated language to convey a timeless message of cultural identity, fighting for the respect of rights for women, children and all. It unpacks how Mtukudzi subtly uses language to put across political views that speak truth to power, harnessing Zimbabwean language to articulate and promote the nation’s cultural heritage and to advocate for societal development and the promotion of rights of vulnerable groups. The chapters in this volume are a mix of interdisciplinary Zimbabwean scholars of linguistics, performance studies, religion, history, communication and media studies, unravelling Mtukudzi as a fighter for human rights and justice who subtly critiqued political systems and practices. It concludes that Mtukudzi strove to be a cultural worker who used the power of language through music to contribute towards the rehabilitation of a battered African identity. ​


A Companion to the Anthropology of Death

A Companion to the Anthropology of Death
Author: Antonius C. G. M. Robben
Publisher: John Wiley & Sons
Total Pages: 541
Release: 2018-05-11
Genre: Social Science
ISBN: 111922229X

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A thought-provoking examination of death, dying, and the afterlife Prominent scholars present their most recent work about mortuary rituals, grief and mourning, genocide, cyclical processes of life and death, biomedical developments, and the materiality of human corpses in this unique and illuminating book. Interrogating our most common practices surrounding death, the authors ask such questions as: How does the state wrest away control over the dead from bereaved relatives? Why do many mourners refuse to cut their emotional ties to the dead and nurture lasting bonds? Is death a final condition or can human remains acquire agency? The book is a refreshing reassessment of these issues and practices, a source of theoretical inspiration in the study of death. With contributions written by an international team of experts in their fields, A Companion to the Anthropology of Death is presented in six parts and covers such subjects as: Governing the Dead in Guatemala; After Death Communications (ADCs) in North America; Cryonic Suspension in the Secular Age; Blood and Organ Donation in China; The Fragility of Biomedicine; and more. A Companion to the Anthropology of Death is a comprehensive and accessible volume and an ideal resource for senior undergraduate and graduate students in courses such as Anthropology of Death, Medical Anthropology, Anthropology of Violence, Anthropology of the Body, and Political Anthropology. Written by leading international scholars in their fields A comprehensive survey of the most recent empirical research in the anthropology of death A fundamental critique of the early 20th century founding fathers of the anthropology of death Cross-cultural texts from tribal and industrial societies The collection is of interest to anyone concerned with the consequences of the state and massive violence on life and death


Partial Stories

Partial Stories
Author: Claire L. Wendland
Publisher: University of Chicago Press
Total Pages: 365
Release: 2022-04-22
Genre: History
ISBN: 0226816885

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"Partial Stories takes readers to Malawi, where roughly one in twenty women can expect to die of a pregnancy or childbirth complication, despite decades of safe-motherhood programs. The stories of these mothers are told in hospitals and villages, by chiefs and doctors, herbalists and nurses, epidemiologists and healers, and competing explanations proliferate. The mothers' stories are used by elders for technical education and moral instruction at a coming-of-age-ritual, a district hospital's mortality review, and in the reflected glow of a computer screen at an international conference. After orienting readers to urban Malawi's context of therapeutic pluralism and material scarcity, Claire Wendland discusses the ways various experts account for maternal death, showing how their diverse explanations reflect competing visions of the past and shared concerns about social change. She looks to a series of pregnancy-related deaths in order to consider bodies as biosocial phenomena, shaped from before birth by history and social inequality. Wendland reveals an uneven therapeutic landscape that pushes experts to improvise, clinically and ethically. Their creative, essential, and sometimes deadly improvisations ask us to reconsider the "best practice" dogmas of global health and transnational research, as well as the nature of medical authority and expertise. Wendland demonstrates how strategies of legitimation render care more dangerous and knowledge more partial than it might otherwise be"--


African Print Cultures

African Print Cultures
Author: Derek Peterson
Publisher: University of Michigan Press
Total Pages: 461
Release: 2016-09-29
Genre: Social Science
ISBN: 0472122134

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The essays collected in African Print Cultures claim African newspapers as subjects of historical and literary study. Newspapers were not only vehicles for anticolonial nationalism. They were also incubators of literary experimentation and networks by which new solidarities came into being. By focusing on the creative work that African editors and contributors did, this volume brings an infrastructure of African public culture into view. The first of four thematic sections, “African Newspaper Networks,” considers the work that newspaper editors did to relate events within their locality to happenings in far-off places. This work of correlation and juxtaposition made it possible for distant people to see themselves as fellow travellers. “Experiments with Genre” explores how newspapers nurtured the development of new literary genres, such as poetry, realist fiction, photoplays, and travel writing in African languages and in English. “Newspapers and Their Publics” looks at the ways in which African newspapers fostered the creation of new kinds of communities and served as networks for public interaction, political and otherwise. The final section, “Afterlives, ” is about the longue durée of history that newspapers helped to structure, and how, throughout the twentieth century, print allowed contributors to view their writing as material meant for posterity.


Roads Through Mwinilunga

Roads Through Mwinilunga
Author: Iva Peša
Publisher: BRILL
Total Pages: 443
Release: 2019-07-29
Genre: Social Science
ISBN: 9004408967

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Roads through Mwinilunga provides a historical appraisal of social change in Northwest Zambia from 1750 until the present. Focussing on agricultural production, mobility, consumption, and settlement patterns, Iva Peša reassesses existing explanations of social change in Central Africa.


The Politics of the Dead in Zimbabwe, 2000-2020

The Politics of the Dead in Zimbabwe, 2000-2020
Author: Joost Fontein
Publisher: Boydell & Brewer
Total Pages: 362
Release: 2022
Genre: Family & Relationships
ISBN: 1847012671

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Innovative and challenging study that provides fresh insights on the anthropology of death and postcolonial politics.In 1898, just before she was hanged for rebelling against colonial rule, Charwe Nyakasikana, spirit medium of the legendary ancestor Ambuya Nehanda, famously prophesised that "my bones will rise again". A century later bones, bodies and human remains have come to occupy an increasingly complex place in Zimbabwe''s postcolonial milieu. From ancestral "bones" rising again in the struggle for independence, and later land, to resurfacing bones of unsettled wardead; and from the troubling decaying remains of post-independence gukurahundi massacres to the leaky, tortured bodies of recent election violence, human materials are intertwined in postcolonial politics in ways that go far beyond, yet necessarily implicate, contests over memory, commemoration and the representation of the past. In this book Joost Fontein examines the complexities of human remains in Zimbabwe''s ''politics of the dead''. Challenging and innovative, he takes us beyond current scholarship on memory, commemoration and the changing significance of ''traditional'' death practices, to examine the political implications of human remains as material substances, as duplicitous rumours, and as returning spirits. Linking the indeterminacy of human substances to the productive but precarious uncertainties of rumours and spirits, the book points to how the incompleteness of death is politically productive and ultimately derives from the problematic, entangled excessivities of human material and immaterial existence, and is deeply intertwined with the stylistics of postcolonial power and politics. Joost Fontein is Professor of Anthropology, University of Johannesburg. He was previously Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. His books include Remaking Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressing and innovative, he takes us beyond current scholarship on memory, commemoration and the changing significance of ''traditional'' death practices, to examine the political implications of human remains as material substances, as duplicitous rumours, and as returning spirits. Linking the indeterminacy of human substances to the productive but precarious uncertainties of rumours and spirits, the book points to how the incompleteness of death is politically productive and ultimately derives from the problematic, entangled excessivities of human material and immaterial existence, and is deeply intertwined with the stylistics of postcolonial power and politics. Joost Fontein is Professor of Anthropology, University of Johannesburg. He was previously Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. His books include Remaking Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressrskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressing and innovative, he takes us beyond current scholarship on memory, commemoration and the changing significance of ''traditional'' death practices, to examine the political implications of human remains as material substances, as duplicitous rumours, and as returning spirits. Linking the indeterminacy of human substances to the productive but precarious uncertainties of rumours and spirits, the book points to how the incompleteness of death is politically productive and ultimately derives from the problematic, entangled excessivities of human material and immaterial existence, and is deeply intertwined with the stylistics of postcolonial power and politics. Joost Fontein is Professor of Anthropology, University of Johannesburg. He was previously Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. His books include Remaking Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressing and innovative, he takes us beyond current scholarship on memory, commemoration and the changing significance of ''traditional'' death practices, to examine the political implications of human remains as material substances, as duplicitous rumours, and as returning spirits. Linking the indeterminacy of human substances to the productive but precarious uncertainties of rumours and spirits, the book points to how the incompleteness of death is politically productive and ultimately derives from the problematic, entangled excessivities of human material and immaterial existence, and is deeply intertwined with the stylistics of postcolonial power and politics. Joost Fontein is Professor of Anthropology, University of Johannesburg. He was previously Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. His books include Remaking Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressrskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressrskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressing and innovative, he takes us beyond current scholarship on memory, commemoration and the changing significance of ''traditional'' death practices, to examine the political implications of human remains as material substances, as duplicitous rumours, and as returning spirits. Linking the indeterminacy of human substances to the productive but precarious uncertainties of rumours and spirits, the book points to how the incompleteness of death is politically productive and ultimately derives from the problematic, entangled excessivities of human material and immaterial existence, and is deeply intertwined with the stylistics of postcolonial power and politics. Joost Fontein is Professor of Anthropology, University of Johannesburg. He was previously Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. His books include Remaking Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressrskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressg Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressrskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Press


The New Death

The New Death
Author: Shannon Lee Dawdy
Publisher: University of New Mexico Press
Total Pages: 368
Release: 2022
Genre: Social Science
ISBN: 0826363458

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"There is perhaps no object as uncanny as the corpse--or more subject to elaborate taboos--and few topics yield as much cross-cultural anxiety as human mortality. Yet beliefs and practices around death never stand still. The New Death brings together scholars who are intrigued by today's rapidly changing death practices and attitudes. New and different ways of treating the body and memorializing the dead are proliferating across global cities. What are the beliefs, values, and ontologies entwined with these emergent death practices? Are we witnessing a shifting relationship between the living and the dead? Using ethnographic, historical, and media-based approaches, the contributors to this volume focus on new attittudes and practices around mortality and mourning--from the possibilities of digitally enhanced afterlives to industrialized 'necro-waste,' the ethics of care, the meaning of secular rituals, and the political economy of death. Together, the chapters coalesce around the argument that there are two major currents running through the new death-reconfigurations of temporality and of intimacy. Some aspects of the new death represent a remaking of older ideas and practices. But whether they draw on 'tradition' or on evolving technologies, people are reaching for new memorial objects to keep the dead present in their lives and new rituals to manage the timing and tempo of death. Pushing back against the folklorization endemic to anthropological studies of death practices and the whiteness of death studies as a field, the chapters strive to override divisions between the Global South and the Anglophone world, focusing instead on syncretization, globalization, and magic within the mundane" --


A Global History of Execution and the Criminal Corpse

A Global History of Execution and the Criminal Corpse
Author: Richard Ward
Publisher: Springer
Total Pages: 303
Release: 2015-09-27
Genre: History
ISBN: 1137444010

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Through studies of beheaded Irish traitors, smugglers hung in chains on the English coast, suicides subjected to the surgeon's knife in Dresden and the burial of executed Nazi war criminals, this volume provides a fresh perspective on the history of capital punishment. The chapters 'Introduction: A Global History of Execution and the Criminal Corpse' and 'The Gibbet in the Landscape: Locating the Criminal Corpse in Mid-Eighteenth-Century England' are open access under a CC BY 4.0 license.