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| Author | : Giuseppe Mazzotta |
| Publisher | : Bernardo Lecture Series |
| Total Pages | : 0 |
| Release | : 2001-01-01 |
| Genre | : Philosophy |
| ISBN | : 9781586842536 |
Raises the radical question of how Dante’s understanding of poetry shaped his theology, his ethics, and, more generally his sense of the organization of knowledge or encyclopedia.
| Author | : Tommaso Priviero |
| Publisher | : Taylor & Francis |
| Total Pages | : 222 |
| Release | : 2023-08-04 |
| Genre | : Psychology |
| ISBN | : 100092243X |
This book explores the genesis of the Red Book (or Liber Novus), through the lens of Jung’s lifelong confrontation with Dante and, in doing so, provides the first-ever thorough comparative analysis of the intertextual and symbolical correspondences between Liber Novus and the Commedia. Starting from Jung’s multifaceted fascination with Dante and his pivotal role in the former’s visionary material at historical, hermeneutical, and psychological levels, the book challengingly envisions Liber Novus as Jung’s Divine Comedy. This work finds a new way of approaching Jung’s understanding of concepts such as "visionary works" and "visionary mind" and considers how this approach can enhance our vision of depth psychology. Through various thematics such as the metanoia and the symbolism of animals, as well as the transformative role of the feminine and the erotic and spiritual imagery of the soul, this work revolves around the Jung-Dante correlation. Offering an original perspective within the field of Jungian and Dante scholarship, this book will be of great interest to academics and postgraduate students studying in the areas of Jung, Dante, analytical psychology, depth psychology, hermeneutics and Western esoteric currents and practices. The book will also appeal to Jungian analysts and psychoanalysts more broadly.
| Author | : Zygmunt G. Bara?ski |
| Publisher | : SUNY Press |
| Total Pages | : 55 |
| Release | : 2014-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 1438457383 |
Describes several key roles of Canto 18 in the structure of the Commedia. Language as Sin and Salvation: A Lectura of Inferno 18 is the nineteenth in a series of publications occasioned by the annual Bernardo Lecture at the Center for Medieval and Renaissance Studies (CEMERS) at Binghamton University. This series offers public lectures that have been given by distinguished medieval and Renaissance scholars on topics and figures representative of these two important historical, religious, and intellectual periods. With its sexual overtones and scatological references, Inferno 18 has caused considerable embarrassment to Dante scholars, who have tended to offer partial and reductive readings of the canto. This essay aims to establish Inferno 18s key role in the structure of the Commedia, not only in its function as prologue to one of the most original sections of Dantes afterlife, the richly stratified circle of fraud, Malebolge, but also as the canto in which the poet addresses two of the major controversial questions relating to the form of his great poem, namely, its status as comedy and its linguistic eclecticism.
| Author | : Albert Russell Ascoli |
| Publisher | : Center for Medieval and Renaissance Studies |
| Total Pages | : 51 |
| Release | : 2010-11-18 |
| Genre | : Literary Criticism |
| ISBN | : 1438438079 |
Building upon his 2008 book Dante and the Making of a Modern Author, Albert Russell Ascoli here reflects on the extent to which Petrarch's addresses to and figurations of his relationship to his readers intersect with the oft-asserted "modernity" of his authorial stances. In particular, Ascoli argues that following in the wake of Dante's double staging of himself as reader of his own works (especially in the Vita Nuova), Petrarch shows a keen and probing awareness of how the process of poetic signification involves a continual interchange between author and reader, as well as a strong desire to control the nature of that interchange as much as he can. Ascoli asserts that between Dante and Petrarch two primary—and contradictory—features of literary modernity can be identified: the affirmation of the preeminence of authorial intention and the foregrounding of readerly freedom of interpretation. The Aldo S. Bernardo Lecture Series in the Humanities honors Professor Emeritus Aldo S. Bernardo, his scholarship in medieval Italian literature, and his service to Binghamton University as Professor of Romance Languages and University Distinguished Service Professor. The Bernardo Lecture Series is endowed by the Bernardo Fund and administered by Binghamton University's Center for Medieval and Renaissance Studies (CEMERS), which Professor Bernardo cofounded and codirected with Professor Bernard Huppé from 1966 to 1973. The series offers annual lectures by distinguished scholars on topics related to Professor Bernardo's primary fields of interest—medieval and Renaissance Italian literature, with a particular focus on Dante Studies, and intellectual history.
| Author | : Dante Alighieri |
| Publisher | : Indiana University Press (Ips) |
| Total Pages | : 424 |
| Release | : 1984-06-22 |
| Genre | : Literary Collections |
| ISBN | : |
The Paradise, which Dante called the sublime canticle, is perhaps the most ambitious book of The Divine Comedy. In this climactic segment, Dante's pilgrim reaches Paradise and encounters the Divine Will. The poet's mystical interpretation of the religious life is a complex and exquisite conclusion to his magnificent trilogy. Mark Musa's powerful and sensitive translation preserves the intricacy of the work while rendering it in clear, rhythmic English. His extensive notes and introductions to each canto make accessible to all readers the diverse and often abstruse ingredients of Dante's unparalleled vision of the Absolute: elements of Ptolemaic astronomy, medieval astrology and science, theological dogma, and the poet's own personal experiences.
| Author | : William Franke |
| Publisher | : Routledge |
| Total Pages | : 491 |
| Release | : 2021-03-24 |
| Genre | : Literary Criticism |
| ISBN | : 1000361802 |
Self-reflection, as the hallmark of the modern age, originates more profoundly with Dante than with Descartes. This book rewrites modern intellectual history, taking Dante’s lyrical language in Paradiso as enacting a Trinitarian self-reflexivity that gives a theological spin to the birth of the modern subject already with the Troubadours. The ever more intense self-reflexivity that has led to our contemporary secular world and its technological apocalypse can lead also to the poetic vision of other worlds such as those experienced by Dante. Facing the same nominalist crisis as Duns Scotus, his exact contemporary and the precursor of scientific method, Dante’s thought and work indicate an alternative modernity along the path not taken. This other way shows up in Nicholas of Cusa’s conjectural science and in Giambattista Vico’s new science of imagination as alternatives to the exclusive reign of positive empirical science. In continuity with Dante’s vision, they contribute to a reappropriation of self-reflection for the humanities.
| Author | : Etienne Gilson |
| Publisher | : Read Books Ltd |
| Total Pages | : 432 |
| Release | : 2011-03-23 |
| Genre | : Philosophy |
| ISBN | : 1446545148 |
The object of this work is to define Dante's attitude or, if need be, his successive attitudes towards philosophy. It is therefore a question of ascertaining the character, function and place which Dante assigned to this branch of learning among the activities of man. My purpose has not been to single out, classify and list Dante's numerous philosophical ideas, still less to look for their sources or to decide what doctrinal influences determined the evolution of his thought.
| Author | : Dino S. Cervigni |
| Publisher | : Bernardo Lecture Series |
| Total Pages | : 48 |
| Release | : 2009 |
| Genre | : Literary Criticism |
| ISBN | : |
In Boccacio's Decameron, Cervigni sees a parodic echo of the circles of Dante's Divine Comedy, and asks whether Bocaccio envisions the voyage of the brigata as similar to Dante the Pilgrim's journey toward the center, first the abysmal center of Lucifer, then towards the highest center, God.
| Author | : Teodolinda Barolini |
| Publisher | : Princeton University Press |
| Total Pages | : 369 |
| Release | : 1992-10-30 |
| Genre | : Literary Criticism |
| ISBN | : 1400820766 |
Accepting Dante's prophetic truth claims on their own terms, Teodolinda Barolini proposes a "detheologized" reading as a global new approach to the Divine Comedy. Not aimed at excising theological concerns from Dante, this approach instead attempts to break out of the hermeneutic guidelines that Dante structured into his poem and that have resulted in theologized readings whose outcomes have been overdetermined by the poet. By detheologizing, the reader can emerge from this poet's hall of mirrors and discover the narrative techniques that enabled Dante to forge a true fiction. Foregrounding the formal exigencies that Dante masked as ideology, Barolini moves from the problems of beginning to those of closure, focusing always on the narrative journey. Her investigation--which treats such topics as the visionary and the poet, the One and the many, narrative and time--reveals some of the transgressive paths trodden by a master of mimesis, some of the ways in which Dante's poetic adventuring is indeed, according to his own lights, Ulyssean.
| Author | : Nicolò Crisafi |
| Publisher | : Oxford University Press |
| Total Pages | : 209 |
| Release | : 2022-02-24 |
| Genre | : Literary Criticism |
| ISBN | : 0192672150 |
Dante's Masterplot and Alternative Narratives in the 'Commedia' questions the familiar narrative arc at play in the writings of Dante Alighieri and opens his masterpiece to three alternative models that resist it. Dante's masterplot is the teleological trajectory by which the poet subordinates the past to the authority of a new experience. The book analyses the masterplot's workings in Dante's text and its role in the interpretation of the poem, and it documents its overwhelming success in influencing readings of the Commedia over the centuries. The volume then explores three competing narrative models that resist and counter its monopoly which are enacted by paradoxes, alternative endings and parallel lives, and the future. By focusing on these non-linear modes of storytelling and testing the limits of linear narration, the book questions critical paradigms in the scholarship of the Commedia that favour a single normative master truth, exposes their problematic authoritarian implications, and highlights the manifold poetic, theological, and ethical tensions that are often neglected due to the masterplot's influence. The new picture of a vulnerable author and open-ended text that emerges from this study thus doubles as a metacritical reflection on the state of the field. The book's impassioned argument is that, alongside established notions of his trademark plurality of linguistic registers and styles, Dante's narrative pluralism can, and should, come to play a key role in contemporary and future readings of the Commedia.
