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Dante in the Long Nineteenth Century

Dante in the Long Nineteenth Century
Author: Aida Audeh
Publisher: Oxford University Press
Total Pages:
Release: 2012-03-15
Genre: Literary Criticism
ISBN: 0191639850

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This collection of essays by an international group of scholars offers an account of Dante's reception in a wide range of media: visual art, literature, theatre, cinema, and music, from the late eighteenth century through to the early twentieth. It thus explores various appropriations and interpretations of his works and persona during the era of modernization in Europe, the United States, and beyond. It includes work by internationally recognized experts and a new generation of scholars in the field, and the eighteen essays are grouped in sections which relate both to themes and regions. The volume begins and ends by addressing Italy's reception of the national poet, and its other main sections show how a worldwide dialogue with Dante developed in France, Britain, Germany, the United States, Ireland, India, and Turkey. The whole collection demonstrates how this dialogue explicitly or implicitly informed the construction, recovery or re-definition of cultural identity among various nations, regions and ethnic groups during the 'long nineteenth century'. It not only aims at wide coverage of the period's voices and concerns, and includes discussion of well-known writers such as Ugo Foscolo, Giosuè Carducci, Mary Shelley, John Ruskin, George Eliot, Charles Eliot Norton and Ralph Waldo Emerson - along with a large number of significant but less familiar figures. It also emphasizes the importance of a multidisciplinary and multilingual approach to the subject of Dante and nineteenth-century nationalism, and it will thus be of interest to scholars and students in comparative literary and nineteenth-century studies, as well as to those with a general interest in cultural studies and the history of ideas.


Dante in the Long Nineteenth Century

Dante in the Long Nineteenth Century
Author: Aida Audeh
Publisher: Oxford University Press
Total Pages: 415
Release: 2012-03-15
Genre: Art
ISBN: 0199584621

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This collection of essays provides an account of Dante's reception in a range of media-visual art, literature, theatre, cinema, and music-from the late eighteenth century through to the early twentieth and explores various appropriations and interpretations of his works and persona during the era of modernization in Europe, the USA, and beyond.


Dante in the Nineteenth Century

Dante in the Nineteenth Century
Author: N. R. Havely
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Total Pages: 0
Release: 2011
Genre: Intellectual life
ISBN: 9783039119790

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The 19th century saw the reinvention of Dante as a Romantic and national poet and his recognition as the canonical 'central man of all the world'. Addressing these aspects of Dante's presence during a key period of his modern reception, this collection of essays draws upon papers given at the conference 'Dante in the 19th Century', held in 2008.


A Nineteenth-century Dante

A Nineteenth-century Dante
Author: William Henry Cooper
Publisher:
Total Pages: 8
Release:
Genre: Christian union
ISBN:

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Dante beyond influence

Dante beyond influence
Author: Federica Coluzzi
Publisher: Manchester University Press
Total Pages: 238
Release: 2021-12-07
Genre: Literary Criticism
ISBN: 1526152436

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Dante beyond influence is the first study to conceptualise and historicise the hermeneutic turn in Dante reception history and Victorian cultural history, charting its development across intellectual realms, agents and forms of readerly and writerly engagement. Unearthing previously unseen manuscript and print evidence, the book conducts a material and book-historical inquiry into the formation and popularisation of the critical and scholarly discourse on Dante through Victorian periodicals, mass-publishing, traditional and Extramural higher education. The book demonstrates that the transformation of Dante from object of amateur interest (dantophilia) to subject of systematic interpretive endeavours (dantismo) reflected paradigmatic changes in Victorian intellectual and socio-cultural history.


Dante's British Public

Dante's British Public
Author: Nick Havely
Publisher: OUP Oxford
Total Pages: 384
Release: 2014-07-24
Genre: Literary Criticism
ISBN: 0191034371

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This is the first account of Dante's reception in English to address full chronological span of that process. Individual authors and periods have been studied before, but Dante's British Public takes a wider and longer view, using a selection of vivid and detailed case studies to record and place in context some of the wider conversations about and appropriations of Dante that developed in Britain across more than six centuries, as access to his work extended and diversified. Much of the evidence is based on previously unpublished material in (for example) letters, journals, annotations and inventories and is drawn from archives in the UK and across the world, from Milan to Mumbai and from Berlin to Cape Town. Throughout, the role of Anglo-Italian cultural contacts and intermediaries in shaping the public understanding of Dante in Britain is given prominence - from clerics and merchants around Chaucer's time, through itinerant scholars, collectors and tourists in the early modern period, to the exiles and expatriates of the nineteenth and twentieth centuries. The final chapter brings the story up to the present, showing how the poet's work has been seen (from the fourteenth century onwards) as accessible to 'the many', and demonstrating some of the means by which Dante has reached a yet wider British public over the past century, particularly through translation, illustration, and various forms of performance.


The Lied at the Crossroads of Performance and Musicology

The Lied at the Crossroads of Performance and Musicology
Author: Benjamin Binder
Publisher: Cambridge University Press
Total Pages: 247
Release: 2024-02-15
Genre: Music
ISBN: 1009007750

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There seems to be an essential relationship between the performance and the scholarship of the German Lied. Yet the process by which scholarly inquiry and performative practices mutually benefit one another can appear mysterious and undefined, in part because any dialogue between the two invariably unfolds in relatively informal environments – such as the rehearsal studio, seminar room or conference workshop. Contributions from leading musicologists and prominent Lied performers here build on and deepen these interactions to reconsider topics including Werktreue aesthetics and concert practices; the authority of the composer versus the performer; the value of lesser-known, incomplete, or compositionally modified songs; and the traditions, habits and prejudices of song recitalists regarding issues like transposition, programming and dramatic modes of presentation. The book as a whole reveals the reciprocal relevance of Lied musicology and Lied performance, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery.


British Poetry of the Long Nineteenth Century

British Poetry of the Long Nineteenth Century
Author: Beverley Park Rilett
Publisher: Lulu.com
Total Pages: 460
Release: 2017-04-29
Genre: Education
ISBN: 136592582X

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This anthology surveys Britain's golden years of poetry--the "long" nineteenth century. College students are introduced to the most frequently studied poems of eighteen poets, each afforded roughly equal space. Neither too condensed nor too comprehensive, this 436-page collection is designed specifically for six to eight weeks of poetry study in a British literature course.


The Figure of Christ in the Long Nineteenth Century

The Figure of Christ in the Long Nineteenth Century
Author: Elizabeth Ludlow
Publisher: Springer Nature
Total Pages: 275
Release: 2020-07-17
Genre: Literary Criticism
ISBN: 3030400824

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This book is an interdisciplinary collection of essays that explores the variety of ways in which the interface between understanding the figure of Christ, the place of the cross, and the contours of lived experience, was articulated through the long nineteenth century. Collectively, the chapters respond to the theological turn in postmodern thought by asking vital questions about the way in which representations of Christ shape understandings of personhood and of the divine.