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Dario Fo and Franca Rame

Dario Fo and Franca Rame
Author: Dario Fo
Publisher:
Total Pages: 118
Release: 1983
Genre: Performing Arts
ISBN:

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"The morality play of the blind man & the cripple"--"The mother" (La Madre) - "I don't move, I don't scream, my voice is gone" (Lo Stupro) - "Waking up" (Il Risveglio) - Workshops - News clippings.


Dario Fo and Franca Rame

Dario Fo and Franca Rame
Author: Joseph Farrell
Publisher:
Total Pages: 0
Release: 2019-04
Genre: Authors, Italian
ISBN: 9780413778123

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Dario Fo, actor, playwright, theatre director, stage designer, political activist, artist and author who, having attained international fame in theatre, produced the first of his six novels at the age of 88 -- was there any limit to his versatile genius? He was awarded the Nobel Prize for Literature in 1997, and works such as Accidental Death of an Anarchist or Can't Pay? Won't Pay secured his reputation as the outstanding political playwright of his age. Unlike other writers of a similar mind, Fo's chosen genre was farce, so his drama is a uniquely engaging mixture of laughter and anger. In 1954 he married Franca Rame, a member of a family-company of touring players. The personal and professional partnership of the two over sixty years was probably unique in theatre history. Her inherited, instinctive knowledge of stagecraft was invaluable to him, but although she was always recognised as an actor of considerable talent, her contribution to the writing of the plays was long undervalued. With the emergence of the feminist movement she increasingly asserted herself, notably with a series of one-woman works she wrote and performed. She became one of Italy's and Europe's leading feminist campaigners, and as such a target for right-wing terrorist groups. In 1973, she was kidnapped and raped by neo-Fascist thugs. Although the subjects of their plays, with their fearless attacks on corruption and satire of Popes and politicians, were often taken from the headlines of the day, their theatre was deeply rooted in theatrical tradition. The Nobel Prize citation stated that Fo 'emulated the jesters of the Middle Ages in scourging authority and upholding the dignity of the downtrodden', but this political campaigning came at a cost. The couple's militant reputation meant that they were for many years barred from Italian television and banned from entering the USA, but their plays were staged from London to Tokyo and they themselves were acclaimed wherever they toured.


The Open Couple ; An Ordinary Day

The Open Couple ; An Ordinary Day
Author: Dario Fo
Publisher: Methuen Publishing
Total Pages: 79
Release: 1990
Genre: Italian drama
ISBN: 9780413640505

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Two plays written by the Italian farceur, Dario Fo, in conjunction with his wife and fellow-performer. Both plays start with the breakdown of a relationship and deal with the fate of women in a society in which both the social system in which they live and its dominant ideology are shaped by men.


Dario Fo and Franca Rame: passion unspent

Dario Fo and Franca Rame: passion unspent
Author: Joseph Farrell
Publisher: Ledizioni
Total Pages: 118
Release: 2015-10-01
Genre: Biography & Autobiography
ISBN: 8867053248

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In the official citation explaining the decision to award the 1997 Nobel Prize for Literature to Dario Fo, the Swedish Royal Academy stated that he had emulated the jesters of the Middle Ages in scourging authority and upholding the dignity of the downtrodden. It went on to add that with a blend of laughter and gravity, he opens our eyes to abuses and injustices in society: Fo is an extremely serious satirist. Since the award of the Nobel prize, Dario Fo has never stopped writing, performing and painting. He was deeply affected by the death of his wife Franca Rame and has dedicated works to her.


Elizabeth, Almost by Chance a Woman

Elizabeth, Almost by Chance a Woman
Author: Dario Fo
Publisher: Samuel French, Inc.
Total Pages: 124
Release: 1989
Genre: Drama
ISBN: 9780573691362

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We Won't Pay! We Won't Pay! and Other Plays

We Won't Pay! We Won't Pay! and Other Plays
Author: Dario Fo
Publisher: Theatre Communications Grou
Total Pages: 356
Release: 2001
Genre: Drama
ISBN: 9781559361828

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Exclusive U.S. publisher of the 1998 Nobel Laureate


Dario Fo & Franca Rame

Dario Fo & Franca Rame
Author: Ronald Scott Jenkins
Publisher:
Total Pages: 224
Release: 2001
Genre: Drama
ISBN:

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In honoring for the first time a writer who is also an actor and a clown, the Swedish Academy expanded the officially recognized boundaries of literature to include the language of the body and the muscular truth of slapstick.".


Dario Fo and Franca Rame

Dario Fo and Franca Rame
Author: David Hirst
Publisher: Palgrave Macmillan
Total Pages: 218
Release: 1989
Genre: Literary Criticism
ISBN: 9780312023355

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About Face

About Face
Author: Dario Fo
Publisher: Samuel French, Inc.
Total Pages: 100
Release: 1989
Genre: Drama
ISBN: 9780573615054

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Staging Dario Fo and Franca Rame

Staging Dario Fo and Franca Rame
Author: Stefania Taviano
Publisher: Routledge
Total Pages: 236
Release: 2017-03-02
Genre: Literary Criticism
ISBN: 1351898272

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This is the first extended treatment of the English translations, stagings, and reception of the political plays of Dario Fo and Franca Rame. Focusing on the United Kingdom and the United States, Stefania Taviano offers a critique of the cultural stereotyping and political conservatism that have pursued these playwrights in translation and argues for the possibility of remaining true to Fo and Rame's political commitment while preserving the comic nature of their plays. Taviano shows how the choices made by the translators and stagers of Fo and Rame's political theatre reveal attitudes toward foreign cultures and theatre generally and Italy in particular. Among the questions she poses are 'What characterizes the process of acculturation that takes place when political theatre is transposed from one culture to another?' 'To what extent are images of foreign literary production affected by dominant translation practices and theatre traditions?' Perhaps most important, 'What constitutes political theatre in a given society, and how are such definitions used to categorize and contain theatre texts that are disturbing, challenging, and difficult to stage?' Her book concludes with an investigation of the meaning of Fo and Rame's political theatre today that points the way for future critical studies of the politics behind the translation and stage production of political theatre outside its culture of origin.