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Dante and the Romantics

Dante and the Romantics
Author: A. Braida
Publisher: Springer
Total Pages: 241
Release: 2004-09-30
Genre: Literary Criticism
ISBN: 0230508499

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The British Romantic poets were among the first to realise the centrality of the Divine Comedy for the evolution of the European epic. This study explores the significance of Dante for Percy Bysshe Shelley, John Keats and William Blake. What was their idea of Dante? Why did they feel the need to approach his Christian epic on the afterlife? This study aims to answer these questions by focusing on the three poets' preoccupation with form and language.


Dante and the French Romantics

Dante and the French Romantics
Author: Michael Pitwood
Publisher: Librairie Droz
Total Pages: 348
Release: 1985
Genre: Christianity in literature
ISBN: 9782600036153

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Dante and the Romantics

Dante and the Romantics
Author: Antonella Braida
Publisher: Palgrave MacMillan
Total Pages: 241
Release: 2004-09-30
Genre: Criticism
ISBN: 9786610438662

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Dante played a major role in the evolution of the European epic, a fact first recognised by the Romantic poets. Braida explores the importance of the 'Divine Comedy' for Keats, Shelley & Blake, seeking to know what drew them to this Christian fantasy.


Dante and Italy in British Romanticism

Dante and Italy in British Romanticism
Author: F. Burwick
Publisher: Springer
Total Pages: 417
Release: 2011-09-26
Genre: Literary Criticism
ISBN: 0230119972

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From the artistic practice of improvisation to the politics of nationalism, the essays in this volume break new ground and significantly extend our understanding of the relations between British and Italian culture in its analysis of the reception of Dante and Italian literature in British Romanticism.


Dante on View

Dante on View
Author: Antonella Braida
Publisher: Routledge
Total Pages: 254
Release: 2017-05-15
Genre: Literary Criticism
ISBN: 1351946307

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Dante on View opens an important new dimension in Dante studies: for the first time a collection of essays analyses the presence of the Italian Medieval poet Dante Alighieri in the visual and performing arts from the Middle Ages to the present day. The essays in this volume explore the image of Dante emerging in medieval illuminated manuscripts and later ideological and nostalgic uses of the poet. The volume also demonstrates the rich diversity of projects inspired by the Commedia both as an overall polysemic structure and as a repository of scenes, which generate a repertoire for painters, actors and film-makers. In its original multimediality, Dante's Commedia stimulates the performance of readers and artists working in different media from manuscript to stage, from ballet to hyperinstruments, from film to television. Through such a variety of media, the reception of Dante in the visual and performing arts enriches our understanding of the poet and of the arts represented at key moments of formal and structural change in the European cultural world.


Romantic Europe and the Ghost of Italy

Romantic Europe and the Ghost of Italy
Author: Joseph Luzzi
Publisher: Yale University Press
Total Pages: 305
Release: 2008-11-24
Genre: Literary Criticism
ISBN: 0300151780

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This groundbreaking study considers Italian Romanticism and the modern myth of Italy. Ranging across European and international borders, he examines the metaphors, facts, and fictions about Italy that were born in the Romantic age and continue to haunt the global literary imagination.


Dante in Deutschland

Dante in Deutschland
Author: Daniel DiMassa
Publisher: Rutgers University Press
Total Pages: 243
Release: 2022-08-12
Genre: Literary Criticism
ISBN: 1684484189

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Around 1800, German Romantics fixated on Dante's Divine Comedy as a model for the creation of a new mythology of reason. This book traces that fixation across Romantic and Neo-Romantic texts, showing how the Romantic Dante cult in fact generated ominous amalgams of art, myth, and fascism in the twentieth century.


Dante in Deutschland

Dante in Deutschland
Author: Daniel DiMassa
Publisher: Rutgers University Press
Total Pages: 243
Release: 2022-08-12
Genre: Literary Criticism
ISBN: 1684484200

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Around the turn of the nineteenth century, no task seemed more urgent to German Romantics than the creation of a new mythology. It would unite modern poets and grant them common ground, and bring philosophers and the Volk closer together. But what would a new mythology look like? Only one model sufficed, according to Friedrich Schlegel: Dante’s Divine Comedy. Through reading and juxtaposing canonical and obscure texts, Dante in Deutschland shows how Dante’s work shaped the development of German Romanticism; it argues, all the while, that the weight of Dante’s influence induced a Romantic preoccupation with authority: Who was authorized to create a mythology? This question—traced across texts by Schelling, Novalis, and Goethe—begets a Neo-Romantic fixation with Dantean authority in the mythic ventures of Gerhart Hauptmann, Rudolf Borchardt, and Stefan George. Only in Thomas Mann’s novels, DiMassa asserts, is the Romantics’ Dantean project ultimately demythologized.


Joyce, Dante, and the Poetics of Literary Relations

Joyce, Dante, and the Poetics of Literary Relations
Author: Lucia Boldrini
Publisher: Cambridge University Press
Total Pages: 247
Release: 2001-03-19
Genre: Literary Criticism
ISBN: 0521792762

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Boldrini examines how Dante's literary and linguistic theories helped shape Joyce's radical narrative techniques.


The Vision of Dante

The Vision of Dante
Author: Edoardo Crisafulli
Publisher: Troubador Publishing Ltd
Total Pages: 364
Release: 2003
Genre: History
ISBN: 9781899293094

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The popular and critically acclaimed translation of Dante's Divine Comedy into English was carried out by the Anglican Reverend H. F. Cary. He has an honoured place in the rediscovery of Dante's masterpiece in Romantic Britain. Shelley, Byron, Wordsworth and Coleridge lavished praise upon his translation and it was through Cary's The Vision of Dante that the beauty and intricacies of the Italian poem. The book examines crucial aspects of British culture in the 19th Century and throws light on the manifold transformations of Dante's imagery into English poetry.